Mercedes Lackey - Reserved for the Cat

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Based loosely on the tale of Puss in Boots, Reserved for the Cat takes place in 1910 in an alternate London. A young dancer, penniless and desperate, is sure she is going mad when a cat begins talking to her mind-to-mind. But her feline guide, actually an Elemental Earth Spirit, helps her to impersonate a famous Russian ballerina and achieve the success she’s been dreaming of. Unfortunately she also attracts the attention of another Elemental Spirit— a far more threatening one— and the young dancer must once again turn to her mysteriously powerful four-legged furry friend.

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But it was not, thank le bon Dieu, perfection. She would have suspected perfection immediately. Perfection would have meant that she was lying delirious in a ditch somewhere, or mad, or even dead or at least dying. But no, this was reality. The cassoulet was just a bit scorched on the bottom, the mutton and pork in it were thrifty re-use of leftovers, for she tasted a memory of mint on the mutton and of rosemary on the pork. The treacle pudding was something she had never tasted or even heard of before, and surely she could not have invented anything like it in her own mind.

So once again this was brought home to her: she was in England, and a talking cat had brought her here. She had paid for lodgings for a week. So, for a week at least, she would live like a decently paid shop girl.

At the moment, that was more than enough.

The other girls began to push away from the table, thanking Madame, as the little maidservant came to clear away the last of the plates. Some went into the drawing room; pleading the long journey, Ninette excused herself and went back up to her room. When she entered the room, it was empty. When she turned back from closing the door behind herself, the cat was on her bed.

Turn out the purse, he said, imperiously. The English one, not the French one.

Obediently, she did so. The cat delicately separated the coins into neat little piles.

This is a sovereign, he said, pointing to the pile of the largest of the coins. These are worth the most. They are also called pounds. You had two, you gave Madam one, and she returned you the change. These are shillings. Twenty of these make a pound. You have seven now. These are pennies, or pence. There are twelve of them in a shilling and you have fifteen. These two here are three penny pieces, and you have two, they are also called thruppence. These four are six penny pieces, called six-pence. You have eleven of these half-penny pieces, called ha’pence, and eighteen of these little fellows, each worth one fourth of a penny, called farthings. Your rent and meals, with the maid to do your laundry, for one week, came to fifteen shillings. So, I am going to drill you in this money, and then I am going to drill you in how much is reasonable to pay for something.

“But why—” she began.

Because you need a few more items of clothing right now, and because I am going to make it possible for you to live here and live well, and I should be very much obliged if you didn’t allow yourself to be cheated. Now. What is this? An imperious paw tapped one of the piles of coins.

It was a very good thing that she had gotten that sleep, because her eyes were weary and sore by the time the cat allowed her to scoop the coins back into the purse, change into her threadbare little spare shift, blow out her candle, and go back to sleep. By this time, she was well aware that she was possessed of more money than she’d ever had in her life. She knew exactly how much she should expect to pay for the pieces of clothing the cat insisted she get tomorrow. But one of the expected purchases very much puzzled her. She understood going to a second-hand shop for most of it. . . .

But why would she be going to a ragman for a dress?

Reserved for the Cat - изображение 10

She went out early the next day, ostensibly to visit her mythical sister. It was still wet—not raining, but a kind of heavy mist. She headed purposefully down the street, her shawl about her shoulders, her hat pinned firmly on her head and her hair in the same tight little bun she wore when performing. She looked as if she knew exactly where she was going. In fact, she was following the cat.

Tall, narrow houses mixed with shops along a street heavy with traffic. Horse cabs, omnibuses, wagons, the occasional motor truck or motor car moved along slowly but steadily; this was nothing like her street in Montmartre. There, little cafes put their tables out on the sidewalk, produce shops racked their wares in front to entice buyers, street peddlers bawled out encouragement to buy from their carts, and everywhere there were the bohemians, sitting on steps, on balconies, hanging out of the windows. Dancing to a street organ, making music of their own. Arguing, brawling, making love in public. Here, there was none of that, only the stiff rows of houses and shops, and the stiff people moving purposefully to their destinations.

It will change with the holiday season. Then, you will see. This is the off-season, when it is hard to let rooms and hard to fill theater seats.

The cat turned down a side street. Then another. And another. They grew progressively narrower with less traffic, until at last, at long last, she found herself in a neighborhood that did remind her of home.

Not that there were artists and musicians thronging the place. But this was not a place where those good little shop girls would come to buy. Safe enough now, it was not a place where she would care to be after dark. There were no houses here, only buildings full of cheap flats that must have been home to enormous families. There was another accent in these streets; not being a native speaker, she couldn’t place it, but there was a veritable horde of red-haired children running about. And though there may not have been artists and musicians, there was music, of drum and fiddle and tin whistle, coming from a public house that was already open.

But the cat paused at a doorway and twitched his tail at her. She pulled the door open to the ringing of a little bell, and the cat slipped inside, under her skirt.

It was a used clothing shop. But the clothing here was more than a mere cut above the neighborhood; it was remarkably good. Some of the gowns she sorted through were several social strata above the shop girls at the boarding house.

She confined herself at first, however, to the merely “good” clothing, buying a skirt and jacket that were identical in color and style to her own but of much better materials and repair, and three shirtwaists. But then, at the cat’s urging, she bought beautiful under-things of the sort she had only seen on the kept etoiles. She asked for, and got, permission to change into these things in a stall at the back of the shop, discarding her old clothing. She scarcely felt like herself in the soft, delicate bloomers, the finely crafted corset, the dainty corset-cover and petticoat, the silk stockings that were tea-stained, but not where anyone would see them. And the new outer clothing . . . it was strange, very strange, because it looked the same but—it was unmended and only a little worn. It felt more substantial.

And, at the cat’s prodding, she bought a sturdy umbrella. You will need it, he told her laconically. There are only two sorts of weather in Blackpool. Raining and about to rain.

Finally, as a girl came in with a bundle while she was looking at cloaks, it dawned on her what this was. Often part of a maidservant’s wages was the cast-off clothing of her mistress. This was where the superior maidservants came to sell their windfalls.

So it was with a little surprise, as she waited for the shopkeeper to bundle up the items she wasn’t wearing, that she heard the cat say from under her skirt, Ask about the cut-up dress!

Too surprised, in fact, to do anything other than stammer, “And would you have a ruined day gown, velvet perhaps, or silk twill, that has been cut up badly?”

The shopkeeper looked at her in astonishment, pausing for a moment, before answering, “Why . . . as a matter of fact . . . I do. But why do you need such a thing?”

Fancywork, hissed the cat. Shoes. You are covering shoes.

“I am re-covering dancing slippers,” she said, and the man nodded with understanding, and pulled a basket from beneath the counter.

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