Rex Stout - The Golden Spiders (Crime Line)

“And Wolfe.”

“He’s digesting pork. Hold it.” I slipped the chain bolt to hold the door to a two-inch crack, stepped to the office, told Wolfe Stebbins wanted an audience, stood patiently while he made faces, was instructed to bring the caller in, and returned to the front and did so.

Over the years a routine had been established for seating Sergeant Stebbins in our office. When he came with Inspector Cramer, Cramer of course took the big red leather chair near the end of Wolfe’s desk, and Purley one of the yellow ones, which were smaller. When he came alone, I tried to herd him into the red leather chair but never made it. He always sidestepped and pulled up a yellow one. It wasn’t that he felt a sergeant shouldn’t sit where he had seen an inspector sit, not Purley. It may be he doesn’t like to face a window, or possibly he just doesn’t like red chairs. Some day I’ll ask him.

That day he got his meat and muscle, of which he has a full share, at rest on a yellow chair as usual, eyed Wolfe a moment, and then twisted his neck to confront me. “Yesterday you phoned me about a car-a dark gray fifty-two Cadillac, Connecticut license YY nine-four-three-two. Why?”

I raised my shoulders and let them drop. “I told you. We had information, not checked, that the car or its owner or driver might have been involved in something, or might be. I suggested a routine inquiry.”

“I know you did. Exactly what was your information and where did you get it?”

I shook my head. “You asked me that yesterday and I passed it. I still pass. Our informant doesn’t want to be annoyed.”

“Well, he’s going to be. Who was it and what did he tell you?”

“Nothing doing.” I turned a hand over. “You know damn well this is just a bad habit you’ve got. If something has happened that makes you think I’ve got to tell you who and what, tell me what happened and let’s see if I agree with you. You know how reasonable I am.”

“Yeah, I sure do.” Purley set his jaw and then relaxed it. “At six-forty this afternoon, two hours ago, a car stopped for a red light at the corner of Thirty-fifth Street and Ninth Avenue. A boy with a rag went to it and started wiping a window. He finished that side and started for the other side, and as he was circling in front of the car it suddenly jumped forward and ran over him, and kept going fast, across the avenue and along Thirty-fifth Street. The boy died soon after the ambulance got him to the hospital. The driver was a man, alone in the car. With excitement like that people never see much, but two people, a woman and a boy, agree about the license number, Connecticut YY nine-four-three-two, and the boy says it was a dark gray Cadillac sedan. Well?”

“What was the boy’s name? The one that was killed.”

“What’s that got to do with it?”

“I don’t know. I’m asking.”

“His name was Drossos. Peter Drossos.”

I swallowed. “That’s just fine. The sonofabitch.”

“Who, the boy?”

“No.” I turned to Wolfe. “Do you tell it or do I?”

Wolfe had closed his eyes. He opened them to say, “You,” and closed them again.

I didn’t think it was necessary to tell Stebbins about the domestic crisis that had given me the impulse to take Pete in to Wolfe, but I gave him everything that was relevant, including Pete’s second visit that afternoon. Though for once in his life he was satisfied that he was getting something straight in that office, he asked a lot of questions, and at the end he saw fit to contribute an unfriendly comment to the effect that worthy citizens like Nero Wolfe and Archie Goodwin might have been expected to show a little more interest in a woman with a gun in her ribs wanting a cop.

I wasn’t feeling jaunty, and that stung me. “Specimens like you,” I told him, “are not what has made this country great. The kid might have made it all up. He admitted he didn’t see the gun. Or the woman might have been pulling his leg. If I had told you yesterday who had told me what, you would have thought I was screwy to spend a dime on it for a phone call. And I did give you the license number. Did you check on it?”

“Yes. It was a floater. It was taken from a Plymouth that was stolen in Hartford two months ago.”

“No trace?”

“None so far. Now we’ll ask Connecticut to dig. I don’t know how many floater plates there are in New York this minute, but there are plenty.”

“How good a description have you got of the driver?”

“We’ve got four and no two alike. Three of them aren’t worth a damn and the other one may be-a man that had just come out of the drugstore and happened to notice the kid going to the car with his rag. He says the driver was a man about forty, dark brown suit, light complexion, regular features, felt hat pulled down nearly to his ears. He says he thinks he could identify him.” Purley got up. “I’ll be going. I’ll admit I’m disappointed. I fully expected either I’d get a lead from you or I’d find you covering for a client.”

Wolfe opened his eyes, “I wish you luck, Mr. Stebbins. That boy ate at my table yesterday.”

“Yeah,” Purley growled, “that makes it bad. People have no business running over boys that ate at your table.”

On that sociable note he marched out, and I went to the hall with him. As I put my hand on the doorknob a figure rose to view outside, coming up the steps to the stoop, and when I pulled the door open there she was-a skinny little woman in a neat dark blue dress, no jacket and no hat, with puffed red eyes and her mouth pressed so tight there were no lips.

Stebbins was just back of me as I addressed her. “Can I help you, madam?”

She squeezed words out. “Does Mr. Nero Wolfe live here?”

I told her yes.

“Do you think I could see him? I won’t be long. My name is Mrs. Anthea Drossos.”

She had been crying and looked as if she might resume any second, and a crying woman is one of the things Wolfe won’t even try to take. So I told her he was busy, and I was his confidential assistant, and wouldn’t she please tell me.

She raised her head to meet my eyes straight. “My boy Pete told me to see Mr. Nero Wolfe,” she said, “and I’ll just wait here till I can see him.” She propped herself against the railing of the stoop.

I backed up and shut the door. Stebbins was at my heels as I entered the office and spoke to Wolfe. “Mrs. Anthea Drossos wants to see you. She says her boy Pete told her to. I won’t do. She’ll camp on the stoop all night if she has to. She might start crying in your presence. What do I do, take a mattress out to her?”

That opened his eyes all right. “Confound it. What can I do for the woman?”

“Nothing. Me too. But she won’t take it from me.”

“Then why the devil-pfui! Bring her in. That performance of yours yesterday-bring her in.”

I went and got her. When I ushered her in Purley was planted back in his chair. With my hand on her elbow because she didn’t seem any too sure of her footing, I steered her to the red leather number, which would have held three of her. She perched on the edge, with her black eyes-blacker, I suppose, because of the contrast with the inflamed lids-aimed at Wolfe.