Faulkner William - Snopes - The Hamlet, The Town, The Mansion

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Here, published in a single volume as Faulkner always hoped they would be, are the three novels that comprise the famous Snopes trilogy, a saga that stands as perhaps the greatest feat of Faulkner’s imagination. The Hamlet, the first book of the series chronicling the advent and rise of the grasping Snopes family in mythical Yoknapatawpha County, is a work that Cleanth Brooks called “one of the richest novels in the Faulkner canon.” It recounts how the wily, cunning Flem Snopes dominates the rural community of Frenchman’s Bend—and claims the voluptuous Eula Varner as his bride. The Town, the second novel, records Flem’s ruthless struggle to take over the county seat of Jefferson, Mississippi. Finally, The Mansion tells of Mink Snopes, whose archaic sense of honor brings about the downfall of his cousin Flem. “For all his concerns with the South, Faulkner was actually seeking out the nature of man,” noted Ralph Ellison. “Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics.”

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She barely glanced at it, nowhere near long enough, anyone would have thought, to have read it, then stood looking at him again, the dark blue eyes that whether they were gentle or not or tender or not or really candid or not, it didn’t matter. Her mouth was smeared too behind the faint smiling, itself—the smiling—like a soft smear, a drowsing stain. “I love you,” she said. “I have never loved anybody but you.”

He wrote No

“Yes,” she said.

He wrote No again and even while she said “Yes” again he wrote No No No No until he had completely filled the tablet and erased it and wrote Deed And, standing side by side at the mantel where they transacted all her business which required communication between them, he spread the document and uncapped his pen for her to sign it and folded the paper and was putting it back into the briefcase when she said, “This too.” It was a plain long envelope, he had noticed it on the mantel. When he took it he could feel the thick sheaf of banknotes through the paper, too many of them; a thousand dollars would destroy him in a matter of weeks, perhaps days, as surely as that many bullets. He had been tempted last night to tell her so: “A thousand dollars will kill him too. Will you be satisfied then?” even though he was still ignorant last night how much truth that would be. But he refrained. He would take care of that himself when the time came. “Do you know where you can find him?”

Ratliff does he wrote and erased it and wrote Go out 2 minutes Bathroom your Mouth too and stood while she read it and then herself stood a moment longer, not moving, her head bent as if he had written perhaps in cryptogram. “Oh,” she said. Then she said: “Yes. It’s time,” and turned and went to the door and stopped and half-turned and only then looked at him: no faint smile, no nothing: just the eyes which even at this distance were not quite black. Then she was gone.

He already had the briefcase in his hand. His hat was on the table. He put the envelope into his pocket and scrubbed at his mouth with his handkerchief, taking up the hat in passing, and went on, down the stairs, wetting the handkerchief with spittle to scrub his mouth. There would be a mirror in the hall but this would have to do until he reached the office; there would be, was a back door of course but there was the houseman somewhere and maybe even the cook too. Besides, there was no law against crossing the front lawn itself from the front entrance and so through the side gate into the lane, from which he could reach the street without even having to not look at the new car again. Until Ratliff, happening to be standing by chance or coincidence near the foot of the office stairs, said, “Where’s your car? Never mind, I’ll go pick it up. Meantime you better use some water when you get upstairs.”

He did, and locked the stained handkerchief into a drawer and sat in the office. In time he heard Ratliff’s feet on the stairs though Ratliff shook the locked door only; here was another time when he could have worked at his youthful dream of restoring the Old Testament to its virgin’s pristinity. But he was too old now. Evidently it takes more than just anguish to be all that anguishing. In time the telephone rang. “She’s gone,” Ratliff said. “I’ve got your car. You want to come and eat supper with me?”

“No,” he said.

“You want me to telephone your wife that’s what you’re doing?”

“Dammit, I told you No,” he said. Then he said, “Much obliged.”

“I’ll pick you up at eight o’clock say,” Ratliff said.

He was at the curb waiting; the car—his—moved immediately he was in it. “I’m not safe,” he said.

“I reckon so,” Ratliff said. “It’s all over now, soon that is as we get used to it.”

“I mean, you’re not safe. Nobody is, around me. I’m dangerous. Cant you understand I’ve just committed murder?”

“Oh, that,” Ratliff said. “I decided some time back that maybe the only thing that would make you safe to have around would be for somebody to marry you. That never worked but at least you’re all right now. As you jest said, you finally committed a murder. What else is there beyond that for anybody to think up for you to do?” Now they were on the highway, the town behind them and they could pick up a little speed to face the twenty miles out to Varner’s store. “You know the one in this business I’m really sorry for? It’s Luther Biglin. You aint heard about that and likely wouldn’t nobody else if it hadn’t kind of come out today in what you might call a private interview or absolvement between Luther and Eef Bishop. It seems that ever night between last Thursday and the following Tuesday, Luther has been standing or setting guard as close as he could get outside that window from as soon as he could get there after Miz Biglin would get back from the picture show and wake him up, to daylight. You know: having to spend all day long taking care of his jail and prisoners in addition to staying close to the sheriff’s office in case Eef might need him, he would have to get some rest and the only way he could work it in would be after he et supper until Miz Biglin, who acted as his alarm clock, got back from the picture show, which would be from roughly seven o’clock to roughly more or less half-past nine or ten o’clock, depending on how long the picture show was, the balance of the night standing or setting in a folding chair jest outside Flem’s window, not for a reward or even glory, since nobody but Miz Biglin knowed it, but simply outen fidelity to Eef Bishop’s sworn oath to defend and protect human life in Jefferson even when the human life was Flem Snopes’s. Yet outen the whole twenty-four hours Mink could a picked, he had to pick one between roughly seven o’clock and roughly nine-thirty to walk in on Flem with that thing whoever sold it to him told him was a pistol, almost like Mink done it outen pure and simple spite—a thing which, as the feller says, to a dog shouldn’t happen.”

“Drive on,” Stevens said. “Pick it up.”

“Yes,” Ratliff said. “So this is what it all come down to. All the ramshacking and foreclosing and grabbling and snatching, doing it by gentle underhand when he could but by honest hard trompling when he had to, with a few of us trying to trip him and still dodge outen the way when we could but getting overtrompled too when we couldn’t. And now all that’s left of it is a bedrode old lady and her retired old-maid schoolteacher daughter that would a lived happily ever after in sunny golden California. But now they got to come all the way back to Missippi and live in that-ere big white elephant of a house where likely Miss Allison will have to go back to work again, maybe might even have to hump and hustle some to keep it up since how can they have mere friends and acquaintances, let alone strangers, saying how a Missippi-born and -bred lady refused to accept a whole house not only gift-free-for-nothing but that was actively theirn anyhow to begin with, without owing even Much obliged to nobody for getting it back. So maybe there’s even a moral in it somewhere, if you jest knowed where to look.”

“There aren’t any morals,” Stevens said. “People just do the best they can.”

“The pore sons of bitches,” Ratliff said.

“The poor sons of bitches,” Stevens said. “Drive on. Pick it up.”

So somewhere about ten o’clock he sat beside Ratliff in the dark car on a hill road that had already ceased to be a road and soon would cease to be even passable, while Ratliff said, “So you think she really didn’t know what he was going to do when he got out?”

“Yes I tell you,” Stevens said. “Drive on.”

“We got time,” Ratliff said. “He aint going nowhere. Talking about that thing he used for a pistol, that he dropped or throwed it away while he was running through that back yard. Eef Bishop let me look at it. That Memphis feller was right. It didn’t even look like a pistol. It looked like a old old mud-crusted cooter. It had two shells in it, the hull and another live one. The cap of the hull was punched all right, only it and the live one both had a little nick jest outside the cap, both of the nicks jest alike and even in the same place, so that when Eef taken the live one out and turned the hull a little and set it back under the hammer and cocked it and snapped it and we opened the cylinder, there was another of them little nicks in the case jest outside the cap, like sometimes that mossback firing pin would hit the cap and sometimes it wouldn’t. So it looks like Mink either tried out both of them shells beforehand for practice test and both of them snapped once, yet he still walked in there to kill Flem jest hoping one of them would go off this time, which dont sound reasonable; or that he stood there in front of Flem and snapped maybe both of them at him and then turned the cylinder back to try again since that was all he had left he could do at that moment, and this time one of them went off. In that case, what do you reckon Flem’s reason was for setting there in that chair letting Mink snap them two shells at him until one of them went off and killed him?”

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