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Patrick Rothfuss: The Slow Regard of Silent Things

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Patrick Rothfuss The Slow Regard of Silent Things

The Slow Regard of Silent Things: краткое содержание, описание и аннотация

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**AUTHOR’S FOREWORD** You might not want to buy this book. I know, that’s not the sort of thing an author is supposed to say. The marketing people aren’t going to like this. My editor is going to have a fit. But I’d rather be honest with you right out of the gate. First, if you haven’t read my other books, you don’t want to start here. My first two books are *The Name of the Wind* and *The Wise Man’s Fear*. If you’re curious to try my writing, start there. They’re the best introduction to my world. This book deals with Auri, one of the characters from that series. Without the context of those books, you’re probably going to feel pretty lost. Second, even if you have read my other books, I think it’s only fair to warn you that this is a bit of a strange story. I don’t go in for spoilers, but suffice to say that this one is ... different. It doesn’t do a lot of the things a classic story is supposed to do. And if you’re looking for a continuation of Kvothe’s storyline, you’re not going to find it here. On the other hand, if you’d like to learn more about Auri, this story has a lot to offer. If you love words and mysteries and secrets. If you’re curious about the Underthing and alchemy. If you want to know more about the hidden turnings of my world... Well, then this book might be for you. Deep below the University, there is a dark place. Few people know of it: a broken web of ancient passageways and abandoned rooms. A young woman lives there, tucked among the sprawling tunnels of the Underthing, snug in the heart of this forgotten place. Her name is Auri, and she is full of mysteries. *The Slow Regard of Silent Things* is a brief, bittersweet glimpse of Auri’s life, a small adventure all her own. At once joyous and haunting, this story offers a chance to see the world through Auri’s eyes. And it gives the reader a chance to learn things that only Auri knows... In this book, Patrick Rothfuss brings us into the world of one of *The Kingkiller Chronicle’s* most enigmatic characters. Full of secrets and mysteries, *The Slow Regard of Silent Things* is the story of a broken girl trying to live in a broken world.

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The bottom of the ladder dropped into a tiny, tidy room of finished stone. It was no bigger than a closet, empty except for an old oak door all bound in brass. Auri brushed off her hands, swung the door open, and stepped lightly into Wains.

The hallway was wide enough to drive a wagon through. High-ceilinged and long enough that Foxen’s light could barely reach the tangle of debris that blocked the far end. Above her, blue-white light scattered off a crystal chandelier.

Dark wood paneling hugged the lower portion of the walls, but above that was ornate plasterwork. There were broad frescoes decorating the ceiling. Women in gauze lounged about, whispering and rubbing oil on each other. Men frolicked about in the water, flapping around ridiculously in their absolute altogether.

Auri took a moment to look at the pictures as she always did, grinning wickedly. She shifted her weight from side to side, the polished marble floor chill beneath her tiny feet.

Both ends of Wains were blocked by fallen rock and earth, but in the middle it was clean as a crucible. Everything dry and tight as you please. No damp. No mold. No drafts to bring in dust. Altogether men or no, it was a seemly place, so Auri was careful to comport herself with full decorum.

There were twelve oak doors lining the hall. All fine and tight and bound in brass. Over her long years in the Underthing, Auri had opened three of them.

She walked down the hall, Foxen glowing brightly in her upheld hand. After a dozen steps, a glimmer on the marble floor caught her eye. Skipping close, she saw a crystal had fallen from the chandelier to lay unbroken on the floor. It was a lucky thing, and brave. She picked it up and put it in the pocket that didn’t have the key inside. They would only fuss if they were put together.

It wasn’t the third door, or the seventh. Auri was already planning her route down to Throughbottom when she spied the ninth door. It was waiting. Eager. The latch turned and the door eased smoothly open on silent hinges.

Auri stepped inside, pulled the key from her pocket, and kissed it before she lay it carefully on an empty table just inside the door. The tiny tap as it touched the wood warmed her heart. She smiled to see it sitting there, all snug and in its proper place.

It was a sitting room. Very fine. Auri sat Foxen in a wall sconce and went to have a careful look around. A tall velvet chair. A low wooden table. A plush couch on a plush carpet. In the corner was a tiny cart filled with glasses and bottles. They were very dignified.

There was something wrong with the room. Nothing looming. Nothing like in Sit Twice or Faceling. No. This was a good place. A nearly perfect place. Everything was almost. If this hadn’t been a white day with everything done properly, she might not have been able to tell something was amiss. Still, it was, and she did.

Auri stepped around the room, hands clasped primly behind her back. She eyed the cart, more than a dozen bottles, all colors. Some stoppered and full, some holding little more than dust. There was a burnished silver gear watch on one of the tables, near the couch. There was a ring too, and a scattering of coins. Auri eyed them curiously, touching nothing.

She moved daintily. One step. Another. The dark plush of the carpet was sweet beneath her feet, like moss, and when she bent down to run her fingers over the hush of it, she glimpsed a tiny whiteness underneath the couch. She reached deep into the shadows with a small white hand, having to stretch a bit before her fingers caught it. Smooth and cool.

It was a tiny figurine carved from a piece of pale, retiring stone. A small soldier with clever lines to show his hauberk and his shield. But his truest treasure was the sweetness of his face, kind enough for kissing.

It didn’t belong here, but it wasn’t wrong. Or rather, it wasn’t what was wrong with the room. The poor thing was simply lost. Auri smiled and put the doll in her pocket with the crystal.

It was then she felt a tiny bump beneath one foot. She pulled up the edge of the carpet, rolled it back, and found a small bone button underneath. Auri eyed it for a long moment before giving it an understanding smile. That wasn’t it either. The button was just as it should be. Moving carefully, she lay the carpet back exactly as she’d found it, patting it into place with her hands.

She looked around the room again. It was a good place, and almost entirely as it ought to be. There wasn’t really anything for her to do here. It was startling really, as the place had obviously been alone for ages without anyone tending to it.

Even so, there was something wrong. Some lack. Some tiny thing, like a single cricket legging madly in the night.

A second door sat on the other side of the room, eager to be opened. She worked the latch, walked through a hallway, only to come to the foot of a set of stairs. There she looked around with some surprise. She’d thought that she was still in Wains. But clearly not. This was a different place entirely.

Auri’s heart beat faster then. It had been ages since she’d come on somewhere wholly new. A place that dared to be entirely itself.

Still, carefully. In Foxen’s steady light Auri looked closely at the walls and ceiling. A few cracks, but nothing thicker than a thumb. A few small stones had fallen, and there was dirt and mortar on the steps as well. The walls were bare and slightly condescending. No. She had obviously left Wains behind.

She ran a hand over the stones of the steps. The first few were solid, but the fourth was loose. As were the sixth and seventh. And the tenth.

There was a landing halfway up where the stairway turned back upon itself. There was a door, but it was terribly bashful, so Auri politely pretended not to see it. She made her careful way up the second flight of steps and found half of them were also loose or prone to tipping.

Then she went back down the stairs, making sure she’d found all the shifting stones. She hadn’t. It was terribly exciting. The place was tricky as a drunken tinker and a little sly. It had a temper too. It would be hard to find a place less like a garden path.

Some places had names. Some places changed, or they were shy about their names. Some places had no names at all, and that was always sad. It was one thing to be private. But to have no name at all? How horrible. How lonely.

Auri made her way up the stairs a second time, testing each one with her feet, avoiding the spots she knew were bad. As she climbed, she couldn’t tell what sort of place this was. Shy or secret? Lost or lonely? A puzzling place. It made her grin all the wider.

At the top of the stairs the ceiling had collapsed, but there was a gap made by a broken wall. Auri stepped through and found herself grinning with the thrill of it. Another new place. Two in one day. Her bare feet shifted back and forth on the gritty stone floor, almost dancing with excitement.

This place was not so coy as the stairway. Its name was Tumbrel. It was scattered and half-fallen and half-full. There was so much to see.

Half the ceiling had fallen in and everything was covered in dust. But for all its fallen stone, it was dry and tight. No damp, just dust and stiff air. More than half the room was a solid mass of fallen earth and stone and timber. The remnants of a four-post bed lay crushed beneath the wreckage. In the unfallen portion of the room, there was a triune mirror vanity and a dark wooden wardrobe taller than a tall woman standing on her toes.

Auri peered shyly through the wardrobe’s half-open doors. She glimpsed a dozen dresses there, all velvet and embroidery. Shoes. A robe of silk. Some gauzy bits of the sort the women wore in the frescoes down in Wains.

The vanity was a rakish thing: garrulous and unashamed. The top was scattered with pots of powders, small brushes, sticks of eyepaint. Bracelets and rings. Combs of horn and ivory and wood. There were pins and pens and a dozen bottles, some substantial, some delicate as petals.

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