Butler, Octavia - Wild Seed

He licked his lips thinking about it, and Isaac coughed. Doro looked at his son with the old fondness and amended his thought. Anyanwu would live until Isaac died. She was keeping Isaac healthy, perhaps keeping him alive. She was doing it for herself, of course. Isaac had captured her long ago as he captured everyone, and she did not want to lose him any sooner than she had to. But her reasons did not matter. Inadvertently, she was doing Doro a service. He did not want to lose Isaac any sooner than he had to either. He shook his head, spoke to divert himself from the thought of his son’s dying.

“I was down in the city on business,” he said. “Then about a week ago when I was supposed to leave for England, I found myself thinking about Nweke.” This was Anyanwu’s youngest daughter. Doro claimed her as his daughter too, though Anyanwu disputed this. Doro had worn the body that fathered the girl, but he had not worn it at the time of the fathering. He had taken it afterward.

“Nweke’s all right,” Isaac said. “As all right as she can be, I suppose. Her transition is coming soon and she has her bad days, but Anyanwu seems to be able to comfort her.”

“You haven’t noticed her having any special trouble in the past few days?”

Isaac thought for a moment. “No, not that I recall. I haven’t seen too much of her. She’s been helping to sew for a friend who’s getting married—the Van Ness girl, you know.”

Doro nodded.

“And I’ve been helping with the Boyden house. I guess you could say I’ve been building the Boyden house. I have to use what I’ve got now and then, no matter how Anyanwu nags me to slow down. Otherwise, I find myself walking a foot or so off the ground or throwing things. The ability doesn’t seem to weaken with age.”

“So I’ve noticed. Do you still enjoy it?”

“You couldn’t know how much,” Isaac said, smiling. He looked away, remembered pleasure flickering across his face, causing him to look years younger than he was. “Do you know we still fly sometimes—Anyanwu and I? You should see her as a bird of her own design. Color you wouldn’t believe.”

“I’m afraid I’ll see you as a corpse if you go on doing such things. Firearms are improving slowly. Flying is a stupid risk.”

“It’s what I do,” Isaac said quietly. “You know better than to ask me to give it up entirely.”

Doro sighed. “I suppose I do.”

“Anyway, Anyanwu always goes along with me—and she always flies slightly lower.”

Anyanwu the protector, Doro thought with bitterness that surprised him. Anyanwu the defender of anyone who needed her. Doro wondered what she would do if he told her he needed her. Laugh? Very likely. She would be right, of course. Over the years it had become almost as difficult for him to get a lie past her as it was for her to lie successfully to him. The only reason she did not know of his colony of her African descendants in South Carolina was that he had never given her reason to ask. Even Isaac did not know.

“Does it bother you?” he asked Isaac. “Having her protecting you that way?”

“It did, at first,” Isaac said. “I would outdistance her. I’m faster than any bird if I want to be. I would leave her behind and ignore her. But she was always there, laboring to catch up, hampered by winds that didn’t bother me at all. She never gave up. After a while, I began expecting her to be there. Now, I think I’d be more bothered if she didn’t come along.”

“Has she been shot?”

Isaac hesitated. “That’s what the bright colors are for, I guess,” he said finally. “To distract attention from me. Yes, she’s been shot a couple of times. She falls a few yards, flops about to give me time to get away. Then she recovers and follows.”

Doro looked up at the portrait of Anyanwu on the wall opposite the high, shallow fireplace. The style of the house was English here, Dutch there, Igbo somewhere else. Anyanwu had made earthen pots, variations of those she had once sold in the marketplaces of her homeland, and stout handsome baskets. People bought them from her and placed them around their houses as she had. Her work was both decorative and utilitarian, and here in her house with its Dutch fireplace and kas, its English settle and thronelike wainscot chairs, it evoked memories of a land she would not see again. Anyanwu had never sanded the floor as Dutch women did. Dirt was for sweeping out, she said contemptuously, not for scattering on the floor. She was more house proud than most English women Doro knew, but Dutch women shook their heads and gossiped about her “slovenly” housekeeping and pretended to pity Isaac. In fact, in the easy atmosphere of Wheatley, nearly every woman pitied Isaac so much that had he wished, he could have spread his valuable seed everywhere. Only Doro drew female attention more strongly—and only Doro took advantage of it. But then, Doro did not have to worry about outraged husbands—or an outraged wife.

The portrait of Anyanwu was extraordinary. Clearly, the Dutch artist had been captured by her beauty. He had draped her in a brilliant blue that set off her dark skin beautifully as blue always had. Even her hair had been hidden in blue cloth. She was holding a child—her first son by Isaac. The child too, only a few months old, was partly covered by the blue. He looked out of the painting, large-eyed and handsomer than any infant should have been. Did Anyanwu deliberately conceive only handsome children? Every one of them was beautiful, even though Doro had fathered some with hideous bodies.

The portrait was a black madonna and child right down to Anyanwu’s too-clear, innocent-seeming eyes. Strangers were moved to comment on the likeness. Some were appreciative, looking at the still handsome Anyanwu-she kept herself looking well for Isaac even as she aged herself along with him. Others were deeply offended, believing that someone actually had tried to portray the Virgin and Child as “black savages.” Race prejudice was growing in the colonies—even in this formerly Dutch colony where things had once been so casual. Earlier in the year, there had been mass executions at New York City. Someone had been setting fires and the whites decided it must be the blacks. On little or no evidence, thirty-one blacks were killed—thirteen of them burned at the stake. Doro was beginning to worry about this upriver town. Of all his English colonial settlements, only in this one did his blacks not have the protection of powerful white owners. How soon before whites from elsewhere began to see them as fair game.

Doro shook his head. The woman in the portrait seemed to look down at him as he looked up. He should have had too much on his mind to think about her or about her daughter Ruth, called Nweke. He should not have allowed himself to be drawn back to Wheatley. It was good to see Isaac … but that woman!

“She was the right wife for me after all,” Isaac was saying. “I remember her telling me she wasn’t once before we married, but that was one of the few times I’ve known her to be wrong.”

“I want to see her,” Doro said abruptly. “And I want to see Nweke. I think the girl’s a lot closer to her change than you realize.”

“You think that’s why you were pulled back here?”

Doro did not like the word “pulled,” but he nodded without comment.

Isaac stood up. “Nweke first, while you’re still in a fairly good mood.” He went out of the house without waiting for Doro to answer. He loved Doro and he loved Anyanwu and it bothered him that the two got along so badly together.

“I don’t see how you can be such a fool with her,” he told Doro once—to Doro’s surprise. “The woman is not temporary. She can be everything you need if you let her—mate, companion, business partner, her abilities complement yours so well. Yet all you do is humiliate her.”