Andrew Vachss - Sacrifice

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What-or who-could turn a gifted little boy into a murderous thing that calls itself "Satan's Child"? In search of an answer, a man named Burke travels from a festering welfare hotel to a neat frame house where a voodoo priestess presides over a congregation of assassins. For this vigilante and unlicensed private eye has made it his business to defend the small victims whom the law has failed-even a child who has been made into a killer. Gripping and chillingly knowledgeable about the mechanisms of evil, Sacrificeis a thriller of savage authority from one of the best crime writers of our generation.

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"Damn."

"Yeah. Thought you knew, mahn, the way you change my name and everything. And she don't know yours, you think, yes?"

"Just playing it safe— I didn't know."

"It's the truth, mahn. Sure thing. Somebody snatch that lady, he gonna get himself hurt."

"You think that's what she's doing…trolling for rapists?"

"Wrong hours, mahn. Wrong time. She stays off the bad trails too. It's you she's working, boss."

"Why?"

"Way I see it, the man in the white limo, he's made him a trade."

"White limo?"

"This is Clarence, mahn. Your friend. Your true friend. Give it up. Don't look back. You follow that big bouncing butt right into the penitentiary."

I lit a smoke, thinking about it. About not looking back. About how that comes natural to some people.

148

Clarence sat quietly next to me. Pansy swept the area with her eyes. Smarter than me, going in.

I packed my stuff in the gym bag, snapped on Pansy's lead, told her to stay while I folded the army blanket.

"Thanks, Clarence," I said, holding out my hand, goodbye.

"That's not why I came, mahn. Got a message from the Queen. One of her people called Jacques. Said to come see her. She has your answer. Come anytime, after dark."

"Anything else?"

"Word for word, mahn."

We walked through the park, heading west. A collie galloped by, off leash, a kid chasing it. Pansy ignored the other dog— she generally does.

"You know about this obeah thing, Clarence?"

"I know some, mahn. What my mother told me, from her mother, she said."

"Tell me."

"It comes from the old ways. From slavery, way I heard it. It's all about sacrifice, mahn. When you die, you wait. To cross over. The sacrifice, that lets you come back. In spirit. There are many spirits…they call them loas…a joker, a warrior, a lover."

"The bag…the one we found that night. That was a sacrifice?"

"Yes, mahn. The Queen, she is the Mamaloi, the priestess. There's two kinds obeah. The white and the red. The red, their god is the snake."

"What's the difference?"

"In white obeah, in that juju bag would be a chicken, maybe a goat…an animal."

"In the red…?"

"The goat without horns, mahn," Clarence said, his hands clasped together. A quick shudder passed through his thin frame.

149

Belinda was a cop. In books, people are fascinated with mysteries. Can't let them slide. Books have plots— life has plotters. Maybe Belinda was the front end of a decoy operation, maybe Carlos had already rolled over for the Man and she was with the backup team. Or maybe it was me they were looking at— maybe she heard about me, wanted to freelance a bit. Get a gold shield to pin on that fine chest.

I wondered if she'd ever had a dog named Blackie. If she'd really liked Pansy.

Clarence picked the lock on the privacy of my mind. "You gonna do it, mahn? Go there, see the Queen?"

I nodded.

150

Two more dead days. Then I went out to answer the call. Just before midnight, I crossed the Triboro, took the far right lane to Queens, exited at Ninety-fourth Street, just before La Guardia. Rolled south to Northern Boulevard, turned left to the voodoo house. The gate was open. I pulled the Plymouth inside, all the way around to the back. Two men in the yard, dressed in their black and white. I got out slowly so I wouldn't spook them. They looked through me, said nothing.

I walked to the back door. A bright red arrow was freshly painted on the side of the house, pointing to a set of stone steps. Down.

Another way to the basement. I followed the steps to the bottom. By then, I knew better than to knock. No doorknob. I pushed, it opened, and I was inside.

The underground room seemed bigger than the last time. She was where she was before, a faint shape in the gloomy shadows. I walked to her. Candles popped into life all around the room, thick and stubby as fists, fat-flamed. Red and white, lacing the dark in an alternating pattern like the pin heads on the juju bag. Cloth-sounds on either side of me as I moved. Deep dampness from the stone walls. The floor felt like packed earth beneath the soles of my boots.

"Do you believe now?" she asked, soft-voiced as I approached.

I sat before her. "The baby was in the water," I replied.

"Yes. And now you hunt again."

"Not for…"

"I know. Not for him. For the false gods. For what those like you call the devil."

"Yes."

"You do not ask how I know. Have you learned, then?"

"Yes."

"Where is your son tonight?"

"I have no son."

"Yes, hunter, you have a son. The young one who was with you when you last came. He is dark like us, but his heart is like yours. A son looks to his father for guidance. For the Way. Your way is to hunt. And he follows."

"No, it's just a job. He works for others."

"And to those others, you are a hired man, yes?"

"Yes."

"And so then is he. Like you. It is from you he learns, not from them. And he protects you, like a son."

"He's a professional— it's his job."

"No. His master gave him the message. From me. To you. And so you are here now. But the boy, he has been here since yesterday afternoon. Just across the street, in one of the rooms they rent."

"How…?"

"He paid the lady extra so he could have a room with a window on the street. The bathroom is down the hall. In his room, in his suitcase, he has a rifle. One that comes in two pieces. It is our house, there. The lady is not one of us, but she knows what to do. It is your son."

"He won't do anything. I'll…"

"It is all right. He is safe. Ask me your questions now— we have work to do before the sun."

"The people I'm looking for…" I started, reaching in my pocket for the mug shots Wolfe had given me.

She held up her hand. "We do not know them. Not by their faces. But by their practice, they are known. They are not sorcerers, they have no magic. Poison is their weapon. Their poison, it makes the wolf who walks."

"No. They…"

"What Europeans call a werewolf, child of sadness. Before there was legend, before there was myth, there was truth. Their poison, it makes a beast. When the beast feeds, when it is satisfied, it is a man again. You have seen this."

Luke. Baby baby baby. Stabbing. Toby. A different child. The runaway. Running in his mind. Splitting off.

I nodded. So deeply it felt like a bow.

"The poison-masters leave a spoor. It is their track. The dead sheep tells us its killer by the marks on its body— a man kills differently than a wolf. The hunter knows."

"I know who. Not where."

"Take this," she said. Handing me a leather thong, long glossy feathers attached to it. Black and white. "Wrap the strap around your wrist, hold it like this." Her forearm straight out, fingers pointing to me.

Ki.

The feathers hung limp. The tips of our fingers touched.

"They know each other, the vampire and the werewolf. But know this too, hunter. They are not brothers."

Electricity in my fingers, in my wrist. The feathers fluttered in the candlelight but the flames held steady. I couldn't feel the breeze.

Her hand moved, covered mine. Untied the thong from my wrist. Leather and feathers disappeared somewhere behind her throne.

She closed her eyes, tilted her chin up. I could see the long muscles in her throat. Her eyes opened, held mine.

"Come here," she said.

I stood up. She made a gesture. I bent toward her. Her face was close enough to kiss. Her arms went around my neck. Something there, soft.

I stepped back. A tiny muslin bag bounced against my chest, thin silken strap around my neck.

"Wear it against your body until your hunt is done. Wear it inside their cave— it will protect you."

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