Rex Stout - The Doorbell Rang (The Rex Stout Library)

So it bothered me, but something else was bothering me still more, the act Wolfe was staging, the fanciest on record. Too much of it, nearly all of it, was entirely out of our control. For instance, when I called Hewitt from a booth Monday evening to ask how he had made out, and he said fine, he had got one actor at one agency and the other at another, and they would both come to his place Tuesday afternoon, and I asked if he had made sure that the one for me could drive a car and had a license, he said he had forgotten to ask, but everyone could drive a car! And that was absolutely vital and he knew it. He said he would find out right away; he had the actor's phone number. On some other details he was okay, like his phone call to our number Tuesday noon, as arranged. He told Wolfe he was extremely sorry, he apologized, but he would be able to include only twelve Phalaenopsis Aphrodite in the shipment instead of twenty, and no Oncidium flexuosum at all. He said he would do his best to get it off by noon Wednesday, so it should arrive by two o'clock. He handled that perfectly. He was also okay on the call he made Tuesday evening, to report on the supplies and arrangements for the dinner for the Ten for Aristology, but for him that was just routine, and anyway it was straight.

Fred Durkin and Orrie Cather were no worry because they had been left to Saul to handle, and if there was any snag he would let us know. How was up to him.

Off and on all day and evening Monday, and even some on Tuesday, Wolfe and I discussed a problem. It wasn't an argument; we just discussed it. Should I phone Wragg, the special agent in charge, arrange to meet him somewhere, tell him that Wolfe had got enough dope on the Althaus homicide to make it really tough and I wanted out, and offer to pass everything we had over to him for ten grand or twenty grand or fifty grand?

The trouble was we didn't know him. It might make it next to certain that he would take the bait, but it might do just the opposite, make him smell a rat. Finally, late Tuesday morning, we crossed it off. It was too chancy, and time was too short.

At nine o'clock Wednesday morning, when I heard the elevator taking Wolfe up to the plant rooms, I took my second cup of breakfast coffee to the office, to sit and look at an idea that had been pecking at me off and on since Monday morning. There would be nothing for me until the truckload of orchids arrived at two o'clock; everything had been done that could be done as far as I knew, which wasn't very far. When I finished the coffee it was only nine-twenty, and Sarah Dacos probably didn't start the day at the Bruner office until nine-thirty or even ten. I went to the cabinet, unlocked the drawer where we keep assortments of keys, and made some selections. It wasn't complicated, since I knew the lock was a Bermatt. From another drawer I got a pair of rubber gloves.

At 9:35 I dialed the Bruner number, and it was answered. "Mrs Bruner's office, good morning."

"Good morning. Miss Dacos?"

"Yes."

"This is Archie Goodwin. I may need to see Mrs Bruner later today, and I'm calling to ask if she'll be available."

She said it depended on how late, Mrs Bruner expected to be in the office from three-thirty to five-thirty, and I said I would call again if I needed to come.

So she was at her job. I would have to take a chance on the cleaning woman. I went to the kitchen to tell Fritz I was going out to make some phone calls, to the hall for my hat and coat, and out and to Ninth Avenue for a taxi.

For the street door at 63 Arbor Street I still had the key Mrs Althaus had given me, so I was clean until I stood at Sarah Dacos's door and got out the collection of keys. When I had knocked twice, and pushed the button twice and heard the ring, with no response, I tried a key. The fourth one did it, smooth and easy. I put the gloves on, turned the knob, opened the door, crossed the sill, and shut the door, and I had broken and entered according to the statutes of the State of New York.

The layout was the same as upstairs, but the furniture was quite different. Rugs here and there instead of carpet, smaller couch smothered with pillows, no desk or typewriter, fewer chairs, about one-fourth as many books, five little pictures on the walls which the bold lover must have considered old hat. The drapes were drawn, and I turned the lights on, put my coat and hat on the couch, and went and opened a closet door.

There were two facts: the cleaning woman might come any minute, and I had no idea what I might find, if anything. The point was simply that there might be something that would help, no matter what was going to happen Thursday night, to square it with Cramer for that carton of milk. A fast once-over was called for, and I spent only ten minutes on the living room and its two closets and then went to the bedroom.

I came mighty close to passing it by. The bedroom closet was crammed-clothes on hangers, shoe racks, luggage, cartons and hatboxes on two high shelves. The bag and two suitcases were packed with summer clothes, and I skipped the hatboxes; I would have given a finif of my money to know if the cleaning woman came Wednesdays. But ten minutes later, going through a drawerful of photographs one by one, I realized that it was dumb to skip the hatboxes and then waste time with a bunch of photographs which could tell me nothing I didn't already know, so I took a chair to the closet, mounted it, and got the boxes down. There were three. The first one contained three so-called hats and two bikinis. The second one held one big floppy hat. I lifted it out, and there on the bottom was a revolver. I gawked at it for five seconds, then took it out and inspected it. It was an S & W.38 and held one cartridge that had been fired and five that hadn't.

I stood with it in my hand. It was a hundred to one that it was the gun that Althaus had had a permit for, and it had fired the bullet that had gone through him, and Sarah Dacos had pulled the trigger. To hell with the one chance in a hundred. The question was what to do with it. If I took it, it would never be an acceptable exhibit in a murder trial, since I had got it illegally. If I left it there and went out to a phone booth and rang Cramer to tell him to get a warrant to search Sarah Dacos's apartment, the cops would get the gun all right, but if the FBI found out about it within thirty-six hours, as they easily might, the big act for Thursday night would be kaput. And of course if I left it in the hatbox and didn't phone Cramer, Sarah Dacos might decide that tonight would be a good time to take it and toss it in the river.

Since that left only one alternative, the only decision that had to be made was where to put it. I returned the hat to the box and the boxes to the shelf, put the chair back where it belonged, and looked around. No spot in the bedroom appealed to me, and I moved to the living room. It was now more than ever desirable not to be interrupted by a cleaning woman or anyone else. I went and examined the couch and found that underneath the cushion was a box spring, and underneath the spring was a plywood bottom. Good enough. If she got the hatbox down and found the gun gone, she certainly wouldn't suppose it had merely been moved to another spot in the apartment and start looking. I put it on the bottom under the spring, glanced around to see that things were as I had found them, grabbed my hat and coat, and got out of there in such a hurry that I almost appeared on the sidewalk wearing rubber gloves.

In the taxi I had to answer another question: did I or didn't I tell Wolfe? Why not wait until Thursday night had come and gone? The answer was really simple, but of course that's one thing we use our minds for, finding complicated reasons for dodging simple answers. By the time the cab stopped in front of the old brownstone my mind had run out of reasons and I was facing the fact that it wouldn't improve with age.