David Mitchell - Cloud Atlas

The stakes rose like inflation in Germany, but I am constitutionally unable to fold under pressure:—I dig in. “I’ll tell you why you need to plagiarize! Musical sterility!” The finest moments in “Todtenvogel” are mine, I told him. The contrapuntal ingenuities of the new work’s Allegro non troppo are mine. I hadn’t come to Belgium to be his damn fag.

The old dragon breathed smoke. Ten bars of silence in 6/8. Stubbed out his cigarette. “Your petulance doesn’t deserve serious attention. In fact it deserves dismissal, but that would be acting in the heat of the moment. Instead, I want you to think. Think about reputation.” Ayrs unrolled the word. “Reputation is everything. Mine, save for a youthful exuberance that earned me the clap, is beyond reproach. Yours, my disinherited, gambling, bankrupt friend, is expired. Leave Zedelghem whenever you wish. But be warned. Leave without my consent and all musical society west of the Urals, east of Lisbon, north of Naples, and south of Helsinki will know a scoundrel named Robert Frobisher forced himself upon purblind Vyvyan Ayrs’s wife, his beloved wife, yes, the enchanting Mevrouw Crommelynck. She will not deny it. Imagine the scandal! After everything Ayrs had done for Frobisher, too … well, no wealthy patron, no impoverished patron, no festival organizer, no board of governors, no parent whose Little Lucy Lamb wants to learn the piano will have anything, anything to do with you.”

So V.A. knows. For weeks, months, probably. Was badly wrong-footed. Highlighted my impotence by calling Ayrs some v. rude names. “Oh, flattery!” he crowed. “Encore, Maestro!” Stopped myself battering the pox-nibbled corpse to a premature death with the bassoon. Didn’t stop myself hissing that if Ayrs was half as good a husband as he was a manipulator and a larcenist of better men’s ideas, his wife might not put it about so much. Come to think of it, I added, how much credibility would his campaign to smear my name carry when European society learned what kind of woman Jocasta Crommelynck was in her private life?

Hadn’t even scratched him. “You ignorant ass, Frobisher. Jocasta’s numerous affairs are discreet, always have been. Any society’s upper crust is riddled with immorality, how else d’you think they keep their power? Reputation is king of the public sphere, not private. It is dethroned by public acts. Disinheritance. Fleeing famous hotels. Defaulting on monies owed to the gentry’s lenders of last resort. Jocasta had my blessing when she seduced you, you stuck-up piffler. I required you to finish ‘Todtenvogel.’ You fancy yourself a larky buck, but there’s alchemy between Jocasta and I you cannot begin to fathom. She’ll fall out of love with you the moment you threaten us. You’ll see. Now go away and come back tomorrow with your homework done. We will pretend your little tantrum never happened.”

Was only too pleased to comply. Needed to think.

J. must have played a major part in investigating my recent history. Hendrick doesn’t speak English, and V.A. couldn’t have done this delving alone. She must like louche men—explains why she married Ayrs. Where E. stands on all of this I couldn’t guess, because yesterday was Wednesday, so she was at school in Bruges. Eva could not know about my affair with her mother and still make such open signs of love to me. Surely?

Spent afternoon walking across the bleak fields in solitary rage. Sheltered from hailstones in a bombed-out chapel’s lych-gate. Thought about E., thought about E., thought about E. Only two things were clear:—hanging myself from Zedelghem’s flagpole was preferable to letting its parasite master plunder my talents a day longer; and never seeing E. again was unthinkable. “It’ll all end in tears, Frobisher!” Yes, possibly, elopements often do, but I love her, I actually love her, and there it is.

Returned to the château just before it got dark, ate cold meats in Mrs. Willems’s kitchen. Learnt that J. and her Circean caresses were in Brussels on estate business and would not be back that night. Hendrick told me V.A. had retired early with his wireless and instructions not to be disturbed. Perfect. Took a long soak in the tub and a wrote a well-knotted set of scalic bass lines. Crises send me scurrying into music, where nothing can harm me. Retired early myself, locked my door, and packed my valise. Woke myself this morning at four o’clock. Freezing fog outside. Wanted to pay V.A. a final call. Barefoot except for socks, I crept along the wintry corridors to Ayrs’s door. Shivering, eased it open, at pains to avoid the slightest noise—Hendrick sleeps in an adjoining room. Lights off, but in the ember glow from the hearth I saw Ayrs, stretched out like that mummy in the British Museum. His room stank of bitter medicine. Crept to the cabinet by his bed. Drawer was stiff, and as I jerked it open an ether bottle on top wobbled—just caught it. V.A.’s flaunted Luger lay bundled in its chamois cloth wrapped in a string vest, next to a little saucer of bullets. They rattled. Ayrs’s fragile skull was only inches away, but he didn’t wake. His breathing was wheezy as a ratty old barrel organ. Felt an impulse to steal a clutch of bullets, so I did.

A blue vein throbbed over Ayrs’s Adam’s apple, and I fought off an unaccountably strong urge to open it up with my penknife. Most uncanny. Not quite déjà vu, more jamais vu. Killing, an experience that comes to few outside wartime. What is the timbre of murder? Don’t worry, I’m not writing you a confession of homicide. Working on my sextet while evading a manhunt would be far too much trouble, and ending one’s career swinging in soiled underwear is hardly dignified. Even worse, murdering Eva’s father in cold blood might put the kibosh on her feelings for me. V.A. slumbered on, oblivious to all this, and I pocketed his pistol. I’d stolen the bullets, so taking the Luger too had a sort of logic. Curiously heavy things, guns. It emanated a bass note against my thigh: it’s killed people, for sure; this little Luger went to market. Why did I take it, exactly? Couldn’t tell you. But place its mouth against your ear and you hear the world in a different way.

Last port of call was Eva’s empty room. Lay on her bed, stroked her clothes, you know how I get sentimental over partings. Left the shortest letter of my life on her dressing table: “Empress of Bruges. Your belvedere, your hour.” Back to my room. Bade my four-poster bed a fond farewell, raised the stubborn sash window, and effected my flight over the icy roof. Flight was nearly the word—a tile slid out and crashed down to the gravel walk below. Lay prone, expecting shouts and alarums at any second, but no one had heard. Reached Earth courtesy of the obliging yew tree and made my way through the frosty herb garden, keeping the topiary between me and the servants’ rooms. Rounded the front of the house and walked down the Monk’s Walk. East wind straight from the steppes, was glad of Ayrs’s sheepskin. Heard arthritic poplars, nightjars in the fossilized woods, a crazed dog, feet on frozen gravel, rising pulse in my temples, some sorrow too, for myself, for the year. Passed the old lodge, took the Bruges road. Had hoped to hitch a lift on a milk truck or cart, but there was nothing about. Stars were fading in the frosty predawn. A few cottage candles were lit, glimpsed a fiery face in the smithy, but the road north was nobody’s but mine.

So I thought, but the noise of an automobile was following me. Wasn’t going to hide, so I stopped and faced it. Headlamps dazzled, the car slowed, the engine stalled, and a familiar voice shrieked at me: “And where might you be creeping off to at such an ungodly hour?”

Mrs. Dhondt, none other, wrapped up in a black sealskin coat. Had the Ayrses sent her out to capture the runaway slave? Confusedly, I garbled out, like an utter ass, “Oh, there’s been an accident!”