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Lois Lowry: The One Hundredth Thing About Caroline

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Lois Lowry The One Hundredth Thing About Caroline

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When their mother starts to date the mystery man on the fifth floor, who has been instructed by his agent to "eliminate the children" by the first of May, eleven-year-old Caroline and her older brother figure they're targeted to be the victims of a savage crime.

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She pulled them out and held them up triumphantly: two galoshes, huge, with flapping buckles.

"Where did those come from?" asked J.P., looking at them with disdain.

"That guy left them here. The one who was the Scrabble expert. Mom was going to give them to Goodwill, but she never did. Every time she gets out the vacuum cleaner, she says, 'I ought to get rid of those awful things.' But then she forgets about them again. Put the evidence in one of these and I'll stick them way back in the farthest corner of the closet."

J.P. gave it some thought, nodded finally, and deposited the three envelopes in one of the galoshes. He buckled it all the way up, and Caroline carried it between two fingers back to the closet.

"There," she said. "Arsenic, killer's glove, and a corpus with a pink nose. Safely stashed." She closed the closet door.

"Nine o'clock," she said, looking at her watch. "I'm going to watch 'Movie of the Week'—it's a dinosaur picture. Hollywood makes such disgusting dinosaurs. They can't tell a Brachiosaurus from an Iguanodon, those jerks."

"Oh, no, you're not," said J.P., leaping toward the television. "I'm watching a special on another channel. Mom promised me I could."

"Liar! You never even asked her! I've been planning all week to watch that dinosaur movie!" Caroline tried to grab his hand away from the channel selector. But J.P. was stronger than she. He had his hand locked in place. "No fair, you beastly creep!"

When Joanna Tate arrived home at ten, Caroline and J.P. were still locked in warfare. They had flicked the channels back and forth so often that the picture on the screen was just a maze of zigzag lines, and the sound was a staticky buzz. J.P.'s shirt was torn where Caroline had wrenched at his arm, and his sneakers were lying in separate corners of the living room; he had thrown them at her.

"Well," said their mother, "it's another placid evening at the civilized Tate residence."

"I brought you something," Mrs. Tate said, after she had taken off her jacket, "and you don't deserve it, either one of you, since you've wrecked the television once again—"

"I can fix it, Mom," J.P. muttered angrily.

"What did you bring us?" asked Caroline.

"Actually it wasn't me. It was Fred. He felt bad that you guys were home all alone—he said we should have taken you with us for dinner. I didn't explain to him that you tend to behave like a couple of prehistoric beasts—"

"Mom," warned Caroline, "watch what you say about prehistoric—"

"Sorry, I lost my head. Anyway, just as we were leaving the restaurant, he said, 'Wait a minute,' and he went back and got you these. Here. You don't deserve them. But here they are anyway. Cannolis."

She put a paper bag on the coffee table. Neither Caroline nor J.P. moved.

"Well?" said their mother. "I know you love cannolis. Maybe some sweets will soothe your rotten tempers."

Caroline opened the top of the bag, using her fingers fastidiously, like tweezers. Suspiciously she lifted out the two thick pastries dusted with sugar. She looked at her brother meaningfully. J.P. leaned over and sniffed the powdery coating.

"Smells like sugar," he murmured.

"Of course it smells like sugar," said Joanna Tate. "It is sugar. Your dental bills will be higher than usual. But what the heck; it was nice of him to think of you. Dig in."

"Mom," asked Caroline, "did you say he went back in and got these? After you had already left the restaurant?"

"Yes. Why?"

"Well, ah, did you go back in with him? Or did you wait outside? Did you see the restaurant people putting these in the bag?"

Her mother looked at her, puzzled. "I waited outside. I was reading the menu pasted on the window. I was wondering if I should have ordered the spaghetti with clam sauce. I liked the spaghetti with sausage and mushrooms, but the clam sauce looked so good. The people at the next table had it. Next time, I think— Why, Caroline? Why did you ask that?"

"Oh," said Caroline vaguely, staring at the cannolis, "I was just thinking that it really isn't safe for a woman to stand around alone on the sidewalk in New York late at night. You should have gone back in with him."

"Caroline, you're becoming downright paranoid. You call and ask if I have the door locked, and you—Why aren't you guys eating those cannolis?" Joanna Tate looked from Caroline to J.P. and back to Caroline again. "What's the matter?"

"Nothing," said Caroline hastily. "They really look like great cannolis. I've never seen them with quite that much sugar on top before."

"Yeah," said J.P. "All that sugar. Yum." He sniffed the cannolis again. He looked at Caroline and raised one eyebrow.

"I'm going to go put my bathrobe on," said their mother. "After you eat those, maybe you could repair the television, J.P.? And we could watch the news?"

She went into the bathroom and closed the door.

"Quick," cried Caroline to her brother. "Get the other galosh."

When their mother came out of the bathroom, wearing her blue quilted robe and with her make-up removed, J.P. was kneeling in front of the TV, working on the dials with a screwdriver. "Almost fixed," he announced.

Caroline was sprawled on the couch, licking her lips ostentatiously. The coffee table was empty. "Those sure were great cannolis," she said.

Inside the closet, behind the vacuum cleaner, both galoshes were buckled up tight and bulging with evidence.

12

"I wish we had a dining room," groaned Caroline early Sunday afternoon. "You should see the Baurichters' dining room. It has thick carpeting and a crystal chandelier and bouquets of fresh flowers everywhere. And silver candlesticks on the table." She looked at their own kitchen table, with its yellow Formica top. "Look at this table. Blecchhh. I wish we didn't have to eat in the kitchen when we have company."

Joanna Tate turned from the sink, where she was washing lettuce, and surveyed the table and Caroline standing beside it, looking depressed. "Well," she suggested, "how about if we move the table into the living room? If we shove the blue wing chair over, it would fit there. Then we could cover it with a tablecloth. And I do have candles. I don't have silver candlesticks, but we can put the candles in—let me think. Here. We can put the candles in these two little juice glasses. How about that?"

She handed Caroline two small glasses that had once had pineapples painted on them. The pineapples were mostly scrubbed away. Caroline stood two yellow candles in the glasses, and brightened. "Yeah," she said. "If I squish them down in hot wax, they'll stand up okay. Thanks. And yes—let's move the table into the living room. That's a neat idea."

They each took an end and maneuvered the table legs around the kitchen door and into the living room. Caroline shoved the blue chair into a corner, and she and her mother dragged the table to its new spot.

J.P. opened his bedroom door and peered out, frowning. "All that thumping and crashing is messing up my electronic work," he complained. He looked at the table. "What are you guys doing? You're not going to wax the kitchen floor again, are you? You waxed it last year."

"Nope," said his mother. "We're going to dine graciously tonight. Here, Caroline: a tablecloth." She took a white embroidered cloth from a drawer and tossed it to Caroline. "Candlelight too, J.P. A real honest-to-goodness dinner party."

J.P. leaned on his bedroom door and watched as Caroline straightened the cloth on the table. He made a face. "Can I eat in my room?"

"Absolutely not. You're going to eat here, and you're going to use decent manners," said his mother. She stood back and admired the effect of the tablecloth. "I wish we had flowers," she said.

"I hate everyone who's coming," announced J.P., swinging his bedroom door back and forth.

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