Кадзуо Исигуро - Klara and the Sun

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***Klara and the Sun* is a magnificent new novel from the Nobel laureate Kazuo Ishiguro--author of *Never Let Me Go* and the Booker Prize-winning *The Remains of the Day.***
*Klara and the Sun,* the first novel by Kazuo Ishiguro since he was awarded the Nobel Prize in Literature, tells the story of Klara, an Artificial Friend with outstanding observational qualities, who, from her place in the store, watches carefully the behavior of those who come in to browse, and of those who pass on the street outside. She remains hopeful a customer will soon choose her.
*Klara and the Sun* is a thrilling book that offers a look at our changing world through the eyes of an unforgettable narrator, and one that explores the fundamental question: what does it mean to love?
In its award citation in 2017, the Nobel committee described Ishiguro's books as "novels of great emotional force" and said he has "uncovered the abyss beneath our illusory sense of...

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At last the Mother straightened, and though she went on staring at me, altering the tilt of her head whenever a passer-by blocked her view, she took her hand away and Josie came forward with her careful walk. I thought it encouraging the Mother should allow Josie to come by herself, yet the Mother’s gaze, which never softened or wavered, and the very way she was standing there, arms crossed over her front, fingers clutching at the material of her coat, made me realize there were many signals I hadn’t yet learned to understand. Then Josie was there before me on the other side of the glass.

‘Hey! How you been?’

I smiled, nodded and held up a raised thumb – a gesture I’d often observed inside the interesting magazines.

‘Sorry I couldn’t come back sooner,’ she said. ‘I guess it’s been…how long?’

I held up three fingers, then added a half finger from the other hand.

‘Too long,’ she said. ‘I’m sorry. Miss me?’

I nodded, putting on a sad face, though I was careful to show I wasn’t serious, and that I hadn’t been upset.

‘I missed you too. I really thought I’d get back before this. You probably thought I’d cleared right out. Really sorry.’ Then her smile weakened as she said: ‘I suppose a lot of other kids have been here to see you.’

I shook my head, but Josie looked unconvinced. She glanced back to the Mother, not for reassurance, but rather to check she hadn’t come any closer. Then, lowering her voice, Josie said:

‘Mom looks weird, I know, watching like that. It’s because I told her you’re the one I wanted. I said it had to be you, so now she’s sizing you up. Sorry.’ I thought I saw, as I’d done the time before, a flash of sadness. ‘You will come, right? If Mom says it’s okay and everything?’

I nodded encouragingly. But the uncertainty remained on her face.

‘Because I don’t want you coming against your will. That wouldn’t be fair. I really want you to come, but if you said, Josie, I don’t want to, then I’d say to Mom, okay, we can’t have her, no way. But you do want to come, right?’

Again I nodded, and this time Josie appeared to be reassured.

‘That’s so good.’ The smile returned to her face. ‘You’ll love it, I’ll make sure you do.’ She looked back, this time in triumph, calling: ‘Mom? See, she says she wants to come!’

The Mother gave a small nod, but otherwise didn’t respond. She was still staring at me, her fingers pinching at the coat material. When Josie turned back to me, her face had clouded again.

‘Listen,’ she said, but for the next few seconds remained silent. Then she said, ‘It’s so great you want to come. But I want things straight between us from the start, so I’m going to say this. Don’t worry, Mom can’t hear. Look, I think you’ll like our house. I think you’ll like my room, and that’s where you’ll be, not in some cupboard or anything. And we’ll do all these great things together all the time I’m growing up. Only thing is, sometimes, well…’ She glanced back quickly again, then lowering her voice further, said: ‘Maybe it’s because some days I’m not so well. I don’t know. But there might be something going on. I’m not sure what it is. I don’t even know if it’s something bad. But things sometimes get, well, unusual. Don’t get me wrong, most times you wouldn’t feel it. But I wanted to be straight with you. Because you know how lousy it feels, people telling you how perfect things will be and they’re not being straight. That’s why I’m telling you now. Please say you still want to come. You’ll love my room, I know you will. And you’ll see where the Sun goes down, like I told you the last time. You still want to come, right?’

I nodded to her through the glass, as seriously as I knew how. I wanted also to tell her that if there was anything difficult, anything frightening, to be faced in her house, we would do so together. But I didn’t know how to convey such a complex message through the glass without words, and so I clasped my hands together and held them up, shaking them slightly, in a gesture I’d seen a taxi driver give from inside his moving taxi to someone who’d waved from the sidewalk, even though he’d had to take both hands off his steering wheel. Whatever Josie understood from it, it seemed to make her happy.

‘Thank you,’ she said. ‘Don’t get me wrong. It may not be anything bad. It may only be me thinking things…’

Just then the Mother called and started to move towards us, but there were tourists in her way, and Josie had time to say quickly: ‘I’ll be back really soon. Promise. Tomorrow if I can. Bye just for now.’

Josie didn’t return the following day, or the day after that. Then in the middle of our second week, our turn in the window came to an end.

Throughout our time, Manager had been warm and encouraging. Each morning, as we’d prepared ourselves on the Striped Sofa and waited for the grid to rise, she’d said something like, ‘You were both wonderful yesterday. See if you can do just as well today.’ And at the end of each day, she’d smiled and told us, ‘Well done, both of you. I’m so proud.’ So it never occurred to me we were doing anything wrong, and when the grid came down on our last day, I was expecting Manager to praise us again. I was surprised, then, when after locking the grid, she simply walked away, not waiting for us. Rosa gave me a puzzled look, and for a moment we remained on the Striped Sofa. But with the grid down, we were in near-darkness, and so after a while we rose and came down off the platform.

We were then facing the store, and I could see all the way to the Glass Table at the back, but the space had become partitioned into ten boxes, so that I no longer had a single unified picture of the view before me. The front alcove was in the box furthest to my right, as might be expected; and yet the magazines table, which was nearest the front alcove, had become divided between various boxes, so that one section of the table could even be seen in the box furthest to my left. By now the lights had been dimmed, and I spotted the other AFs in the backgrounds of several boxes, lining the walls mid-store, preparing for their sleep. But my attention was drawn to the three center boxes, at that moment containing aspects of Manager in the act of turning towards us. In one box she was visible only from her waist to the upper part of her neck, while the box immediately beside it was almost entirely taken up by her eyes. The eye closest to us was much larger than the other, but both were filled with kindness and sadness. And yet a third box showed a part of her jaw and most of her mouth, and I detected there anger and frustration. Then she had turned fully and was coming towards us, and the store became once more a single picture.

‘Thank you, both of you,’ she said, and reaching out, touched us gently in turn. ‘Thank you so much.’

Even so, I sensed something had changed – that we had somehow disappointed her.

We began after that our second period mid-store. Rosa and I were still often together, but Manager would now change our positions around, and I might spend a day standing beside Boy AF Rex or Girl AF Kiku. Most days, though, I’d still be able to see a section of the window, and so go on learning about the outside. When the Cootings Machine appeared, for instance, I was on the magazines table side, just in front of the middle alcove, and had almost as good a view as if I’d still been in the window.

It had been obvious for days that the Cootings Machine was going to be something out of the ordinary. First, the overhaul men arrived to prepare for it, marking out a special section of the street with wooden barriers. The taxi drivers didn’t like this at all, and made a lot of noise with their horns. Then the overhaul men began to drill and break up the ground, even parts of the sidewalk, which frightened the two AFs in the window. Once, when the noise became really awful, Rosa put her hands to her ears and kept them there, even though there were customers in the store. Manager apologized to every customer who came in, even though the noise had nothing to do with us. Once, a customer began talking about Pollution, and pointing to the overhaul men outside, said how dangerous Pollution was for everyone. So when the Cootings Machine first arrived, I thought it might be a machine to fight Pollution, but Boy AF Rex said no, it was something specially designed to make more of it. I told him I didn’t believe him, and he said, ‘All right, Klara, you just wait and see.’

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