Berry, Steve - the Amber Room

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The Amber Room is one of the greatest treasures ever made by man: an entire room forged of exquisite amber, from its four massive walls to its finely crafted furniture. But it is also the subject of one of history’s most intriguing mysteries. Originally commissioned in 1701 by Frederick I of Prussia, the Room was later perfected Tsarskoe Selo, the Russian imperial city. In 1941, German troops invaded the Soviet Union, looting everything in their wake and seizing the Amber Room. When the Allies began the bombing of Germany in August 1944, the Room was hidden. And despite the best efforts of treasure hunters and art collectors from around the world, it has never been seen again. Now, two powerful men have set their best operatives loose in pursuit, and the hunt has begun once more. . . .
Life is good for Atlanta judge Rachel Cutler. She loves her job, loves her kids, and remains civil to her ex-husband, Paul. But everything changes when her father, a man who survived the horrors of World War II, dies under strange circumstances—and leaves behind clues to a secret he kept his entire life . . . a secret about something called the Amber Room.
Desperate to know the truth about her father’s suspicious dealings, Rachel takes off for Germany, with Paul close behind. Shortly after arriving, they find themselves involved with a cast of shadowy characters who all claim to share their quest. But as they learn more about the history of the treasure they seek, Rachel and Paul realize they’re in way over their heads. Locked in a treacherous game with ruthless professional killers and embroiled in a treasure hunt of epic proportions, Rachel and Paul suddenly find themselves on a collision course with the forces of power, evil, and history itself.
A brilliant adventure and a scintillating tale of intrigue, deception, art, and murder, 
 is a classic tale of suspense—and the debut of a strong new voice in the world of the international thriller.
From the Hardcover edition. From Publishers Weekly
First-time novelist Berry weighs in with a hefty thriller that's long on interesting research but short on thrills. Atlanta judge Rachel Cutler and ex-husband Paul are divorced but still care for each other. Rachel's father, Karol Borya, knows secrets about the famed Amber Room, a massive set of intricately carved panels crafted from the precious substance and looted by Nazis during WWII from Russia's Catherine Palace. The disappearance of the panels, which together formed a room, remains one of the world's greatest unsolved art mysteries. Borya's secret gets him killed as two European industrialists/art collectors go head to head in a deadly race to find the fabled room. Searching for Borya's killer, Rachel and Paul bumble their way to Europe, where their naivet‚ triggers more deaths. Berry has obviously done his homework, and he seems determined to find a place for every fact he's unearthed. The plot slows for descriptions of various art pieces, lectures and long internal monologues in which characters examine their innermost feelings and motives in minute detail, while also packing in plenty of sex and an abundance of brutal killings. A final confrontation between all the principals ends in a looming Bavarian castle where Rachel is raped. All the right elements are in place, but the book is far too long and not as exciting as the ingredients suggest. Readers may end up wishing Berry had written a nonfiction account of the fascinating story of the Amber Room and skipped the fictional mayhem.

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"That was fifty-plus years ago."

"With this particular prize, the passage of time is meaningless. If anything, it makes the search all the more intriguing."

"How did you locate my father?"

Knoll stuffed a hand into a pocket and handed her some folded sheets. "I discovered those last week in St. Petersburg. They led me to Atlanta. As you'll see, the KGB visited him a few years ago."

She unfolded and read. The typed words were in Cyrillic. An English translation appeared to the side in blue ink. She instantly noticed who'd signed the top sheet. Danya Chapaev. She also noted what was written on the KGB sheet about her father:

Contact made. Denies any information on yantarnaya komnata subsequent to 1958. Have been unable to locate Danya Chapaev. Borya claimed no knowledge of Chapaev's whereabouts.

But her father had known exactly where Chapaev lived. He'd corresponded with him for years. Why had he lied? And her father never mentioned anything about the KGB visiting him. Nor much about the Amber Room. It was a little unnerving to think the KGB had known about her, Marla, and Brent. She wondered what else her father held back.

"Unfortunately, I was not able to speak with your father," Knoll said. "I arrived too late. I am truly sorry about your loss."

"When did you arrive?"

"Monday."

"And you waited till yesterday to go by my office?"

"I learned of your father's death and did not want to intrude on your grief. My business could be postponed."

The connection to Chapaev started to ease her tension. This man may be credible, but she cautioned herself against complacency. After all, though handsome and charming, Christian Knoll was still a stranger. Worse yet, a stranger in a foreign country. "Were you on my flight over?"

He nodded. "I barely made it onto the plane."

"Why did you wait till now to speak up?"

"I was unsure of your visit. If it was personal, I did not want to interfere. If it concerned the Amber Room, I intended on approaching you."

"I don't appreciate being followed, Mr. Knoll. Not one damn bit."

His gaze soldered onto hers. "Perhaps it is fortunate I did."

The taxi flashed through her mind. Maybe he was right?

"And Christian will do fine," he said.

She told herself to back off. No need to be so hostile. He's right. He saved her life. "Okay. Christian it is."

"Does your trip involve the Amber Room?"

"I'm not sure I should answer that."

"If I were a danger, I would simply have let the taxi hit you."

A good point, but not necessarily good enough.

"Frau Cutler, I am a trained investigator. Art is my speciality. I speak the language here and am familiar with this country. You may be an excellent judge, but I would assume you are a novice investigator."

She said nothing.

"I am interested in information on the Amber Room, nothing more. I have shared with you what I am privy to. I only ask the same in return."

"And if I decline and go to the police?"

"I will simply disappear from sight, but will keep you under surveillance to learn what you do. It is nothing personal. You are a lead I intend to explore to the end. I simply thought we could work together and save time."

There was something rugged and dangerous about Knoll that she liked. His words came clear and direct, the voice sure. She searched his face hard for portents, but found none. So she made the kind of quick decision she was accustomed to making in court.

"Okay, Mr. Knoll. I've come to find Danya Chapaev. Apparently the same name on this sheet. He lives in Kehlheim."

Knoll lifted the mug and took a pull of beer. "That's south of here, toward the Alps near Austria. I know the village."

"He and my father were apparently interested in the Amber Room. Obviously, more so than I ever realized."

"Any idea what Herr Chapaev would know?"

She decided not to mention anything about the letters just yet. "Nothing other than they once worked together, as you seem to already know."

"How did you come by the name?"

She decided to lie. "My father talked of him for many years. They were close once."

"I can be of valuable assistance, Frau Cutler."

"In all honesty, Mr. Knoll, I was hoping for some time alone."

"I understand completely. I recall when my father died. It was very hard."

The sentiment sounded genuine, and she appreciated the concern. But he was still a stranger.

"You need assistance. If this Chapaev is privy to information, I can help develop it. I have a vast knowledge of the Amber Room. Knowledge that can help."

She said nothing.

"When do you plan to head south?" Knoll asked.

"Tomorrow morning." She answered too quickly.

"Let me drive you."

"I wouldn't want my children accepting rides from strangers. Why should I do the same?"

He smiled. She liked it.

"I was open and frank with your secretary about my identity and intentions. Quite a trail for somebody who intended to harm you." He downed the rest of his beer. "In any event, I would simply follow you to Kehlheim anyway."

She made another quick decision. One that surprised her. "All right. Why not. We'll go together. I'm staying at the Hotel Waldeck. A couple of blocks that way."

"I'm across the street from the Waldeck at the Elisabeth."

She shook her head and smiled. "Why doesn't that surprise me?"

Knoll watched Rachel Cutler disappear into the crowd.

That went quite well.

He tossed a few euros on the table and left the cafe. He rounded several corners and recrossed the Marienplatz . Past the food market, busy with early diners and revelers, he headed for Maximilianstrasse, an elegant boulevard lined with museums, government offices, and shops. The pillared portico of the National Theater rose ahead. In front, a line of taxis wrapped the statue of Max Joseph, Bavaria's first king, patiently waiting for fares from the evening's early performance. He crossed the street and walked to the fourth taxi in line. The driver was standing outside, arms folded, propped against the Mercedes' exterior.

"Good enough?" the driver asked in German.

"More than enough."

"My performance afterwards convincing?"

"Outstanding." He handed the man a wad of euros.

"Always a pleasure doing business with you, Christian."

"You, too, Erich."

He knew the driver well, having used him before when in Munich. The man was both reliable and corruptible, two qualities he sought in all his operatives.

"You getting soft, Christian?"

"How so?"

"You only wanted her frightened, not killed. So unlike you."

He smiled. "Nothing like a brush with death to breed trust."

"You want to fuck her or something?"

He didn't want to say much more, but he also wanted the man available in the future. He nodded and said, "A good way to get into the pants."

The driver counted off the bills. "Five hundred euros is a lot for a piece of ass."

But he considered the Amber Room and the ten million euros it would bring him. Then reconsidered Rachel Cutler and her attractiveness, which had lingered after she'd left.

"Not really."

TWENTY-FIVE

Atlanta, Georgia

12:35 p.m.

Paul was concerned. He'd skipped lunch and stayed in the office, hoping Rachel would call. It was after 6:30 P.M. in Germany. She'd mentioned the possibility of staying in Munich one night before heading to Kehlheim. So he wasn't sure if she'd call today, or tomorrow after she made it south to the Alps, or if she'd call at all.

Rachel was outspoken, aggressive, and tough. Always had been. That independent spirit was what made her a good judge. But it also made her hard to know, and even harder to like. Friends didn't come easy. But down deep, she was warm and caring. He knew that. Unfortunately, the two of them were like grease and fire. But were they, really? They both thought a quiet dinner at home better than a crowded restaurant. A video rental preferable to the theater. An afternoon with the kids at the zoo heaven, compared with a night out on the town. He realized she missed her father. They'd been close, particularly after the divorce. Karol had tried hard to get them back together.

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