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Cheryl (Ed): Necro Files: Two Decades of Extreme Horror

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Cheryl (Ed) Necro Files: Two Decades of Extreme Horror

Necro Files: Two Decades of Extreme Horror: краткое содержание, описание и аннотация

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Spanning over twenty years, 20 masters and modern authors that have broken down the barriers of traditional horror share their most unrestrained, edgiest works in this special edition from Comet Press. Many hard to find and out of print, some that were banned, Necro Files is a collection that covers every imaginable mode of mayhem and delves into the dark side of human nature. Cannibalism, necrophilia, aberrant sex, gore, murder, serial killers, mutilation, torture, child abductions, even werewolves and zombies are all common themes of extreme horror and in this book. TABLE OF CONTENTS: George R.R. Martin - "Meathouse Man"Joe R. Lansdale - "Night They Missed the Horror Show"Ronald Kelly - "Diary"Elizabeth Massie - "Abed"Randy Chandler & t. Winter-Damon - "I am He that Liveth and was Dead ... & Have the Keys of Hell & Death"Edward Lee - "Xipe"Ray Garton - "Bait"Gerard Houarner - "Painfreak"Wayne Allen Sallee - "Lover Doll"Charlee Jacob - "The Spirit Wolves"Brian Hodge - "Godflesh"John Everson - "Every Last Drop"Mehitobel Wilson - "Blind in the House of the Headsman"Monica J. O'Rourke - "An Experiment in Human Nature"Graham Masterton - "The Burgers of Calais"Nancy Kilpatrick - "Ecstasy"Bentley Little - "Pop Star in the Ugly Bar"Wrath James White - "The Sooner They Learn"J.F. Gonzalez - "Addict"

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Each night around the ashes, the two men traded dreams. And wove a hopeful tapestry of promise and lies.

Yet still the nights would come.

Those were the worst times, as always; those were the hours of Trager’s long lonely walks. If Josie had given Trager much, she had taken something too; she had taken the curious deadness he had once had, the trick of not-thinking, the pain-blotter of his mind. On Skrakky, he had walked the corridors infrequently; the forest knew him far more often.

After the talking all had stopped, after Donelly had gone to bed, that was when it would happen, when Josie would come to him in the loneliness of his tent. A thousand nights he lay there with his hands hooked behind his head, staring at the plastic tent film while he relived the night he’d told her. A thousand times he touched her cheek, and saw her spin away.

He would think of it, and fight it, and lose. Then, restless, he would rise and go outside. He would walk across the clear area, into the silent looming forest, brushing aside low branches and tripping on the underbrush; he would walk until he found water. Then he would sit down, by a scum-choked lake or a gurgling stream that ran swift and oily in the moonlight. He would fling rocks into the water, hurl them hard and flat into the night to hear them when they splashed.

He would sit for hours, throwing rocks and thinking, till finally he could convince himself the sun would rise.

* * *

Gidyon; the city; the heart of Vendalia, and through it of Slagg and Skrakky and New Pittsburg and all the other corpseworlds, the harsh ugly places where men would not work and corpses had to. Great towers of black and silver metal, floating aerial sculpture that flashed in the sunlight and shone softly at night, the vast bustling spaceport where freighters rose and fell on invisible firewands, malls where the pavement was polished, ironspike wood that gleamed a gentle gray; Gidyon.

The city with the rot. The corpse city. The meatmart.

For the freighters carried cargoes of men, criminals and derelicts and troublemakers from a dozen worlds bought with hard Vendalian cash (and there were darker rumors, of liners that had vanished mysteriously on routine tourist hops). And the soaring towers were hospitals and corpseyards, where men and women died and deadmen were born to walk anew. And all along the ironspike boardwalks were corpse-seller’s shops and meathouses.

The meathouses of Vendalia were far-famed. The corpses were guaranteed beautiful.

Trager sat across from one, on the other side of the wide gray avenue, under the umbrella of an outdoor cafe. He sipped a bittersweet wine, thought about how his leave had evaporated too quickly, and tried to keep his eyes from wandering across the street. The wine was warm on his tongue, and his eyes were very restless.

Up and down the avenue, between him and the meathouse, strangers moved. Dark-faced corpsehandlers from Vendalia, Skrakky, Slagg; pudgy merchants, gawking tourists from the Clean Worlds like Old Earth and Zephyr, and dozens of question marks whose names and occupations and errands Trager would never know. Sitting there, drinking his wine and watching, Trager felt utterly cut off. He could not touch these people, could not reach them; he didn’t know how, it wasn’t possible, it wouldn’t work. He could rise and walk out into the street and grab one, and still they would not touch. The stranger would only pull free and run. All his leave like that, all of it; he’d run through all the bars of Gidyon, forced a thousand contacts, and nothing had clicked.

His wine was gone. Trager looked at the glass dully, turning it in his hands, blinking. Then, abruptly, he stood up and paid his bill. His hands trembled.

It had been so many years, he thought as he started across the street. Josie, he thought, forgive me.

* * *

Trager returned to the wilderness camp, and his corpses flew their buzztrucks like men gone wild. But he was strangely silent around the campfire, and he did not talk to Donelly at night. Until finally, hurt and puzzled, Donelly followed him into the forest. And found him by a languid death-dark stream, sitting on the bank with a pile of throwing stones at his feet.

T: … went in … after all I said, all I promised … still I went in… .

D: … nothing to worry … remember what you told me … keep on believing… .

T: … did believe, DID … no difficulties … Josie …

D: … you say I shouldn’t give up, you better not … repeat everything you told me, everything Josie told you … everybody finds someone … if they keep looking … give up, dead … all you need … openness … courage to look … stop feeling sorry for yourself … told me that a hundred times… .

T: … fucking lot easier to tell you than do it myself …

D: … Greg … not a meathouse man … a dreamer … better than they are …

T: (sighing) … yeah … hard, though … why do I do this to myself? …

D: … rather be like you were? … not hurting, not living? … like me? …

T: … no … no … you’re right… .

2

The Pilgrim, Up and Down

Her name was Laurel. She was nothing like Josie, save in one thing alone. Trager loved her.

Pretty? Trager didn’t think so, not at first. She was too tall, a half-foot taller than he was, and she was a bit on the heavy side, and more than a bit on the awkward side. Her hair was her best feature, her hair that was red-brown in winter and glowing blonde in summer, that fell long and straight down past her shoulders and did wild beautiful things in the wind. But she was not beautiful, not the way Josie had been beautiful. Although, oddly, she grew more beautiful with time, and maybe that was because she was losing weight, and maybe that was because Trager was falling in love with her and seeing her through kinder eyes, and maybe that was because he told her she was pretty and the very telling made it so. Just as Laurel told him he was wise, and her belief gave him wisdom. Whatever the reason, Laurel was very beautiful indeed after he had known her for a time.

She was five years younger than he, clean-scrubbed and innocent, shy where Josie had been assertive. She was intelligent, romantic, a dreamer; she was wondrously fresh and eager; she was painfully insecure, and full of hungry need.

She was new to Gidyon, fresh from the Vendalian outback, a student forester. Trager, on leave again, was visiting the forestry college to say hello to a teacher who’d once worked with his crew. They met in the teacher’s office. Trager had two weeks free in a city of strangers and meathouses; Laurel was alone. He showed her the glittering decadence of Gidyon, feeling smooth and sophisticated, and she was suitably impressed.

Two weeks went quickly. They came to the last night. Trager, suddenly afraid, took her to the park by the river that ran through Gidyon and they sat together on the low stone wall by the water’s edge. Close, not touching.

“Time runs too fast,” he said. He had a stone in his hand. He flicked it out over the water, flat and hard. Thoughtfully, he watched it splash and sink. Then he looked at her. “I’m nervous,” he said, laughing. “I—Laurel. I don’t want to leave.”

Her face was unreadable (wary?). “The city is nice,” she agreed.

Trager shook his head violently. “No. No! Not the city, you. Laurel, I think I … well …”

Laurel smiled for him. Her eyes were bright, very happy. “I know,” she said.

Trager could hardly believe it. He reached out, touched her cheek. She turned her head and kissed his hand. They smiled at each other.

* * *

He flew back to the forest camp to quit. “Don, Don, you’ve got to meet her,” he shouted. “See, you can do it, I did it, just keep believing, keep trying. I feel so goddamn good it’s obscene.”

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