Eric Flint - An Oblique Approach

She alone of the Satavahana dynasty they had spared, the asura's dogs, when they finally conquered Andhra. She alone, for the beauty of her body. A prize which the Emperor Skandagupta would bestow on his faithful servant, Venandakatra. Venandakatra the Vile. The vermin of vermin, was Venandakatra, for the Malwa emperor himself was nothing but the asura's beast.

The Panther had been unable to prevent her capture. He had lain hidden in the reeds, almost dead from the wounds of that last battle before the palace at Amavarati. But, after he recovered, he had tracked the dogs back to their lair. North, across the Vindhyas, to the very palace of the Vile One.

Shakuntala was there. She had been imprisoned for months, held for Venandakatra's pleasure upon his return from the mission whence the emperor had sent him the year before. Unharmed, but safely guarded. The Panther had studied the guards carefully, and decided he could not overcome them. Kushans, under the command of a shrewd and canny veteran, who took no chances and left no entry unguarded.

The Panther inquired. Among many other things, he had been a master spy in his time, and so he discovered much. But the outstanding fact discovered was that the Kushan commander was, indeed, not to be underestimated. Kungas, his name was, and it was a name the Panther had heard. No, best to bide his time.

Then, time had run out. Venandakatra had returned and had entered his new concubine's chamber at once, a horde of Ye-tai guards clustering outside. The Vile One was eager to taste the pleasure of her flesh, and the greater pleasure of her defilement.

Remembering that day, the old slave's sinewy fingers closed about the haft of the dagger. But he released his grip. He could hear the shuffling feet of the vermin beyond. He would bide awhile. Not much longer now, he thought.

Just long enough to torture the torturers.

On the last day of the girl's life, the Panther had knelt in the woods below Venandakatra's palace. Knelt in fervent prayer. A prayer that Shakuntala would remember all that he had taught her, and not just those lessons which come easily to youth.

The old slave had been a noted philosopher, in his day, among many other things. And so, long years before, he had prayed that the treasure of his soul would remember that only the soul mattered, in the end. All else was dross.

But, as he had feared, she had not remembered. Everything else, but not that. And so, when he heard the Vile One's first scream, he had wept the most bitter tears of a bitter lifetime.

Years later, he heard the tale from Kungas himself. Odd, how time's wheel turns. He had met the one-time commander of Shakuntala's guard on the same slave ship which bore him to the market at Antioch. The Panther had finally been captured in one of the last desperate struggles before all of India was brought beneath the asura's talons. But his captors had not recognized the Wind of the Great Country in their weary, much-scarred captive, and so they had simply sold him as a slave.

Kungas, he discovered, had long been a slave. His hands were missing now, cut off by the Ye-tai guards who had blamed him for Shakuntala's deed. Cut off by the same guards who had shouldered him and his Kushans aside, avid to watch their master at his sport. (And hopeful, of course, that the Vile One might invite them to mount the child after he had satiated himself.)

Kungas was missing his eyes and his nose, as well. But the mahamimamsa had left him his ears and his mouth, so that he might hear the taunts of children and be able to wail in misery.

But Kungas had always been a practical man. So he had taken up the trade of story-telling and mastered it. And if people thought the sight of him hideous, they bore it for the sake of his tales. Great tales, he told. None greater and more eagerly sought by the poor folk who were his normal clientele—though it was forbidden—than the tale of the Vile One's demise. Sitting in the hold of the slave ship (where he found himself, he explained cheerfully, because his fluent tongue had seduced a noblewoman but his sightless eyes had not spotted her husband's return), he told the tale to the Panther.

A gleeful tale, as Kungas told it, the more so because Kungas had come to accept that his own punishment was just. He had been responsible for the Vile One's demise, and had long since decided that it was perhaps the only pure deed of a generally misspent life.

Kungas had always despised Venandakatra, and the Ye-tai who lorded it over all but the Malwa. And, in his hard and callous way, he had grown fond of the princess. So he had not cautioned them. He had held his tongue. He had not warned them that the supple limbs of the girl's beauty came from the steel muscle beneath the comely flesh. He had watched her dance, and knew. And knew also, watching the fluid grace of her movements, that she had been taught to dance by an assassin.

Kungas had described the first blow, and the Panther could see it, even in the hold of the slave ship. The heel strike to the groin, just as he had taught her. And all the blows which followed, like quick laughter, leaving the Vile One writhing on the floor within seconds.

Writhing, but not dead. No, the girl had remembered everything he taught her, except what he had most hoped for. Certainly, he knew, listening to the tale of Kungas, she had remembered the assassin's creed, when slaying the foul. To leave the victim paralyzed, but conscious, so that despair of the mind might multiply the agony of the body.

Hearing the asura's dogs finally enter the chamber, the old slave closed his eyes. Just a bit longer, just a bit, so that he could savor that moment in his mind's eye. Oh, how he had loved the Black-eyed Pearl of the Satavahana!

He could see her dance now, the last dance of her life. Oh, great must have been her joy! To prance before the Vile One, tantalizing him with the virgin body that would never be his, not now, not as Venandakatra could watch his life pour out of his throat, slashed open by his own knife, bathing the bare quicksilver feet of his slayer as they danced her dance of death. Her own blood would join his, soon enough; for she cut her own throat before the Ye-tai guards could reach her. But the Vile One had found no pleasure in the fact, for his eyes were unseeing.

It was time. Just as the Ye-tai reached out to seize him, the old slave leapt from the chair and sprang onto the rim of the flaming vat. The Ye-tai gaped, to see an old man spring so. So like a young panther.

Time to flay the flayers.

Oh, well he did flay them, the slave. Taunting them, first, with the bitterness of their eternally-lost trophies. No skin nor bone of great Romans would hang on Malwa's walls, no Roman treasure fill its coffers!

And then, with himself. Not once in thirty years had the old slave used his true name. But he spoke it now, and it thundered in the cathedral.

" Raghunath Rao is my name. I am he. I am the Panther of Maharashtra. I slew your fathers by the thousands. I am the Wind of the Great Country. I reaped their souls like a scythe. I am the Shield of the Deccan. My piss was their funeral pyre.

" Raghunath Rao am I! Raghunath Rao!

" The Bane of False Gupta, and the Mirror of Rajputana's Shame.

" Raghunath Rao! I am he! "

Well did they know that name, even after all these years, and they drew back. Incredulous, at first. But then, watching the old man dancing on the rim of goldfire, they knew he spoke the truth. For Raghunath Rao had been many things, and great in all of them, but greatest of all as a dancer. Great when he danced the death of Majarashtra's enemies, and great now, when he danced the death of the Great Country itself.

And finally, he flayed them with God.

Oh yes, the old slave had been a great dancer, in his day, among many other things. And now, by the edge of Rome's molten treasure, in the skin-smoke of Rome's molten glory, he danced the dance. The great dance, the terrible dance, the now-forbidden but never-forgotten dance. The dance of creation. The dance of destruction. The wheeling, whirling, dervish dance of time.