Bret Ellis - American psycho - a novel

"No, oh no. Multiple personalities are not schizophrenics," the woman says, shaking her head. "We are not dangerous."

"Well," Patty starts, standing in the middle of the audience, microphone in hand. "Who were you last month?"

"Last month it seemed to be mostly Polly," the woman says.

A cut to the audience – a housewife's worried face; before she notices herself on the monitor, it cuts back to the multiple-personality woman.

"Well," Patty continues, " now who are you?"

"Well…," the woman begins tiredly, as if she was sick of being asked this question, as if she had answered it over and over again and still no one believed it. "Well, this month I'm… Lambchop. Mostly… Lambchop."

A long pause. The camera cuts to a close-up of a stunned housewife shaking her head, another housewife whispering something to her.

The shoes I'm wearing are crocodile loafers by A. Testoni.

Grabbing my raincoat out of the closet in the entranceway I find a Burberry scarf and matching coat with a whale embroidered on it (something a little kid might wear) and it's covered with what looks like dried chocolate syrup crisscrossed over the front, darkening the lapels. I take the elevator downstairs to the lobby, rewinding my Rolex by gently shaking my wrist. I say good morning to the doorman, step outside and hail a cab, heading downtown toward Wall Street.

Harry's

Price and I walk down Hanover Street in the darkest moments of twilight and as if guided by radar move silently toward Harry's. Timothy hasn't said anything since we left P & P. He doesn't even comment on the ugly bum that crouches beneath a Dumpster off Stone Street, though he does manage a grim wolf whistle toward a woman – big tits, blonde, great ass, high heels – heading toward Water Street. Price seems nervous and edgy and I have no desire to ask him what's wrong. He's wearing a linen suit by Canali Milano, a cotton shirt by Ike Behar, a silk tie by Bill Blass and cap-toed leather lace-ups from Brooks Brothers. I'm wearing a lightweight linen suit with pleated trousers, a cotton shirt, a dotted silk tie, all by Valentino Couture, and perforated cap-toe leather shoes by Allen-Edmonds. Once inside Harry's we spot David Van Patten and Craig McDermott at a table up front. Van Patten is wearing a double-breasted wool and silk sport coat, button-fly wool and silk trousers with inverted pleats by Mario Valentino, a cotton shirt by Gitman Brothers, a polka-dot silk tie by Bill Blass and leather shoes from Brooks Brothers. McDermott is wearing a woven-linen suit with pleated trousers, a button-down cotton and linen shirt by Basile, a silk tie by Joseph Abboud and ostrich loafers from Susan Bennis Warren Edwards.

The two are hunched over the table, writing on the backs of paper napkins, a Scotch and a martini placed respectively in front of them. They wave us over. Price throws his Tumi leather attaché case on an empty chair and heads toward the bar. I call out to him for a J&B on the rocks, then sit down with Van Patten and McDermott.

"Hey Bateman," Craig says in a voice that suggests this is not his first martini. "Is it proper to wear tasseled loafers with a business suit or not? Don't look at me like I'm insane."

"Oh shit, don't ask Bateman," Van Patten moans, waving a gold Cross pen in front of his face, absently sipping from the martini glass.

"Van Patten?" Craig says.

"Yeah?"

McDermott hesitates, then says "Shut up" in a flat voice.

"What are you screwballs up to?" I spot Luis Carruthers standing at the bar next to Price, who ignores him utterly. Carruthers is not dressed well: a four-button double-breasted wool suit, I think by Chaps, a striped cotton shirt and a silk bow tie plus horn-rimmed eyeglasses by Oliver Peoples.

"Bateman: we're sending these questions in to GQ ," Van Patten begins.

Luis spots me, smiles weakly, then, if I'm not mistaken, blushes and turns back to the bar. Bartenders always ignore Luis for some reason.

"We have this bet to see which one of us will get in the Question and Answer column first, and so now I expect an answer. What do you think ?" McDermott demands.

"About what ?" I ask irritably.

"Tasseled loafers, jerk-off," he says.

"Well, guys…" I measure my words carefully. "The tasseled loafer is traditionally a casual shoe…" I glance back at Price, wanting the drink badly. He brushes past Luis, who offers his hand. Price smiles, says something, moves on, strides over to our table. Luis, once more, tries to catch the bartender's attention and once more fails.

"But it's become acceptable just because it's so popular, right?" Craig asks eagerly.

"Yeah." I nod. "As long as it's either black or cordovan it's okay."

"What about brown?" Van Patten asks suspiciously.

I think about this then say, "Too sporty for a business suit."

"What are you fags talking about?" Price asks. He hands me the drink then sits down, crossing his legs.

"Okay, okay, okay," Van Patten says. "This is my question. A two-parter…" He pauses dramatically. "Now are rounded collars too dressy or too casual? Part two, which tie knot looks best with them?"

A distracted Price, his voice still tense, answers quickly with an exact, clear enunciation that can be heard over the din in Harry's. "It's a very versatile look and it can go with both suits and sport coats. It should be starched for dressy occasions and a collar pin should be worn if it's particularly formal." He pauses, sighs; it looks as if he's spotted somebody. I turn around to see who it is. Price continues, "If it's worn with a blazer then the collar should look soft and it can be worn either pinned or unpinned. Since it's a traditional, preppy look it's best if balanced by a relatively small four-in-hand knot." He sips his martini, recrossing his legs. "Next question?"

"Buy the man a drink," McDermott says, obviously impressed.

"Price?" Van Patten says.

"Yes?" Price says, casing the room.

"You're priceless."

"Listen," I ask, "where are we having dinner?"

"I brought the trusty Mr. Zagat," Van Patten says, pulling the long crimson booklet out of his pocket and waving it at Timothy.

"Hoo-ray," Price says dryly.

"What do we want to eat?" Me.

"Something blond with big tits." Price.

"How about that Salvadorian bistro?" McDermott.

"Listen, we're stopping by Tunnel afterwards so somewhere near there." Van Patten.

"Oh shit," McDermott begins. "We're going to Tunnel? Last week I picked up this Vassar chick–"

"Oh god, not again ," Van Patten groans.

"What's your prob lem?" McDermott snaps back.

"I was there . I don't need to hear this story again ," Van Patten says.

"But I never told you what happened af terwards , " McDermott says, arching his eyebrows.

"Hey, when were you guys there?" I ask. "Why wasn't I invited?"

"You were on that fucking cruise thing. Now shut up and listen. So okay I picked up this Vassar chick at Tunnel – hot number, big tits, great legs, this chick was a little hardbody – and so I buy her a couple of champagne kirs and she's in the city on spring break and she's practically blowing me in the Chandelier Room and so I take her back to my place–"

"Whoa, wait," I interrupt. "May I ask where Pamela is during all of this?"

Craig winces. "Oh fuck you. I want a blow job, Bate man . I want a chick who's gonna let me–"

"I don't want to hear this," Van Patten says, clamping his hands over his ears. "He's going to say something disgusting."

"You prude," McDermott sneers. "Listen, we're not gonna invest in a co- op together or jet down to Saint Bart's. I just want some chick whose face I can sit on for thirty, forty minutes."