Frank Herbert - Children of Dune

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Children of Dune: краткое содержание, описание и аннотация

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The third book in Frank Herbert's original Dune series

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In a lightning flash of mentation, Jessica weighed the necessities. A subtle hand signal to Gurney would bring Javid’s death. It could be done here for effect, or in quiet later, and be made to appear an accident.

She thought: When we try to conceal our innermost drives, the entire being screams betrayal . Bene Gesserit training turned upon this revelation—raising the adepts above it and teaching them to read the open flesh of others. She saw Javid’s intelligence as valuable, a temporary weight in the balance. If he could be won over, he could be the link she needed, the line into the Arrakeen priesthood. And he was Alia’s man.

Jessica said: “My official party must remain small. We have room for one addition, however. Javid, you will join us. Zebataleph, I am sorry. And, Javid … I will attend this—this ceremony—if you insist.”

Javid allowed himself a deep breath and a low-voiced “As Muad’Dib’s mother commands.” He glanced to Alia, to Zebataleph, back to Jessica. “It pains me to delay the reunion with your grandchildren, but there are, ahhh, reasons of state …”

Jessica thought: Good. He’s a businessman above all else. Once we’ve determined the proper coinage, we’ll buy him . And she found herself enjoying the fact that he insisted on his precious ceremony. This little victory would give him power with his fellows, and they both knew it. Accepting his Lustration could be a down payment on later services.

“I presume you’ve arranged transportation,” she said.

***

I give you the desert chameleon, whose ability to blend itself into the background tells you all you need to know about the roots of ecology and the foundations of a personal identity.

—BOOK OF DIATRIBES FROM THE HAYT CHRONICLE

Leto sat playing a small baliset which had been sent to him on his fifth birthday by that consummate artist of the instrument, Gurney Halleck. In four years of practice, Leto had achieved a certain fluency, although the two bass side strings still gave him trouble. He had found the baliset soothing, however, for particular feelings of upset—a fact which had not escaped Ghanima. He sat now in twilight on a rock shelf at the southernmost extremity of the craggy outcropping which sheltered Sietch Tabr. Softly he strummed the baliset.

Ghanima stood behind him, her small figure radiating protest. She had not wanted to come here into the open after learning from Stilgar that their grandmother was delayed in Arrakeen. She particularly objected to coming here with nightfall near. Attempting to hurry her brother, she asked: “Well, what is it?”

For an answer, he began another tune.

For the first time since accepting the gift, Leto felt intensely aware that this baliset had originated with a master craftsman on Caladan. He possessed inherited memories which could inflict him with profound nostalgia for that beautiful planet where House Atreides had ruled. Leto had but to relax his inner barriers in the presence of this music and he would hear memories from those times when Gurney had employed the baliset to beguile his friend and charge, Paul Atreides. With the baliset sounding in his own hands, Leto felt himself more and more dominated by his father’s psychical presence. Still he played, relating more strongly to the instrument with every second that passed. He sensed the absolute idealized summation within himself which knew how to play this baliset, though nine-year-old muscles had not yet been conditioned to that inner awareness.

Ghanima tapped her foot impatiently, unaware that she matched the rhythm of her brother’s playing.

Setting his mouth in a grimace of concentration, Leto broke from the familiar music and tried a song more ancient than any even Gurney had played. It had been old when Fremen migrated to their fifth planet. The words echoed a Zensunni theme, and he heard them in his memory while his fingers elicited a faltering version of the tune.

Nature’s beauteous form
Contains a lovely essence
Called by some—decay.
By this lovely presence
New life finds its way.
Tears shed silently
Are but water of the soul:
They bring new life
To the pain of being—
A separation from that seeing
Which death makes whole.

Ghanima spoke behind him as he strummed the final note. “There’s a mucky old song. Why that one?”

“Because it fits.”

“Will you play it for Gurney?”

“Perhaps.”

“He’ll call it moody nonsense.”

“I know.”

Leto peered back over his shoulder at Ghanima. There was no surprise in him that she knew the song and its lyrics, but he felt a sudden onset of awe at the singleness of their twinned lives. One of them could die and yet remain alive in the other’s consciousness, every shared memory intact; they were that close. He found himself frightened by the timeless web of that closeness, broke his gaze away from her. The web contained gaps, he knew. His fear arose from the newest of those gaps. He felt their lives beginning to separate and wondered: How can I tell her of this thing which has happened only to me?

He peered out over the desert, seeing the deep shadows behind the barachans—those high, crescent-shaped migratory dunes which moved like waves around Arrakis. This was Kedem , the inner desert, and its dunes were rarely marked these days by the irregularities of a giant worm’s progress. Sunset drew bloody streaks over the dunes, imparting a fiery light to the shadow edges. A hawk falling from the crimson sky captured his awareness as it captured a rock partridge in flight.

Directly beneath him on the desert floor plants grew in a profusion of greens, watered by a qanat which flowed partly in the open, partly in covered tunnels. The water came from giant windtrap collectors behind him on the highest point of rock. The green flag of the Atreides flew openly there.

Water and green.

The new symbols of Arrakis: water and green.

A diamond-shaped oasis of planted dunes spread beneath his high perch, focusing his attention into sharp Fremen awareness. The bell call of a nightbird came from the cliff below him, and it amplified the sensation that he lived this moment out of a wild past.

Nous avons changé tout cela, he thought, falling easily into one of the ancient tongues which he and Ghanima employed in private. “We have altered all of that.” He sighed. Oublier je ne puis. “I cannot forget.”

Beyond the oasis, he could see in this failing light the land Fremen called “The Emptiness”—the land where nothing grows, the land never fertile. Water and the great ecological plan were changing that. There were places now on Arrakis where one could see the plush green velvet of forested hills. Forests on Arrakis! Some in the new generation found it difficult to imagine dunes beneath those undulant green hills. To such young eyes there was no shock value in seeing the flat foliage of rain trees. But Leto found himself thinking now in the Old Fremen manner, wary of change, fearful in the presence of the new.

He said: “The children tell me they seldom find sandtrout here near the surface anymore.”

“What’s that supposed to indicate?” Ghanima asked. There was petulance in her tone.

“Things are beginning to change very swiftly,” he said.

Again the bird chimed in the cliff, and night fell upon the desert as the hawk had fallen upon the partridge. Night often subjected him to an assault of memories—all of those inner lives clamoring for their moment. Ghanima didn’t object to this phenomenon in quite the way he did. She knew his disquiet, though, and he felt her hand touch his shoulder in sympathy.

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