Bentley Little - The Walking

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It begins in a small Southwestern town. Then it spreads. Across the country a series of strange deaths have overtaken the living. And a stranger compulsion has overtaken the dead.
In a travesty of life they drift with bizarre purpose toward an unknown destination. The walkers have become an obsession for investigator Miles Huerdeen. His father is one of them.
Now, lured into the shadow of the restless dead, Miles is a step closer to a secret as old as time ... to a reality as dark as hell. For Miles is following them into the deep end of an unfathomable nightmare.
From Publishers Weekly
The overwhelming sense of doom with which Little (The Revelation) imbues his newest novel is so palpable it seems to rise from the book like mist. Flowing seamlessly between time and place (from the present-day hassles of HMOs to the once-uncharted territory of the American West), the Bram Stoker Award- winning author's ability to transfix his audience while relinquishing scant details about the foreboding evil is superb. Private investigator Miles Huerdeen is on a mission to find a link between the victims in a bizarre nationwide string of deaths dating back decades, his own recurring nightmares and an elderly client's prophetic handwritten list of dead men's names. Miles's world is suddenly turned upside down when he discovers his own father - who suffered a fatal stroke - purposefully striding around his bedroom, naked except for a pair of cowboy boots, having scared off his "God-Fearing Christian" nurse. Miles's obsession with his father's transformation into a zombie leads him to the families of other dead "walkers" and on a supernatural journey into the Arizona desert. Readers will gladly suspend disbelief for Little's deft touch for the terrifying, as he slowly reveals a shocking connection between the mindless army of reanimated corpses and their ultimate destination, Wolf Canyon, formerly a government-sponsored witch colony, where a vengeful resident's evil powers have yet to be fully unleashed. If booksellers are on their toes, they'll tell readers that Stephen King, a big fan of Little's work, was reading another book by this author at the time of his infamous accident. This novel has the potential to be a major sleeper in the horror category. 

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Miles' legs were hurting, and he could tell that Claire was tiring as well. The Walkers were dead--they would never tire outmand he hoped that they were not planning to march indefinitely, because there was no way the rest of them could keep up.

He had no plan, no idea of what he would do when and if they finally caught up with Isabella. He hadn't even taken along Rossiter's gun, had only some half-assed witchcraft items that May had picked out for protection. Assuming those things worked, what then? Should he jump Isabella? Wrestle her to the ground?

He was suddenly conscious of the necklace against his skin, the coldness of the teeth, and he wondered whose teeth they were, what the purpose of the necklace was, why his father had saved it. And where his father had gotten it in the first place. Had he made the necklace himself?. Had he taken the teeth from corpses or from people that he'd killed?

Despite everything that had happened, he still could not reconcile the father he knew with this underground horror show society, with spells and potions and curses and murders. He saw his father more as a victim than a participant, and though Bob had obviously been in possession of witch . craft paraphernalia and had taken pains to hide this aspect of his life from the rest of the world, it was also clear that he was not particularly familiar with his heritage.

Hell, his dad had had to go to the library to find out the meaning of his recurrent dream. Which made Miles question May's story. She claimed to have known his father, said that the two of them, along with Garden's grandfather, had been born in Wolf Canyon and had known about Isabella and her curse. Maybe so. But there were details that didn't add up.

It happened without warning.

They were following behind, once again at a discreet distance, since the terrain had become more hospitable and the vegetation sparser, when the dead woman stopped walking in the flat sandy bottom of a dry wash.

Abruptly, she flopped onto her stomach, arms suddenly straight at her sides, legs and feet together. Without a second's pause she began burrowing head first into the ground.

Miles, stunned, could not believe what he was seeing. May's mouth was open, and it appeared as though she was eating the sand, using her jaws like a shovel to dig into the soft earth. It was inhuman and should not have been physically possible, but in a matter of seconds, May's face and head disappeared into the ground, followed by her neck, her shoulders, her upper torso, her midsection.

And then she stopped.

He looked over at Hal and Garden, saw expressions of fear and disbelief on their faces that no doubt mirrored his own. Claire's fingers found his free hand, and he squeezed back a reassurance he did not feel.

They waited, watching, holding their breath, but there was no sound, no movement, no indication that May would ever move again. It was as if whatever force had been animating her form had suddenly withdrawn, leaving behind only a dead, discarded body as lifeless as a normal corpse.

Miles approached cautiously, prepared for a sudden resumption of activity, the type of explosive furious movement that always occurred at this point in horror movies. But this was not a movie and nothing happened. He reached May without incident. Her legs were sticking straight up in the air, and he touched one of her rough dirty feet, feeling cold skin, spongy dead flesh. Her filthy skirt had fallen over her legs, and when he looked down he could see her overly hairy crotch.

He looked up at the sky, looked all around. Was this something May had done on her own, some sort of rebellion to kill herself completely, once and for all, to terminate Isabella's hold over her? Or had Isabella compelled May to dig into the sand for a reason, only to have the old woman's body give out at the last minute? He didn't know, but either way May's unmoving form reminded him of nothing so much as a broken piece of farm equipment left to rot in the ground where it had stopped.

Maybe the spell had simply worn off. Or maybe magic had geographical parameters. Maybe Isabella had pulled so far ahead that May was now beyond the reach of her influence.

Maybe.

The tightness in his chest was gone, but the tingling in his midsection was back, and Miles found himself wondering if these were actual physiological responses to the sort of power to which he'd been exposed. He turned to Garden. "Do you feel anything? In your body, I mean. Any unusual physical sensalaons.

Hal butted in. "Aside from the fact that my balls have shrunk to the size of grapes and retracted into my abdomen with fear?"

'"l'hank you for that," Claire said dryly.

"Sorry."

Garden shook his head. "I don't know what you mean."

"Is there, like, a tingling in your gut? Or a tightening in your chest?"

'Tightening of the chest?" He heard the worry in Claire's voice.

"That's the sign of a heart attack."

"I'm not having a heart attack."

"There's no way we could get you to a hospital in time---"

"I'm not having a heart attack!"

"I'm concerned! Is that all right with you?"

They were glaring at each other, but beneath the anger in her expression he could see her concern, and he moved forward to give Claire a quick kiss. "I'm sorry," he said. "I'm sorry."

"I'm just worried about you."

"I know."

"I'm not feeling anything weird," Garden said.

Miles nodded. He accepted that no one else was experiencing the same responses he was, but he still could not shake the feeling that these symptoms meant something. For the first time he wondered if--since witch blood apparently flowed through his veins--he himself possessed some sort of extrasensory abilities. It would explain his newly acquired sensitivity, would account for the recent veracity of his gut reactions.

They did not linger in the sandy wash, and there was no discussion about stopping, quitting, turning back. They silently picked up where May had left off, following the trail of footprints, heading out of the wash toward a long low hill in the distance, Garden taking the lead.

They were on their own now, but no wind or rain had yet arrived to disturb the tracks in the sand where the Walkers had passed, and it was easy to follow the trail of Isabella and her zombies. Hal passed back another can of Dr. Pepper.

This is the last for a while," Miles said. "We don't know how far we have to go, and we need to save some supplies for the trip back."

They reached the hill, walked around it. The sand turned to rock, and they were forced to scramble over and between huge boulders. Finally, the ground leveled out and they were confronted with a massive arroyo that blocked their way and spread like a vine through the flatland beyond.

Miles walked up to the edge and looked down. It was a good two stories to the bottom of the gulch, and the footprints of the Walkers went up to the precipice and disappeared. From where he stood, he could see no path leading to the arroyo floor, and he could only assume that they had continued walking and fallen straight down. There were no bodies, of course, and he looked across the gulch, then into it, both north and south, trying to determine in which direction they had gone, but it was impossible to tell from here.

"What are we going to do now?" Garden asked.

"Well, we only have two choices: down or back. It etty dear that they didn't go back." Hal was walking along the edge, and he waved them over. They

"What?" Miles called.

"I think I found a way down!"

He had indeed: a narrow but not particularly steep trail that switch backed down a sloping side crevasse and led them directly into the arroyo. Miles offered Claire his help, but she was more coordinated and in better shape than he was and beat him to the bottom.

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