Butler, Octavia - Adulthood Rites

“Hey!” one of the salvagers yelled. “Those things are valuable!” The man retrieved the picture, glared at Akin, then glared at Tate. “What the hell would you give a thing like that to a baby for anyway?”

But both Tate and Sabina had stepped quickly to see what was wrong with Akin.

Akin went to the door and spat outside several times, spat away pure pain as his body fought to deal with what he had carelessly taken in. By the time he was able to talk and tell what was wrong, he had everyone’s attention. He did not want it, but he had it.

“I’m sorry,” he said. “Did the picture break?”

“What’s the matter with you?” Tate said with unmistakable concern.

“Nothing now. I got rid of it. If I were older, I could have handled it better—made it harmless.”

“The picture—the plastic—was harmful to you?”

“The stuff it was made of. Plastic?”

“Yes.”

“It’s so sealed and covered with dirt that I didn’t feel the poison before I tasted it. Tell the girls not to taste it.”

“We won’t,” Amma and Shkaht said in unison, and Akin jumped. He did not know when they had come in.

“I’ll show you later,” he said in Oankali.

They nodded.

“It was

more poison packed tight together in one place than I’ve ever known. Did Humans make it that way on purpose?”

“It just worked out that way,” Gabe said. “Hell, maybe that’s why the stuff is still here. Maybe it’s so poisonous—or so useless—that not even the microbes would eat it. Nonbiodegradable, I think the prewar word was.”

Akin looked at him sharply. The shuttle had not eaten the plastic. And the shuttle could eat anything. Perhaps the plastic, like the truck, had simply been overlooked. Or perhaps the shuttle had found it useless as Gabe had said.

“Plastics used to kill people back before the war,” a woman said. “They were used in furniture, clothing, containers, appliances, just about everything. Sometimes the poisons leached into food or water and caused cancer, and sometimes there was a fire and plastics burned and gassed people to death. My prewar husband was a fireman. He used to tell me.”

“I don’t remember that,” someone said.

“I remember it,” someone else contradicted. “I remember a house fire in my neighborhood where everybody died trying to get out because of poison gas from burning plastics.”

“My god,” Sabina said, “should we be trading this stuff?”

“We can trade it,” Tate said. “The only place that has enough of it to be a real danger is right here. Other people need things like this—pictures and statues from another time, something to remind them what we were. What we are.”

“Why did people use it so much if it killed them?” Akin asked.

“Most of them didn’t know how dangerous it was,” Gabe said. “And some of the ones who did know were making too damn much money selling the stuff to worry about fire and contamination that might or might not happen.” He made a wordless sound—almost a laugh, although Akin could detect no humor in it. “That’s what Humans are, too, don’t forget. People who poison each other, then disclaim all responsibility. In a way, that’s how the war happened.”

“Then

” Akin hesitated. “Then why don’t you paint new pictures and make statues from wood or metal?”

“It wouldn’t be the same for them,” Shkaht said in Oankali. “They really do need the old things. Our Human father got one of the little crosses from a traveling resister. He always wore it on a cord around his neck.”

“Was it plastic?” Akin asked.

“Metal. But prewar. Very old. Maybe it even came from here.”

“Independent resisters take our stuff to your villages?” Tate asked when Akin translated.

“Some of them trade with us,” Akin said. “Some stay for a while and have children. And some only come to steal children.”

Silence. The Humans went back to their trade goods, broke into groups, and began exchanging news.

Tate showed Akin the house where he was to sleep—a house filled with mats and hammocks, cluttered with small objects the salvagers had dug up, and distinguished by a large, cast-iron woodstove. It made the one in Tate’s kitchen seem child-sized.

“Stay away from that,” Tate said. “Even when it’s cold. Make a habit of staying away from it, you hear?”

“All right. I wouldn’t touch anything hot by accident, though. And I’m finally too old to poison, so—”

“You just poisoned yourself!”

“No. I was careless, and it hurt, but I wouldn’t have gotten very sick or died. It was like when you hit your toe and stumbled on the trail. It didn’t mean you don’t know how to walk. You were just careless.”

“Yeah. That may or may not be a good analogy. You stay away from the stove anyway. You want something to eat or has everyone already stuffed you with food?”

“I’ll have to get rid of some of what I’ve already eaten so that I can eat some more protein.”

“Want to eat with us or would you rather go out and eat leaves?”

“I’d rather go out and eat leaves.”

She frowned at him for a second, then began to laugh. “Go,” she said. “And be careful.”

17

Neci Roybal wanted one of the girls. And she had not given up the idea of having both girls’ tentacles removed. She had begun again to campaign for that among the salvagers. The tentacles looked more like slugs than worms most of the time, she said. It was criminal to allow little girls to be afflicted with such things. Girl children who might someday be the mothers of a new Human race ought to look Human—ought to see Human features when they looked in the mirror

“They’re not Oankali,” Akin heard her tell Abira one night. “What happened to the man Tate and Gabe knew—that might only happen with Oankali.”

“Neci,” Abira told her, “if you go near those kids with a knife, and they don’t finish you, I will.”

Others were more receptive. A pair of salvagers named Senn converted quickly to Neci’s point of view. Akin spent much of his third night at the salvage camp lying in Abira’s hammock, listening as in the next house Neci and Gilbert and Anne Senn strove to convert Yori Shinizu and Sabina Dobrowski. Yori, the doctor, was obviously the person they hoped would remove the girls’ tentacles.

“It’s not just the way the tentacles look,” Gil said in his soft voice. Everyone called him Gil. He had a soft, ooloilike voice. “Yes, they are ugly, but it’s what they represent that’s important. They’re alien. Un-Human. How can little girls grow up to be Human women when their own sense organs betray them?”

“What about the boy?” Yori asked. “He has the same alien senses, but they’re located in his tongue. We couldn’t remove that.”

“No,” Anne said, soft-voiced like her husband. She looked and sounded enough like him to be his sister, but Humans did not marry their siblings, and these two had been married before the war. They had come from a place called Switzerland and had been visiting a place called Kenya when the war happened. They had gone to look at huge, fabulous animals, now extinct. In her spare time, Anne painted pictures of the animals on cloth or paper or wood. Giraffes, she called them, lions, elephants, cheetahs

She had already shown Akin some of her work. She seemed to like him.

“No,” she repeated. “But the boy must be taught as any child should be taught. It’s wrong to let him always put things into his mouth. It’s wrong to let him eat grass and leaves like a cow. It’s wrong to let him lick people. Tate says he calls it tasting them. It’s disgusting.”

“She lets him give in to any alien impulse,” Neci said. “She had no children before. I heard there was some sickness in her family so that she didn’t dare have children. She doesn’t know how to care for them.”