Berry, Steve - the Amber Room

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The Amber Room is one of the greatest treasures ever made by man: an entire room forged of exquisite amber, from its four massive walls to its finely crafted furniture. But it is also the subject of one of history’s most intriguing mysteries. Originally commissioned in 1701 by Frederick I of Prussia, the Room was later perfected Tsarskoe Selo, the Russian imperial city. In 1941, German troops invaded the Soviet Union, looting everything in their wake and seizing the Amber Room. When the Allies began the bombing of Germany in August 1944, the Room was hidden. And despite the best efforts of treasure hunters and art collectors from around the world, it has never been seen again. Now, two powerful men have set their best operatives loose in pursuit, and the hunt has begun once more. . . .
Life is good for Atlanta judge Rachel Cutler. She loves her job, loves her kids, and remains civil to her ex-husband, Paul. But everything changes when her father, a man who survived the horrors of World War II, dies under strange circumstances—and leaves behind clues to a secret he kept his entire life . . . a secret about something called the Amber Room.
Desperate to know the truth about her father’s suspicious dealings, Rachel takes off for Germany, with Paul close behind. Shortly after arriving, they find themselves involved with a cast of shadowy characters who all claim to share their quest. But as they learn more about the history of the treasure they seek, Rachel and Paul realize they’re in way over their heads. Locked in a treacherous game with ruthless professional killers and embroiled in a treasure hunt of epic proportions, Rachel and Paul suddenly find themselves on a collision course with the forces of power, evil, and history itself.
A brilliant adventure and a scintillating tale of intrigue, deception, art, and murder, 
 is a classic tale of suspense—and the debut of a strong new voice in the world of the international thriller.
From the Hardcover edition. From Publishers Weekly
First-time novelist Berry weighs in with a hefty thriller that's long on interesting research but short on thrills. Atlanta judge Rachel Cutler and ex-husband Paul are divorced but still care for each other. Rachel's father, Karol Borya, knows secrets about the famed Amber Room, a massive set of intricately carved panels crafted from the precious substance and looted by Nazis during WWII from Russia's Catherine Palace. The disappearance of the panels, which together formed a room, remains one of the world's greatest unsolved art mysteries. Borya's secret gets him killed as two European industrialists/art collectors go head to head in a deadly race to find the fabled room. Searching for Borya's killer, Rachel and Paul bumble their way to Europe, where their naivet‚ triggers more deaths. Berry has obviously done his homework, and he seems determined to find a place for every fact he's unearthed. The plot slows for descriptions of various art pieces, lectures and long internal monologues in which characters examine their innermost feelings and motives in minute detail, while also packing in plenty of sex and an abundance of brutal killings. A final confrontation between all the principals ends in a looming Bavarian castle where Rachel is raped. All the right elements are in place, but the book is far too long and not as exciting as the ingredients suggest. Readers may end up wishing Berry had written a nonfiction account of the fascinating story of the Amber Room and skipped the fictional mayhem.

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He slipped off the backpack and found his binoculars. From the safety of a thick stand of poplar trees, he studied the castle's entire length. Blue sky backclothed its silhouette. His gaze angled off to the east. Two cars appeared on the paved road, both winding up the steep incline.

Police cars.

Interesting.

картинка 56

Suzanne dropped a freshly baked cinnamon bun on the china plate and added a dab of raspberry jam. She took a seat at the table, Loring already perched at the far end. The room was one of the castle's smaller dining spaces, reserved for the family. Oak cases filled with Renaissance goblets lined one of the alabaster walls. Another wall was encrusted with Bohemian semiprecious stones that outlined gilded icons of Czech patrons. She and Loring were eating alone, as they did every morning when she was there.

"The Prague newspaper is headlined with the explosion," Loring said. He folded the newspaper and set it on the table. "The reporter proposes no theories. Merely states the plane exploded shortly after takeoff, all aboard killed. They do name Fellner, Monika, and the pilots."

She sipped her coffee. "I am sorry about Pan Fellner. He was a respectable man. But good riddance to Monika. She would have been a blight to us all, eventually. Her reckless ways would have developed into a problem."

"I believe you are right, draha ."

She savored a bite of warm bun. "Perhaps the killing may now end?"

"I certainly hope so."

"It is a part of my job I do not relish."

"I would not expect you to."

"Did my father enjoy it?"

Loring stared at her. "Where did that come from?"

"I was thinking about him last night. He was so gentle with me. I never knew he possessed such capabilities."

"Dear, your father did what was necessary. As you do. You are so much like him. He would be proud."

But she wasn't particularly proud of herself at the moment. Murdering Chapaev and all the others. Would their images linger in her mind forever? She feared they might. And what about her own motherhood? She'd once thought that a part of her future. But after yesterday that ambition might need adjustment. The possibilities now were both endless and exciting. The fact that people died to make it all possible was regrettable, but she could not dwell on it. Not anymore. It was time to move forward and her conscience be damned.

A steward appeared and crossed the terrazzo floor, stopping at the table. Loring glanced up.

"Sir, the police are here and wish to speak with you."

She glanced at her employer and smiled. "I owe you a hundred crowns."

He'd wagered her last evening, on the drive back from Prague, that the police would appear at the castle before ten. It was 9:40.

"Show them in," Loring said.

A few moments later, four uniformed men strolled briskly into the dining hall.

" Pan Loring," the lead man said in Czech, "we are so happy to learn you are well. The tragedy with your jet was awful."

Loring rose from the table and stepped toward the police. "We are all in shock. Herr Fellner and his daughter were guests here last evening for dinner. The two pilots have been in my employ many years. Their families live on the estate. I am about to visit their widows. It is tragic."

"Forgive this intrusion. But we need to ask some questions. Particularly, why this might have happened."

Loring shrugged. "I cannot say. Only that my offices reported several threats made against me during the past few weeks. One of my manu-facturing concerns is considering an expansion into the Middle East. We have been involved in some public negotiations there. The callers apparently did not desire my corporate presence in the country. We reported the threats to the Saudis and I can only assume this may be related. Beyond that I cannot say. I never realized I had so violent an enemy."

"Do you have any information on these calls?"

Loring nodded. "My personal secretary is familiar with them. I have instructed him to be available today in Prague."

"My superiors wanted me to assure you that we will get to the bottom of what happened. In the meantime, do you think it wise to reside here without protection?"

"These walls afford me ample security, and the staff has now been alerted. I will be fine."

"Very well, Pan Loring. Please be aware that we are here if you need us."

The policemen withdrew. Loring stepped back to the table. "Your impressions?"

"No reason not to accept what was said. Your connections in the justice ministry should also help."

"I will place a call later, thanking them for the visit, and pledge full cooperation."

"The club members should be called personally. Your sorrow clear."

"Quite right, I'll tend to that now."

картинка 57

Paul drove the Land Rover. Rachel sat in the front seat, McKoy in the back. The big man had stayed silent most of the way east from Stod. The autobahn had taken them as far as Nurnberg, then a series of two-laned highways wound across the German border into southwestern Czech.

The terrain had become progressively hilly and forested, alternating grain fields and lakes dotting the rolling countryside. Earlier, when he reviewed the road map to determine the fastest route east, he'd noticed Ceske Budejovice, the region's largest town, and recalled a CNN report on its Budvar beer, better known by its German name, Budweiser . The American company by the same name had tried in vain to purchase the namesake, but the townspeople had steadfastly refused the millions offered, proudly noting that they were producing beer centuries before America even existed.

The route into Czech led them through a series of quaint medieval towns, most adorned with either an overlooking castle or battlements with thick stone walls. Directions from a friendly shopkeeper adjusted the route, and it was a little before two o'clock when Rachel spotted Castle Loukov.

The aristocratic fortress was perched on a craggy height above a dense forest. Two polygonal towers and three rounded ones rose high above an outer stone curtain encrusted with shiny mullion windows and dark arrow slits. Casements and semicircular bastions wrapped the gray-white silhouette, and chimneys rose all around. A red, white, and blue flag flapped in the light afternoon breeze. Two wide bars and a triangle. Paul recognized it as the Czech national emblem.

"You almost expect armored knights to come storming out on horseback," Rachel said.

"Son of a bitch knows how to live," McKoy said. "I like this Loring already."

Paul navigated the Rover up a steep road to what appeared to be the main gate. Huge oak doors reinforced with iron straps were swung open, revealing a paved courtyard. Colorful rosebushes and spring flowers lined the buildings. Paul parked and they climbed out. A gray metallic Porsche sat beside a cream-colored Mercedes.

"Sucker drives good, too," McKoy said.

"Wonder where the front door is?" Paul asked.

Six separate doors opened to the courtyard from the various buildings. Paul took a moment and studied the dormers, crested gables, and richly patterned half-timbering. An interesting architectural combination of Gothic and baroque, proof, he assumed, of a prolonged construction and multiple human influences.

McKoy pointed and said, "My guess is that door there."

The arched oak door was surrounded by pillared ashlars, an elaborate coat of arms etched into the gable surmount. McKoy approached and banged a burnished metal knocker. A steward answered and McKoy politely explained who they were and why they were there. Five minutes later they were seated in a lavish hall. Stag heads, boars, and antlers sprouted from the walls. A fire raged in a huge granite hearth, the long space softly illuminated by stained-glass lamps. Massive wooden pillars supported an ornate stuccoed ceiling, and part of the walls were adorned with heavy oil paintings. Paul surveyed the canvases. Two Rubens, a Durer, and a Van Dyck. Incredible. What the High Museum would give to display just one of them.

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