Peake, Mervyn - 02 Gormenghast

'Of course he's all right!' said Titus. 'He's a sort of savage. Aren't you Mr Flay?'

'Like enough, lordship,' said Flay.

'O, you were too small and you can't remember, Titus,' said Fuchsia. 'I remember it all. Mr Flay was father's first servant - above them all, weren't you, Mr Flay - until he disappeared...'

'I know,' said Titus. 'I've heard it all in Bellgrove's class - they told me all about it.'

'They don't know anything,' said Flay. 'They don't know anything, ladyship.' He had turned to Fuchsia and then, dropping his head forward again, 'Humbly invite you to my cave,' he said, 'for rest, for shade and fresh water.'

Mr Flay led the way to his cave, and when they had passed through the entrance and Fuchsia had been shown the double chimney and they had drunk deeply from the spring, for they were hot and thirsty, Titus lay down under the ferny wall of the inner cave and their ragged host sat a little way apart. His arms were folded about his shanks; his bearded chin was on his knees - while his gaze was fixed upon Fuchsia.

She, on her side, while noticing his childlike scrutiny, gave him no cause to feel embarrassed, for she smiled when their eyes met, but kept her gaze wandering about the walls and ceiling, or turning to Titus asked him whether he had noticed this or that on his last visit.

But a time came when a silence fell upon the cave. It was the kind of silence that becomes hard to break. But it was broken in the end, and, strangely enough, by Mr Flay himself, the least forthcoming of the three.

'Ladyship... Lordship,' he said.

'Yes, Mr Flay?' said Fuchsia.

'Been away, banished, many years, ladyship,' he opened his hard-lipped mouth as though to continue, but had to close it again for the lack of a phrase. But after a while he commenced again. 'Lost touch, Lady Fuchsia, but forgive me - must ask you questions.'

'Of course, Mr Flay, what sort of questions?'

'I know the sort.' said Titus - 'about what's happened since I was last here and what's been discovered, isn't it, Mr Flay? And about Barquentine's being dead and...'

'Barquentine dead?' Flay's voice was sudden and hard.

'Oh yes,' said Titus. 'He was burned to death, you know, wasn't he, Fuchsia?'

'Yes, Mr Flay. Steerpike tried to save him.'

'Steerpike?' muttered the long, ragged, motionless figure.

'Yes.' said Fuchsia. 'He is very ill. I've been to see him.'

'You haven't!' said Titus.

'I certainly have and I shall go again. His burns are terrible.'

'I don't want you to see him,' said Titus.

'Why not?' the blood was beginning to mount to her cheeks.

'Because he's...'

But Fuchsia interrupted him.

'What... do... you... know... about... him?' she said very softly and slowly, but with a shake in her voice - 'Is it a crime for him to be more brilliant than we could ever be? Is it his fault that he is disfigured?' And then in a rush - 'or that he's so brave?'

She turned her eyes to her brother and seeing there, in his features something infinitely close to her, something that seemed to be a reflection of her own heart, or as though she was looking into her own eyes- 'I'm sorry,' she said, 'but don't let's talk about him.'

But this is just what Flay wanted to do. 'Ladyship.' he said. 'Barquentine's son - does he understand - has he been trained - Warden of the Documents - Keeper of the Groan law - is all well?'

'No one can find his son, or whether he ever had a son,' said Fuchsia. 'But all is well. For several years now Barquentine has been training Steerpike.'

Flay rose suddenly to his feet as though some invisible cord had plucked at him from above, and as he rose he turned his head to hide his anger.

'No! No!' he cried to himself, but there was no sound. Then he spoke over his shoulder.

'But Steerpike is ill, ladyship?'

Fuchsia stared up at him. Neither she nor Titus could understand why he had suddenly got to his feet.

'Yes.' said Fuchsia. 'He was burned when he tried to save Barquentine who was on fire - and he's been in bed for months.'

'How much longer, ladyship?'

'The doctor says he can get up in a week.'

'But the Ritual! The instructions; who has given them? Who has directed the Procedure - day by day - interpreted the Documents - O God!' said Flay, suddenly unable to control himself any longer. 'Who has made the symbols come to life? Who has turned the wheels of Gormenghast?'

'It is all right. Mr Flay. It's all right. He does not spare himself. He was not trained for nothing. He is covered in bandages but he directs everything. And all from his sickbed. Every morning. Thirty or forty men are there are a time. He interviews them all. Hundreds of books are at his side - and the walls are covered with maps and diagrams. There is no one else who can do it. He is working all the time, while he lies there. He is working with his brain.'

But Flay struck his hand against the wall of the cave as though to let out his anger.

'No! No!' he said. 'He's no Master of Ritual, ladyship, not for always. No love, ladyship, no love for Gormenghast.'

'I wish there wasn't any Master of Ritual,' said Titus.

'Lordship,' said Flay after a pause, 'you are only a boy. No knowledge. But you will learn from Gormenghast. Sourdust and Barquentine, both burned up,' he continued, hardly knowing that he spoke aloud... 'father and son... father and son...'

'Maybe I'm only a boy,' said Titus hotly, 'but if you know how we've come here today, by the secret passage under the ground (which I found by myself, didn't I, Fuchsia? then...' but Titus had to stop for the sentence was too involved for him.

'But do you know,' he continued, starting afresh, 'we've been in the dark, with candles, sometimes crawling but mostly walking all the way from the castle, except for the last mile where the tunnel comes out, only you'd never know it, under a bank, like the mouth of a badger's set - not too far from here on the other side of the wood where you first saw us, so it was difficult to find your cave, Mr Flay, because last time I came was mostly on horseback and then through the oakwood - and, O Mr Flay, was it a dream or did I really see a flying thing and did I tell you about it? I sometimes think it was a dream.'

'So it was,' said Flay. 'Nightmare; and no doubt of it.' He seemed to have no desire to talk to Titus about the 'flying thing'.

'Secret tunnel to the castle, lordship?'

'Yes,' said Titus, 'secret and black and smelling of earth and sometimes there are beams of wood to keep the roof up and ants everywhere.'

Flay turned his eyes to Fuchsia as though for confirmation. 'It's true,' said Fuchsia.

'And close by, ladyship?'

'Yes,' said Fuchsia. 'In the woods across the near valley. That's where the tunnel comes out.'

Flay stared at them both in turn. The news of the underground passage seemed to have had a great effect on him, although they could not think why - for although to them it had been a very real and forbidding adventure, yet from bitter experience they knew that what was wonderful to them was usually of little interest to the adult world.

But Mr Flay was hungry for every detail.

'Where did the passage start from within the castle? Had they been seen in the corridor of statues? Could they find their way back to this corridor when the tunnel opened out into that silent and lifeless world of halls and passageways? Could they take him to the bank in the wood where the tunnel ended?'

Of course they could. At once - and thrilled that a grownup, for Fuchsia never thought of herself as one, could be as excited by their discovery as they were themselves - they were soon on their way to the wood.

Flay had almost at once seen more in their discovery than Fuchsia and Titus could have guessed. If it were so, that within a few minutes of his cave, there was, as it were, for Flay, an open door that led into the heart of his ancient home a road which he could tread, if he wished, when the broad daylight lay upon the woods and fields five feet above his head, then surely his power to root out whatever evil was lurking in Gormenghast, to trace it to its source, was enormously increased. For it had been no easy thing to enter the castle unobserved and to make, sometimes by moonlight, those long journeys above ground from his cave to the Outer Walls, and from them across the quadrangles and open spaces to the inner buildings and the particular rooms and passageways he had in mind.