Thomas Cook - Red Leaves

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Red Leaves: краткое содержание, описание и аннотация

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From Publishers Weekly
In this affecting, if oddly flat, crime novel from Edgar-winner Cook (The Chatham School Affair), Eric Moore, a prosperous businessman, watches his safe, solid world disintegrate. When eight-year-old Amy Giordano, whom Eric's teenage son, Keith, was babysitting, disappears from her family's house, many believe Keith is an obvious suspect, and not even his parents are completely convinced that he wasn't somehow involved. As time passes without Amy being found, a corrosive suspicion seeps into every aspect of Eric's life. That suspicion is fed by Eric's shaky family history-a father whose failed plans led from moderate wealth to near penury, an alcoholic older brother who's never amounted to much, a younger sister fatally stricken with a brain tumor and a mother driven to suicide. Not even Eric's loving wife, Meredith, is immune from his doubts as he begins to examine and re-examine every aspect of his life. The ongoing police investigation and the anguish of the missing girl's father provide periodic goads as Eric's futile attempts to allay his own misgivings seem only to lead him into more desperate straits. The totally unexpected resolution is both shocking and perfectly apt.
From Booklist
Cook's latest is proof that he is maturing into a gifted storyteller. An eight-year-old girl is missing. The police quickly zero in on her baby-sitter, Keith Moore. Keith's parents proclaim his innocence, but his father, Eric, has his own secret doubts. The way the author tells the story, it really doesn't matter whether Keith is guilty or not; what matters is the way the Moore family slowly disintegrates, as his parents deal in their own ways with the possibility that their son may be a monster. The novel is narrated by Eric; perhaps the story might have been slightly more effective if it were told in the third person, so we could watch Eric fall apart (rather than listen to him tell us about it), but that's nit-picking. In terms of its emotional depth and carefully drawn characters, this is one of Cook's best novels. 

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He came toward me like a man wending his way out of a perfumed garden, weaving through swollen buds and broad-petaled flowers.

"Mr. Moore," he said. He started to offer his hand, then stopped, unsure if I'd take it.

And so I offered mine.

"I don't mean to intrude," I said.

He nodded, stepped to the door, turned the OPEN sign to CLOSED, and ushered me to the rear of the shop where we stood discreedy hidden behind a wall of ferns.

"The police talked to me," he said. "I suppose you know that."

"Yes."

"Just so you know, I don't believe Keith had anything to do with the disappearance of that little girl."

"I don't, either," I said, then realized that in part this was a lie, and so, I added, "but he's done troubling things. He stole from you."

Price nodded softly.

"Why does he want to run away?" I asked.

Price hesitated, like a doctor just asked how long a precious relative actually has to live. "He's not happy, Mr. Moore."

"Can you be more specific?"

I could see him working toward an answer, searching through a lifetime of words, images, experiences, looking for just the right one.

"Let me put it this way," Price said at last. "I have a greenhouse at my home, and most of the time, when I order a particular seed, it comes just the way it's supposed to. If I order a rose, I get a rose. But once in a while, I get something I didn't order, maybe don't even like. Geranium, something like that. I plant the seed, hoping for a rose, and up comes a geranium. At that point, I have to change the plan. I can't feed it and water it like I would if it were the rose I'd hoped for. I have to say, Okay, it's a geranium. It'll never be a rose. But at least I can raise it to be a healthy geranium. See what I mean? I have to adjust, because I didn't get what I ordered."

"Keith thinks I want a different son?" I asked.

"No," Price said. "He knows you do."

"Okay, but what good would running away do?" I asked.

"None, probably," Price said. "Which is what I told him. 'No matter where you go,' I said, 'it goes with you.'"

"What goes with him?"

"Your low opinion of him."

He saw that he'd delivered a stomach-emptying blow.

"I had the same problem with my son," he said quickly.

"Did he run away?" I asked.

Price's eyes glistened suddenly. "No," he said. "He killed himself."

A vision of Keith doing the same shot through my mind. I saw him in his room, opening the Swiss Army knife I'd given him for his thirteenth birthday, sliding its now-rusty blade across his pale wrists, watching as the crimson stream flowed down his arms and puddled between his bare feet, watching it dully, merely waiting for the final sleep to come upon him, his face expressionless, indifferent to the worthless life he was ending, doing all of this with an utterly flat affect.

"I'm sorry," I whispered.

"I was like a lot of fathers, I had great plans for my son," Price told me. "The trouble is, they weren't his plans."

"What are Keith's plans, did he tell you?"

Price shrugged. "I'm not sure he has any. Except this idea of getting away."

"He can't do that now," I said. "Not after Amy. He has to know that."

"I'm sure you've made it clear."

I realized that I'd done no such thing, and that the reason I'd not done it was no more complicated than the fact that I simply didn't like talking to Keith, seeing his dead, dull eye peering at me through the slit of his open door. The weight of the truth hit me like a hammer—the fact was, my son simply and undeniably repulsed me. I hated the way he slumped around, the tangle of his hair, the listlessness that overwhelmed him, the sheer dull thud of him. I hated all that, but had tirelessly labored to give no sign of it. Instead I had cheered his every modest achievement, praised and photographed his ridiculously infantile science project, patted him on the back so often and with such false force that my hand had grown numb with the practice. I had worked hard to conceal what I really thought, and I had failed utterly. For all his seeming obliviousness, Keith had seen through me, divined and suffered silently the full depth of my contempt.

Price touched my arm. "It's not your fault, the way Keith feels," he assured me. "I can see how much you love him."

"Yes, of course," I said, then shook hands, said good-bye, turned, and walked through the scented air with my wife's words echoing in my head— Everybody lies.

Meredith was on the phone when I arrived at the house a few minutes later. I heard her voice as I opened the door, no doubt surprising her, since it was still early in the day and I wasn't expected back until the end of it.

"Gotta go" I heard her say, then the snap of her cell phone closing shut. She'd sunk it into the pocket of her housecoat by the time she greeted me.

"Oh, hi," she said as she walked out of the kitchen. She smiled. "I was just making another pot of coffee."

On the counter behind her, I noted the coffee machine sitting idly, the first morning pot still half full.

"You're getting to be a purist, I guess," I told her.

She looked at me quizzically.

"A coffee purist," I explained. "Never drink coffee that was brewed more than two hours before."

She laughed, but tensely. "Oh," she said, "is that the rule for coffee snobs?" She tossed her hair. "Where do you hear things like that, Eric?"

"Television, I guess."

For a moment, we faced each other silently. Then Meredith said, "So, what are you doing home so early?"

"Peak was waiting for me when I got to work," I told her.

Suddenly she paled. "The hotline," she blurted. "Someone's spreading—"

I shook my head. "No. This is not about the hotline. They found out a few things about Keith. Things we have to talk about"

I turned, walked into the living room, and sat down on the sofa.

Meredith trailed behind and took the chair opposite me.

"Peak told me two things," I began. "That Keith has been talking to someone. Delmot Price. He owns the Village Flower Shop. Anyway, Price caught Keith stealing from him. They started talking about it. Keith told him that he was stealing because he needed money."

"Needed money?" Meredith asked.

"To run away," I added grimly. "That's why he was stealing."

She was silent for a long time, like someone hit between the eyes, dazed, groping to regain her balance.

"Peak talked to his teachers, too," I added. "They say he has a problem with low self-esteem." The last piece of information was the hardest, but I had no choice but to deliver it. "That's part of the profile, he says ... of a child molester."

Her eyes began to dart around, as if the air was filled with tiny explosions. "The car," she said tensely. "Do you think it was Price?"

"No," I said. "I talked to him right after Peak left. He's a good man, Meredith. He had a son like Keith."

"What do you mean, like Keith?"

"A kid with this problem, you know, esteem," I said. "Only worse. He killed himself."

Meredith's lips parted wordlessly.

"Price was just trying to help Keith," I said. "A shoulder to cry on, that's all."

Meredith shook her head slowly.

"It gets worse, Meredith. They found some pictures on Keiths computer. Little girls. Naked."

Meredith's right hand lifted to her closed lips.

"Not pornography exactly," I added. "But bad enough."

She stood up. "This is terrible," she whispered.

"Keith can't run away," I told her. "We have to make sure of that. No matter what he was planning before, he can't do it now. The police would think he was running away from this thing with Amy. They would never believe that—" I stopped because for a moment the words were too painful to bear. Then, because there was no choice, I said them. "That he was running away from us."

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