Michael Ondaatje - The English Patient

VIII

The Holy Forest

KIP WALKS OUT of the field where he has been digging, his left hand raised in front of him as if he has sprained it.

He passes the scarecrow for Hana’s garden, the crucifix with its hanging sardine cans, and moves uphill towards the villa. He cups the hand held in front of him with the other as if protecting the flame of a candle. Hana meets him on the terrace, and he takes her hand and holds it against his. The ladybird circling the nail on his small finger quickly crosses over onto her wrist.

She turns back into the house. Now her hand is held out in front of her. She walks through the kitchen and up the stairs.

The patient turns to face her as she comes in. She touches his foot with the hand that holds the ladybird. It leaves her, moving onto the dark skin. Avoiding the sea of white sheet, it begins to make the long trek towards the distance of the rest of his body, a bright redness against what seems like volcanic flesh.

In the library the fuze box is in midair, nudged off the counter by Caravaggio when he turned to Hana’s gleeful yell in the hall. Before it reaches the floor Kip’s body slides underneath it, and he catches it in his hand.

Caravaggio glances down to see the young man’s face blowing out all the air quickly through his cheeks.

He thinks suddenly he owes him a life.

Kip begins to laugh, losing his shyness in front of the older man, holding up the box of wires.

Caravaggio will remember the slide. He could walk away, never see him again, and he would never forget him. Years from now on a Toronto street Caravaggio will get out of a taxi and hold the door open for an East Indian who is about to get into it, and he will think of Kip then.

Now the sapper just laughs up towards Caravaggio’s face and up past that towards the ceiling.

“I know all about sarongs.” Caravaggio waved his hand towards Kip and Hana as he spoke. “In the east end of Toronto I met these Indians. I was robbing a house and it turned out to belong to an Indian family. They woke from their beds and they were wearing these cloths, sarongs, to sleep in, and it intrigued me. We had lots to talk about and they eventually persuaded me to try it. I removed my clothes and stepped into one, and they immediately set upon me and chased me half naked into the night.”

“Is that a true story?” She grinned.

“One of many!”

She knew enough about him to almost believe it. Caravaggio was constantly diverted by the human element during burglaries. Breaking into a house during Christmas, he would become annoyed if he noticed the Advent calendar had not been opened up to the date to which it should have been. He often had conversations with the various pets left alone in houses, rhetorically discussing meals with them, feeding them large helpings, and was often greeted by them with considerable pleasure if he returned to the scene of a crime.

She walks in front of the shelves in the library, eyes closed, and at random pulls out a book. She finds a clearing between two sections in a book of poetry and begins to write there.

He says Lahore is an ancient city. London is a recent town compared with Lahore. I say, Well, I come from an even newer country. He says they have always known about gunpowder. As far back as the seventeenth century, court paintings recorded fireworks displays .

He is small, not much taller than I am. An intimate smile up close that can charm anything when he displays it. A toughness to his nature he doesn’t show. The Englishman says he’s one of those warrior saints. But he has a peculiar sense of humour that is more rambunctious than his manner suggests. Remember “I’ll rewire him in the morning.” Ooh la la!

He says Lahore has thirteen gates—named for saints and emperors or where they lead to .

The word bungalow comes from Bengali .

At four in the afternoon they had lowered Kip into the pit in a harness until he was waist-deep in the muddy water, his body draped around the body of the Esau bomb. The casing from fin to tip ten feet high, its nose sunk into the mud by his feet. Beneath the brown water his thighs braced the metal casing, much the way he had seen soldiers holding women in the corner of NAAFI dance floors. When his arms tired he hung them upon the wooden struts at shoulder level, which were there to stop mud collapsing in around him. The sappers had dug the pit around the Esau and set up the wood-shaft walls before he had arrived on the site. In 1941, Esau bombs with a new Y fuze had started coming in; this was his second one.

It was decided during planning sessions that the only way around the new fuze was to immunize it. It was a huge bomb in ostrich posture. He had come down barefoot and he was already sinking slowly, being caught within the clay, unable to get a firm hold down there in the cold water. He wasn’t wearing boots—they would have locked within the clay, and when he was pulleyed up later the jerk out of it could break his ankles.

He laid his left cheek against the metal casing, trying to think himself into warmth, concentrating on the small touch of sun that reached down into the twenty-foot pit and fell on the back of his neck. What he embraced could explode at any moment, whenever tumblers tremored, whenever the gaine was fired. There was no magic or X ray that would tell anyone when some small capsule broke, when some wire would stop wavering. Those small mechanical semaphores were like a heart murmur or a stroke within the man crossing the street innocently in front of you.

What town was he in? He couldn’t even remember. He heard a voice and looked up. Hardy passed the equipment down in a satchel at the end of a rope, and it hung there while Kip began to insert the various clips and tools into the many pockets of his tunic. He was humming the song Hardy had been singing in the jeep on the way to the site—

They’re changing guard at Buckingham Palace—

Christopher Robin went down with Alice .

He wiped the area of fuze head dry and began moulding a clay cup around it. Then he unstopped the jar and poured the liquid oxygen into the cup. He taped the cup securely onto the metal. Now he had to wait again.

There was so little space between him and the bomb he could feel the change in temperature already. If he were on dry land he could walk away and be back in ten minutes. Now he had to stand there beside the bomb. They were two suspicious creatures in an enclosed space. Captain Carlyle had been working in a shaft with frozen oxygen and the whole pit had suddenly burst into flames. They hauled him out fast, already unconscious in his harness.

Where was he? Lisson Grove? Old Kent Road?

Kip dipped cotton wool into the muddy water and touched it to the casing about twelve inches away from the fuze. It fell away, so it meant he had to wait longer. When the cotton wool stuck, it meant enough of the area around the fuze was frozen and he could go on. He poured more oxygen into the cup.

The growing circle of frost was a foot in radius now. A few more minutes. He looked at the clipping someone had taped onto the bomb. They had read it with much laughter that morning in the update kit sent to all bomb disposal units.

When is explosion reasonably permissible?

If a man’s life could be capitalized as X, the risk at Y, and the estimated damage from explosion at V, then a logician might contend that if V is less than X over Y, the bomb should be blown up; but if V over Y is greater than X, an attempt should be made to avoid explosion in situ .

Who wrote such things?

He had by now been in the shaft with the bomb for more than an hour. He continued feeding in the liquid oxygen. At shoulder height, just to his right, was a hose pumping down normal air to prevent him from becoming giddy with oxygen. (He had seen soldiers with hangovers use the oxygen to cure headaches.) He tried the cotton wool again and this time it froze on. He had about twenty minutes. After that the battery temperature within the bomb would rise again. But for now the fuze was iced up and he could begin to remove it.