Cara Black - AL06 - Murder in Montmartre

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Praise for the Aimée Leduc series:
"If you've always wanted to visit Paris, skip the air fare and read Cara Black . . . instead."--Val McDermid
"Fine characters, good suspense, but, best of all, they are transcendentally, seductively, irresistibly French. If you can't go, these will do fine. Or, better, go and bring them with you."--Alan Furst
"She makes Paris come alive as no one else has since Georges Simenon."--Stuart Kaminsky
"If you've never been to Paris, or you'd like to go back soon, let Cara Black transport you there."--Linda Fairstein
"Charming. . . . Aimée is one of those blithe spirits who can walk you through the city's historical streets and byways with their eyes closed."-- Aimée's childhood friend, Laure, is a policewoman. Her partner, Jacques, has set up a meeting in Montmartre with an informer. When Laure reluctantly goes along as backup, Jacques is lured...

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MURDER

in MONTMARTRE

Cara Black

ALSO BY THE AUTHOR Murder in the Marais Murder in Belleville Murder in the - фото 1

ALSO BY THE AUTHOR

Murder in the Marais

Murder in Belleville

Murder in the Sentier

Murder in the Bastille

Murder in Clichy

Copyright © 2006 by Cara Black

All rights reserved.

Published by

Soho Press, Inc.

853 Broadway

New York, NY 10003

In memory of Guy Moquet and Marcel Rayman,

Resistance and Fichier Rouge member

and for the ghosts.

My deep thanks to Dot, Barbara, Heather and Jan, Dr. Terri Haddix, M.D., Mark Haddix, Dorothy Arkell, Carla Bach, Jean Satzer, Warren, Grace Loh, Don Cannon, Anton Rittu, and Stephen Scholer. In Paris: Alice B, Marie Colonna dePaoli for her knowledge of polyphony and her island, Corsica, Chantal Landi-Costerian, Chez Ammad, Espace Cyrnéa and Cintu, and Jon Henley. Heartfelt gratitude, appreciation and bisés to ma chère Anne-Françoise Delbegue, Cathy Etile of the Paris Police, Sarah Laurence Peltier for showing me Lamorlaye, Jean-Damien, Samir, Roger Trugnan, Resistance hero, Edwina, Gilles, Emma and Bus des Femmes, Madame and Monsieur Invisible, so named for security reasons. And always, always, James N. Frey, Linda Allen, Laura Hruska, my son Tate and to Jun.

Montmartre

In Paris the past is ever present one can never escape it Françoise Sagan - фото 2

In Paris the past is ever present,

one can never escape it.

—Françoise Sagan

Paris 1995 January, a Monday Night

AIMÉE LEDUC’S HEELS SANK into the snow-crusted surface of the Paris street, quiet and deserted except for the whisper of ghosts. There were always ghosts, she thought, and they were even more poignant at this time of year: souls, wandering at night over the cobblestones, flitting through the dark paved courtyards, leaving exhalations of the past behind them.

The metallic edge to the winter air promised a storm. Below her, ice-veiled barges surrounded by escaping steam swayed on the surface of the slow-moving Seine. Quayside lights pricked the black water like so many stars. The hushed night noises, absorbed by the new-fallen snow, seemed planets away.

She hurried along the Ile St. Louis quai to her building, a relic of the seventeenth century, and mounted the steps, worn into grooves with the passage of time. Inside her cold apartment she met stale air and darkness. Disappointed, she hung her bag on the hook by the door. It was the third time this week Guy had been out at night, on call.

She heard a click, just audible. Alarmed, she switched on the light and called out, “Guy, is that you?”

He stood in the doorway facing her, his white evening shirt-collar unbuttoned, hands in his tuxedo jacket pockets, the expression in his gray eyes unreadable.

She gasped. Caught up in work, she’d forgotten the reception he was hosting as department head for Doctors Without Borders!

“Guy, forgive me but—”

“I was late for the reception,” he interrupted. “When I reached the hospital there was an emergency waiting for me. I was four minutes away from my patient’s losing his sight tonight. If I’d been there on time . . . but I waited for you.”

A hot flush spread over her cheeks. “Work! I’m sorry, you should have gone ahead without me, I didn’t think—”

“You know, at medical school they taught us to identify, isolate, and incise a malignancy,” he said.

Her muscles tightened. A cold chill emanated from him.

“And to remove it before it spreads, engulfing the organs, choking the lymph systems.”

“Guy, look, it goes both ways.”

He headed to the bedroom, pausing in the doorway to say, “Which crisis this time, Aimée? The computer crashed, you were chasing an account that hasn’t paid, you were lost on a hacking trail, or René left early and you had to cope?”

“Not bad. Three out of four, Guy.” She wanted to feel the warmth of his surgeon’s hands on her skin, his wonderful hands; his tapered fingers that had stroked her spine under the silk duvet last night.

A lost look crossed his face. Then it was gone. “It’s not working, Aimée.”

He opened the armoire and threw shirts into a duffel bag. He was serious.

“You’d flunk out of the navy,” she said, blocking his path.

He stared at her. “What?”

“You jump ship at the first sign of rough water.”

“We’ve had this argument before.” He shook his head, looking down. “I wanted us to work.”

“But it’s not just me,” she interrupted. “You’re always on call, you go away for three weeks at a time to medical conferences!” She left out the holidays and Saint Sylvestre, New Year’s Eve.

“I know.” He looked away.

Stupid. Why had she said it? Never rely on a man. Or let them know that you do.

“Guy, I’ll tattoo your schedule on my brain.” She reached out and pulled him to her, enveloping herself in his arms. “Nothing ever felt like this before.”

He traced his warm finger along her cheekbone. She closed her eyes, inhaling his lime vetiver scent. She felt something land in her pocket with a metallic sound.

“Here are your keys,” Guy said.

“Let’s work this out,” she said, fighting her fear. Why had she ignored the warning signs?

“It’s better this way, Aimée. For you and for me. I’m sorry.” He grabbed the duffel bag, strode through the hall.

“But Guy . . .”

He was out the door before she could stop him.

Crushed, she ran to the window and pressed her nose against the cold glass as she watched him get into a taxi on the quay below. She heard the door slam and the taxi’s tires churn away over the slush. Her eyes welled with tears. Two months of living together, trying to . . . he was the man who’d saved her eyesight, who had written poetry about her. . . . Now he was gone, just like that!

Relationships . . . she didn’t get them. Shouldn’t people take each other as they found them? She’d blown it. Again.

She sank onto the duvet, stunned, and grabbed the pillow. She found herself clutching one of his socks. She remembered lying in bed at sunrise as the blood orange sun peeked above their toes outside the window, how his long fingers brushed her thigh, the bowl of steaming café au lait he’d prepared resting next to the thick Le Monde diplomatique on the balcony awaiting Sunday morning reading. She remembered how his nose wrinkled when he laughed. She buried her face in the pillow. Punched it. Trying to shut out the hollow ache inside her.

A small wet tongue licked her ear. Miles Davis, her bichon frise, panted eagerly, carrying his leash. She heard his low whine.

“Just you and me now, Miles,” she said.

A jade bangle, green and luminous, hung by the beveled mirror, on the birch branch where she kept her jewelry. It caught the gleam from the barge lights. It had been given to her by an old Vietnamese woman for good luck. She felt its cold smoothness as she slipped it onto her wrist, then pulled on a black down jacket, looped two wool scarves around her neck, and descended the drafty stairs, her heart leaden, to walk her dog.

A January night, and she felt as if she and Miles Davis were the only ones in Paris. Except for the ghosts.

She had lost her man.

A barge floated by with red Christmas lights still strung along the sides, framing the flat deck. A scratchy strain of a song accompanied by an accordion, reached her and she heard the lapping of wavelets.

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