Thomas Cook - Red Leaves

In this particular photograph Jenny's smile is wide and unencumbered, though in all the photographs after this one the cloud is clearly visible, the knowledge that it has already taken root in that fantastic brain of hers, microscopic at first, then no larger than a pinpoint, but growing steadily, taking things from her as it grew, her balance, her ringing speech, everything but her beauty, before it took her life.

She was the one I most often thought about after leaving my house that last afternoon. I don't know why, save that I suspected she might be able to understand things better than I could, and so I wanted to go over it all with her, trace the burning fuse, its series of explosions, seek her celestial wisdom, ask her, Do you think it had to end this way, Jenny, or might the damage have been avoided the dead ones saved?

The evening of that final death, he said, "I'll be back before the news." Meaning, I suppose, the network news, which meant that he would be home before six-thirty. There was no hint of the ominous in what he said, or of anything sinister, no sense at all that the center had collapsed.

When I recall that day, I think of my second family, the one in which I am husband to Meredith and father to Keith, and I wonder what I might have said or done to stop the red tide that overwhelmed us. That's when I see another picture, this one of a little girl from another family, a school photograph used in a hastily distributed flyer, the little girl smiling happily below the cold black words: MISSING.

Amy Giordano.

She was the only daughter of Vince and Karen Giordano. Vince owned a modest produce market just outside the town limits. It was called Vincent's Fresh Food, and Vince dressed himself as a walking advertisement for the place. He wore green flannel pants, a green vest, and a green cap, the latter two articles festooned with the name of the store. He was a short muscular man with the look of a high school wrestler who'd let himself go, and the last time I saw him—before the night Keith left for his house—he was carrying a brown paper bag with six rolls of film. "My brother's family came for a week," he explained as he handed me the bag, "and his wife, she's a camera nut."

I owned a small camera and photo shop in the town's only strip mall, and the pictures Vincent Giordano left that afternoon showed two families, one large, with at least four children ranging in age from approximately four to twelve, and which had to have belonged to the visiting brother and his "camera nut" wife. The other family was small, a circle of three—Vince, his wife, Karen, and Amy, their only daughter.

In the pictures, the two families present themselves in poses that anyone who develops family photos taken at the end of summer in a small coastal town would expect. They are lounging in lawn chairs or huddled around outdoor tables, eating burgers and hotdogs. Sometimes they sprawl on brightly colored beach towels or stand on the gangway of chartered fishing boats. They smile and seem happy and give every indication that they have nothing to hide.

I have since calculated that Vincent dropped off his six rolls of film during the last week of August, less than a month before that fateful Friday evening when he and Karen went out to dinner. Just the two of them, as he later told police. Just the two of them ... without Amy.

Amy always reminded me of Jenny. And it was more than her looks, the long wavy hair I saw in her family photos, the deep-blue eyes and luminous white skin. Certainly Amy was beautiful, as Jenny had been beautiful. But in the photographs there is a similar sense of intuitiveness. You looked into Amy's eyes and you thought that she saw—as Jenny did—everything. To reporters, Detective Peak described her as "very bright and lively," but she was more than that. She had Jenny's way of peering at things for a long time, as if studying their structures. She did this the last time I saw her. On that September afternoon, Karen had brought in yet another few rolls of film, and while I wrote up the order, Amy moved about the store, carefully examining what she found there, the small, mostly digital, cameras I stocked, along with various lenses, light meters, and carrying cases. At one point she picked up one of the cameras and turned it over in her small white hands. It was an arresting scene, this beautiful child lost in thoughtful examination, silent, curiously intense, probing. Watching her, I had a sense that she was studying the camera's various mechanisms, its buttons and switches and dials. Most kids start by merely snapping pictures and grinning playfully, but the look on Amy's face was the look of a scientist or technician, an observer of materials and mechanical functions. She didn't want to take a picture; she wanted to discover how it was done.

"She was so special," Karen Giordano told reporters, words often used by parents to describe their children. As a description it is usually exaggerated, since the vast majority of children are not special at all, save in the eyes of those who love them. But that doesn't matter. What matters is that she was Karen Giordano's daughter. And so on those days when I make my way down the village street, noting faces that from high above might appear indistinguishable as grains of sand, I accept the notion that to someone down here, someone close up, each face is unique. It is a mother's face or a father's; a sister's or a brother's; a daughter's or a son's. It is a face upon which a thousand memories have been etched and so it is differentiated from every other face. This is the core of all attachment, the quality that makes us human, and if we did not have it we would swim forever in an indifferent sea, glassy-eyed and unknowing, seeking only the most basic sustenance. We would know the pain of teeth in our flesh and the stinging scrape of rocks and coral. But we would know nothing of devotion and thus nothing of Karen Giordano's anguish, the full measure of feeling that was hers, the irreparable harm and irrevocable loss, the agony and violence that lay secreted, as we all would come to learn, within a simple promise to be home before the news.

TWO

There was little rain that summer, and so when I heard the rumble of thunder, I looked up but saw nothing more threatening than a few high clouds, torn and ragged, pale brushstrokes across the blue.

"Heat lightning," I said.

Meredith nodded from her place in the hammock, but kept her attention on the magazine she was reading. "By the way," she said, "I have a departmental meeting tonight."

"On a Friday?" I asked.

She shrugged. "My thought, exactly, but Dr. Mays says we have to take a look at the year ahead. Make sure we understand our goals, that sort of thing."

For the last eight years, Meredith had taught in the English department of the local junior college. For most of that time, she'd served as a lowly adjunct. Then suddenly, death had opened a full-time position, and since then, she'd assumed more and more administrative duties, gone off on professional days and attended seminars in Boston and New York. She had grown more confident and self-assured with each added responsibility, and when I think of her now, it seems to me that she had never appeared happier than she did that evening, relaxed and unburdened, a woman who'd found the balance of family and career that best suited her.

"I should be home by ten," she said.

I was standing at the brick grill I'd built four summers before, an unnecessarily massive structure I enjoyed showing off for the loving craft I'd employed while building it. There were brick curves and brick steps and little brick shelves, and I loved the sheer solidity of it, the way it would hold up against even the strongest storm. I'd also loved every aspect of the work, the thick, wet feel of the mortar and the heaviness of the brick. There was nothing flimsy about it, nothing frail or tentative or collapsible. It was, Meredith later told me, a metaphor not for how things were, but for how I wanted them, everything lined up evenly, made of materials that were sturdy and unbending, built to last.