Nora Roberts - Remember When

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Remember When: краткое содержание, описание и аннотация

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She's one author - with two number-one New York Times-bestselling careers. As Nora Roberts, her novels include Three Fates and Birthright. As J. D. Robb, she offers such novels as Portrait in Death. Now she unites her separate identities in a riveting two-part novel that combines edgy suspense and romantic passion - and journeys through past, present, and future. In Part One, Nora Roberts introduces us to Laine Tavish, known to the folks in Angel's Gap, Maryland, as the proprietor of Remember When, an antique treasures and gift shop. They have no idea that she used to be Elaine O'Hara, daughter of the notorious con man Big Jack O'Hara ... or that she grew up moving from place to place, one step ahead of the law. But Laine's past has just caught up with her. Her long-lost uncle has visited her shop, leaving a cryptic warning before dying in the street, run down by a car. Soon afterward, Laine's home is ransacked. Now it's up to her, and an enigmatic stranger named Max Gannon, to find out who's chasing her, and why. The answer lies in a hidden fortune - a fortune that will change Laine's life. In Part Two, J. D. Robb takes us to New York City in 2059, and puts Detective Lieutenant Eve Dallas on the case. The treasure that Laine and Max sought has never been fully recovered. And now someone else is pursuing the missing gems ... someone who's willing to kill for them. Sharp-witted and sexy, Eve is used to traveling in the shadowy corners outside the law, in a future where crime meets cutting-edge technology. She will attempt to track down the diamonds once and for all - and stop the danger and death that have surrounded them for decades.

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He used his passcode to access the elevator. "You know how it is."

"That's right." As Trevor stepped into the elevator with him, his heart began to trip lightly in his chest.

"Dinner party tonight. Jan and Lucia. You going to make that?"

It all seemed so petty to him now, so bland, so small. "Bored."

"I hear that. Gets so it's the same thing, day after day. Same people, same talk. But you've got to do something. Could use a little excitement though, something different. Something unexpected."

Trevor smiled as they stepped off the elevator. "Careful what you wish for,"

he said, and laughed and laughed as Dix unlocked his door.

***

Eve screeched to a stop outside Dix's building. She was out of the car with her badge held up before the doorman could sputter an objection.

"Chad Dix."

"He just came in. About ten minutes ago, with a companion. I'm afraid you can't park-"

"I'm going to need a blueprint of the building and of the apartment."

"I can't help you with-"

She cut him off simply by holding up a hand, and looked over as Roarke pulled up. "I need the blueprints, and I need your security to shut down the elevators, block the stairwells on every floor. Roarke." She jerked her head, knowing he'd get results quicker. "Talk the talk. Peabody, let's get that backup."

She yanked out her communicator to contact her commander and apprise him of the situation.

By the time she was finished, she was ready to confer with McNab and Feeney in the security office. The diagram of the building was up on screen.

"We send a uniform up to the other units on this floor. We determine what other tenants are in residence and move them out quick and quiet. Then we lock down the floor again. Make that happen," she said to Peabody.

"Yes, sir."

"Emergency evac in Dix's unit, here." She tapped a finger on the screen. "Can that be sealed from this location?"

"Sure." Feeney jerked a thumb toward McNab to put him on that detail.

"He won't be going anywhere," Eve stated. "Got him locked, got him boxed. But that doesn't help Dix. We wait and Whittier remains unaware of our presence, maybe he just walks out, but odds are he kills Dix, takes his prize, then tries to walk. That's his style, that's his pattern. We move in, we've got a civilian in the crosshairs. We let Whittier know we're here and he's sealed in, he's got a hostage."

"Has to be alive to be a hostage."

She met Feeney's gaze. "Yeah, but he doesn't have to stay that way. Big place," she continued, studying the diagram of the apartment. "Chad's got himself a big-ass place. No telling where they are in it."

"They came in chummy," Feeney reminded her. "Maybe he takes the toy, leaves Dix alive."

She shook her head. "Self-preservation comes first. Dix is too big a risk, so he has to eliminate him. Easier to do it now. He's killed twice before and gotten away clean."

To better absorb the whole of it, she stepped back from the screen. "We seal it up, we seal it up tight. Isolate him. Let's go with decoy first. Delivery.

See if we can get Dix to open the door. He opens it, we get him out, move in.

He doesn't, we assume he's dead or incapacitated and we take the door."

She pushed at her hair. "We work on getting eyes and ears in there, but we try the decoy now. This turns into a hostage situation, you take the negotiations?" she asked Feeney.

"I'll get it set up."

"Okay, somebody get me a package. McNab, you're playing messenger. I want three of the tactical team up, positioned here, here, here." She tapped the screen again. "Feeney, security and the coms are on you. McNab, let's move."

She looked at Roarke. "Can you ditch the locks on the door without letting anyone inside know?"

"Shouldn't be a problem."

"Okay." She rolled her shoulders. "Let's rock."

Chapter 31

Inside the apartment, Dix suggested another drink. "Since I'm blowing off the day, I might as well make it worthwhile."

Calculating, Trevor watched him get out a martini shaker. The doorman had seen him come inside. Security disks would show him entering. If he needed a little extra time, it might be wise to set the stage for an accident. Alcohol in the bloodstream, a slip in the bathroom? He could and would be gone before they found the body. Gain a little more of a buffer while they investigated what would appear, on the surface, to be a drunken fall.

My God, he was clever. Wouldn't his grandfather be proud?

"Wouldn't say no to a drink. I'd really like to see the piece."

"Sure, sure." Dix waved him off while he mixed drinks.

He could send a text message from Dix's 'link to his office, Trevor decided.

Set it to transmit ten minutes after he left the building. Security and the doorman would both verify his exit if need be, and the message would appear-until they dug deeper-to have been sent by Dix himself, alive and well, and alone in his apartment.

God was in the details.

He could knock him out, anywhere, then cart him into the bath, angle him, let him fall so that his head hit the corner of the tub, say.

Bathrooms were death traps, after all.

"What's the joke?" Dix asked as Trevor began to laugh.

"Nothing, nothing. Little private moment." He took the glass. His prints wouldn't matter. In fact, all the better that they show up on a glass. Nice, companionable drink with a friend. Not trying to hide a thing.

"So, what's wrong with your father?"

"He's an anal-retentive, stiff-necked, disapproving asshole."

"A little harsh, seeing as he's dying."

"What?" Trevor cursed himself as he remembered. "Being dead doesn't change what he is. I'm not playing the hypocrite over it. Sorry he's sick and all that, but I've got to live my own life. Old man's already had his, such as it is."

"Jesus." With a half laugh, Dix drank. "That's cold. I've got issues with my father. Hell, who doesn't? But I can't imagine just shrugging it off if I knew he was going to kick. Pretty young for taking the slide, isn't he?" He squinted as he tried to remember. "Can't have hit even seventy yet. Guy's just cruising into his prime."

"He hasn't ever been prime." Because it amused him, Trevor spun out the tale.

Lying was nearly as fun as cheating, and cheating came very close to stealing.

Killing didn't give quite the same rush. It was so damn messy. It was more of a needs-to-be-done kind of chore. But he was beginning to believe he'd enjoy ending Dix.

"Some genetic deal," he decided. "His mother passed it to him. Son of a bitch probably passed it to me. Some brain virus or happy shit. He'll go loony before he kicks. We'll have to put him away in some plush cage for mental defectives."

"God, Trevor, that's really rough." A glimmer of the man Samantha Gannon had enjoyed eked through the haze of gin. "I'm sorry. Really sorry. Look, forget the money. I didn't know it was something like this. I wouldn't feel right taking money for the loan when you've got all this on your head. Just to keep it clean, I'll draw up a paper, a receipt, but I can't take any money for it."

"That's big of you, Chad." It got better and better. "I don't want to trade on sympathy."

"Look, forget it. Your father's got a sentimental attachment to the piece, I get that. I'm the same way myself. I couldn't enjoy owning it if I thought about him being upset, under the circumstances, that it was sold off. When, ah, the rest of the collection comes to you, and you want to unload any of it, just keep me in mind."

"That's a promise. Hate to cut this short, but I really should get moving."

"Oh, sure." Dix drained the last of his drink, set the glass aside. "Come on back to the display room. You know, the reason I took this apartment was for this room. The space, the light. Samantha used to say I was obsessed."

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