Rex Stout - The Silent Speaker (Crime Line)

Rex Stout

The Silent Speaker

Introduction

I LOVE NERO WOLFE. I love his house, his orchids, his sour disposition, and his shrouded past. I love his reading habits, his unabashed fear of women, and his incredible appetite; that is to say, I love his love of food.

When Nero Wolfe spoke, I learned. He taught me, when I was just a teenager, to look closely at the world because what might be apparent to us everyday kind of guys was probably just fluff. I’m not talking so much about the crimes he solved as the way he exercised his mind on whatever came before him. The way he read books or the petty arguments he had with his clients, his employees, and the police. Nero Wolfe was always thinking, always distrustful, and almost always right.

Wolfe was lazy, agoraphobic, prejudiced against many different kinds of people (most notably women), and a glutton. He was arrogant, vengeful, spiteful, and sometimes cruel. Any manners he had came from a personal sense of decorum and never from common civility. But I always knew that he had high moral values and that people sitting before him could trust him if they themselves could be trusted.

Wolfe was never a hero in the American sense. No gunslinger or karate master he. He never subdued the bad guy or ran a merry chase. As a matter of fact, Nero Wolfe was a coward when it came to things physical.

He was afraid of traffic.

Again, instead of condemning Mr. Wolfe for his cowardice, I learned from him. I learned that the American ideal of heroism is no more than a bad movie; that real heroes rarely exist-if, indeed, they ever do. I learned that life is not so much the struggle of good against evil as it is the struggle to survive.

Wolfe struggled for comfort. A great meal and a solid brownstone, that was the prize; a brief respite in this all too short, all too painful life.

Wolfe didn’t care about crime and its eradication. He was a philosopher. “As long as there is man there will be murder, adultery, and theft,” he might have said. And he knew that his efforts would make little difference in that equation. His job was to pay the rent and buy the groceries. All the liars and murderers and saints that passed through his house over the decades meant little or nothing to Wolfe’s heart. He was a man doing his job.

And now that I think of it-what could be more heroic than that?

All of that said, I still haven’t touched on why I’ve read all of the Nero Wolfe mysteries. As a matter of fact, you would be justified in asking why anyone would read about such a rude and unredeemed character.

The answer is, of course, Archie Goodwin.

Archie’s voice is at once so humorous and so revealing that I often felt I was being addressed by a spirit rather than just some normal human being. Archie, it seemed, was sprung fully grown from the mind of that twentieth-century god, New York City. He’s a footloose New Yorker who sees the whole world from Thirty-fifth Street. He can tell you about a cop’s gait, a pretty woman’s choice of a particular hue of lipstick, an unusual texture in Fritz’s corn fritters, or the angle of a dead man’s arm-all with wit and humor that keep you reading for more.

Archie is the leg man. He’s the one who carries out Wolfe’s plans and errands. He drives the car, romances the ladies, and applies the pike to Nero’s rear end when the rent is due and there’s a paying client downstairs.

Archie has no dark moods, no real fears, and no concerns beyond what it takes to keep three hundred and fifty pounds of genius going. He loves women (Lily Rowan especially), but he’s married to his work.

All the years I read the Nero Wolfe mysteries it was because of Archie. Archie talking about walking up Madison; Archie cracking wise with Cramer; Archie amazed by the detecting abilities of Saul Panzer (the second or third greatest detective in New York- and, therefore, the world).

Archie Goodwin was the real gumshoe. He was willing to get out there and work. He wasn’t daunted by traffic or sunlight or possibility of death.

Archie Goodwin is the distilled optimism of America as it was for more than half of this century. Ebullient and proud, he still had to be humble because of the great brain of his employer.

I read about Nero Wolfe because it was Archie who told the tale. His voice is the voice of all the hope and humor of a new world. This bright light shines upon the darkness of Wolfe’s deep fears and genius and upon the craven and criminal minds that infest the world.

This juxtaposition of light and dark is much more satisfying than the struggle between good and evil. It is the essence of positive and negative space in literature.

Rex Stout, through the voice of Archie telling us about his world (a full third of which was occupied by Nero Wolfe), raised detective fiction to the level of art with these books. He gave us genius of at least two kinds, and a strong realist voice that was shot through with hope.

–Walter Mosley

Chapter 1

SEATED IN HIS GIANT’S chair behind his desk in his office, leaning back with his eyes half closed, Nero Wolfe muttered at me:

“It is an interesting fact that the members of the National Industrial Association who were at that dinner last evening represent, in the aggregate, assets of something like thirty billion dollars.”

I slid the checkbook into place on top of the stack, closed the door of the safe, twirled the knob, and yawned on the way back to my desk.

“Yes, sir,” I agreed with him. “It is also an interesting fact that the prehistoric Mound Builders left more traces of their work in Ohio than in any other state. In my boyhood days-”

“Shut up,” Wolfe muttered.

I let it pass without any feeling of resentment, first because it was going on midnight and I was sleepy, and second because it was conceivable that there might be some connection between his interesting fact and our previous conversation, and that was not true of mine. We had been discussing the bank balance, the reserve against taxes, expectations as to bills and burdens, one of which was my salary, and related matters. The exchequer had not swung for the third strike, but neither had it knocked the ball out of the park.

After I had yawned three more times Wolfe spoke suddenly and decisively.

“Archie. Your notebook. Here are directions for tomorrow.”

In two minutes he had me wide awake. When he had finished and I went upstairs to bed, the program for the morning was so active in my head that I tossed and turned for a full thirty seconds before sleep came.

Chapter 2

THAT WAS A WEDNESDAY toward the end of the warmest March in the history of New York. Thursday it was more of the same, and I didn’t even take a topcoat when I left the house on West Thirty-fifth Street and went to the garage for the car. I was fully armed, prepared for all contingencies. In my wallet was a supply of engraved cards reading:

ARCHIE GOODWIN

With Nero Wolfe

922 West 35 th Street

Proctor 5-5000

And in the breast pocket of my coat, along with the routine cargo, was a special item just manufactured by me on the typewriter. It was on a printed Memo form and, after stating that it was FOR Nero Wolfe and FROM Archie Goodwin, it went on: