Diane Chamberlain - The Midwife's Confession

Any major change often throws the structure of a comfortable family out of balance. Why do you think Grace had such a close relationship with her father? How did the family dynamic between Grace, Tara and Sam support that relationship? How did Sam’s death alter that dynamic and what did that change mean for both Grace and Tara? Discuss the different ways in which Tara and Grace grieved for Sam and how those different styles of grieving created conflict and misunderstanding.

Anna has made the search for missing children her life’s work and has involved Haley in that cause in both a professional and personal way. How do you think this has impacted the relationship between mother and daughter?

Bryan deserted Anna and Haley during the most vulnerable time of their lives. When he returns, they both need his support, but does Anna forgive him too easily? How does her role as a mother or a woman feed into that forgiveness?

How are the three mother-daughter relationships (Tara and Grace; Emerson and Jenny; Anna and Haley) the same or different?

Discuss Noelle’s choice to become a gestational surrogate. Why did she choose this particular path to atonement? Why do you think she had no children of her own?

Noelle lived not just one lie, but many. Discuss what it must be like to keep the most significant parts of your life a secret from your closest friends. When Ian learns about her surrogacy, he says “It must have been so lonely, being Noelle.” Do you think Noelle was lonely and if so, were there ways that she compensated for that loneliness?

Imagine yourself in Emerson’s place when she feels certain that Noelle substituted Grace for Tara’s infant. How would you feel knowing such devastating information about your best friend? Would you handle it the way Emerson did or in some other way?

As the reader, you’re unable to see the world through Grace’s point of view until the final third of the story. Did that impact how you perceived Grace? Did being in her point of view change your feelings about her?

Tara learns that her missing daughter is not her biological daughter and at the same time realizes that her biological daughter is dead. What does she learn about herself as a mother in those moments?

Anna’s reaction to Grace’s arrival at the hospital is conflicted and hesitant. Did this surprise you? Do you think some sort of maternal intuition came into play in this scene or was some other emotion at work? Discuss Anna’s reaction to Grace’s pronouncement that she is Anna’s daughter.

Noelle is a powerful woman even from the grave. Every character in the story has been hurt by her in some way. Yet ultimately this is a story of forgiveness. Trace the complicated relationships Tara and Emerson had with Noelle. Why do you think they are able to make peace with Noelle’s hurtful actions?

The Midwife’s Confession is also a story about deep and abiding friendships between women. What would you say is the ultimate take-away message about friendship?

Who do you think grew the most over the course of the story and why? What do you think the future holds for Tara and Grace? Emerson and Jenny and Ted? Anna, Haley and Bryan?

ACKNOWLEDGMENTS

North Carolina offers so many unique areas in which to set a novel and I loved getting to know beautiful Wilmington better as I wrote The Midwife’s Confession . Thank you to my North Carolina publicists, Tori Jones and Kim Hennes, for sharing their love of Wilmington with me as they carted me around town. You two are excellent tour guides! Thanks also to Beth Scarbrough, who attended UNC Wilmington at the same time as the Galloway Girls and who helped me paint a picture of their campus life.

As usual, the other six members of the Weymouth Seven helped me brainstorm this story in between games of Balderdash, chats with ghosts and work on their own novels. Thank you Mary Kay Andrews, Margaret Maron, Katy Munger, Sarah Shaber, Alexandra Sokoloff and Brenda Witchger. Two other author friends, Emilie Richards and Maureen Sherbondy, also contributed their ideas at various points in the story, as did my sister, Joann Scanlon, and my assistant, Denise Gibbs, and I’m grateful to all of them.

Thank you Tina Blackwell for the Native American legend on Spanish moss, which I shamelessly altered to suit my story. Thank you Kelly Williamson for giving me a peek into the life of a North Carolina high school student. Thank you Janina Campbell for sharing your poignant memories of your father as I shaped Grace’s character. Eleanor Smith helped me map out Emerson’s library research, and Phyllis Sabourin updated my recollection of maternity units and hospital nurseries, which have come a long way since my days as a hospital social worker.

The internet not only allows for impersonal factual research, but it also gives us an intimate look into the life journeys of real people through their public blogs. The research I did into Haley’s leukemia put me in touch with many of these stories, and they touched me deeply. I was particularly moved by the experiences of Kay Howe of the Netherlands. Even when my research was complete, I continued reading the blog written by Kay’s father as I rooted for that courageous ten-year-old girl whose zest for life inspired me every day. I was stunned and saddened when Kay lost her fight with leukemia, and she and her family will always have a place in my heart.

Thank you to my agent, Susan Ginsburg, who has to be the most positive person in the book business. I love your optimism! Special thanks to my editor, Miranda Indrigo, who’s not only able to see the forest for the trees but who always helps me blaze the best trail through the undergrowth.

Finally, for reading every word of nearly every draft and offering his honest critique along with his support, for being my resident photographer and best friend, thank you John Pagliuca. Sorry there was no place to put that car chase you wanted. Maybe next time!

ISBN: 978-1-4592-0153-8

THE MIDWIFE’S CONFESSION

Copyright © 2011 by Diane Chamberlain

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