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Bentley Little: The Collection

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Bentley Little The Collection

The Collection: краткое содержание, описание и аннотация

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How far would you go with a hitchhiker who'd left behind an unimaginable trail of horror and destruction? How would you feel if your father's new bride was something dredged up from the bowels of hell? What would you do if you discovered an old letter suggesting one of America's Founding Fathers had been a serial killer? How long would you last in a mysterious border town that promised to let you in on one of its most gruesome secrets? This is The Collection — thirty-two stories of hot blood and frigid terror that could have come only from the mind of Bentley Little. And that's a scary place to be.  He's been hailed by Dean Koontz for his "rock-'em, jolt-'em, shock-'em contemporary terror fiction." Now Little presents a 32-story collection that could only have come from an author with "a deft touch for the terrifying" ( ). From Publishers Weekly Little (The Association) displays his darker side in the 32 mostly memorable stories that comprise this collection of unpublished and previously published stories. Drawing from a bizarre cauldron of influences (cited in brief introductions to each piece), Little tackles some disturbing topics, including pedophilia, family crucifixions, incest and bestiality. Indeed, even fans accustomed to the gore found in Little's novels may be taken aback by the manner in which characters carry out their fetishes and crimes. The main character in "Blood," for example, kills both little boys and grown men without remorse, believing that his macaroni and cheese craves human blood. The supernatural and the unexplained are common themes, but some plot lines are underdeveloped. In "Monteith," readers are left to ponder what would have happened had the main character confronted his wife about a one-word note - written in her hand - that turned his life upside down. Among Little's best offerings are "Bob," a chilling tale of mistaken identity, and "Pillow Talk," a witty yet sad story about bed linens that come to life and ultimately display more human traits than many of the characters in this collection. A fascinating glimpse into how Little's creativity has evolved over the years, this volume is a must-have for the author's fans despite its uneven nature.  From Booklist Of the 32 spine tinglers in Little's gathering, some inevitably stand out. In "The Phonebook Man," the guy delivering the directory, once invited into a woman's house, changes his appearance drastically and refuses to leave. "Life with Father," one of the darkest stories in the collection, concerns a recycling obsession that leads to incest and murder. In "Roommates," Ray searches for one, only to get a strange batch of applicants, including a woman who believes her monkey is her daughter, a three-foot-tall albino, and a dirt-obsessed nurse. In "Bob," a group of women cleverly "sell" a young man on the idea of killing the abusive husband of a woman they know. And in "Pillow Talk," a man is shocked to find himself pursued sexually--by pillows. Little introduces each story by briefly explaining his inspiration for writing it. Little's often macabre, always sharp tales are snippets of everyday life given a creepy twist. 

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I wanted to cry. I wanted to cry, but I could not. I tried looking at his face, his face that I had loved, and thinking of our last conversation together. I tried thinking of the times we'd gone fishing. I tried remembering the presents he'd bought me as a youth. But it was no good. I could not make the tears come no matter how hard I tried, no matter how much I wanted them to flow.

I just sat there staring at his lifeless body.

Jan burst through the door, her face red and sweating, out of breath. She looked at my grandpa's body on the floor and her face went from red to white. A look of fear, of horror, crossed her features. "My G-God ..." she stammered, her hands starting to twitch. "Oh my God ..."

I felt calm for some reason, perfectly in control, and I stood up and helped her into a chair. I got her a glass of water, which she drank with shaking hands. "Sit here," I said. "Don't move. I'll be right back."

I started to walk into the living room, then stopped as the scrap of paper caught my eye. I bent down next to my grandpa and picked it up. I thought for a minute, then crum­pled up the paper without even glancing at the poem he'd written.

I went to call an ambulance.

Credits

"The Sanctuary" (originally published in Cemetery Dance,

June 1989) "The Woods Be Dark" (originally published in Touch Wood:

Narrow Houses, Vol II, 1994) "The Phonebook Man" (originally published in Eldritch

Tales #27, 1992)

"Estoppel" (originally published in 2 AM, Spring 1988) "The Washingtonians" (originally published in Cemetery

Dance, Fall 1992) "Life With Father" (originally published in Going Postal,

1998)

"Bob" (unpublished)

"Bumblebee" (originally published in Cold Blood, 1991) "Lethe Dreams" (originally published in Night Cry, Spring

1987) "Paperwork" (originally published in The Horror Show,

Winter 1988) "The Idol" (originally published in Twisted, Summer/Fall

1991) "Skin" (originally published in The Horror Show, Winter

1988)

"The Man in the Passenger Seat" (originally published in

Borderlands 3, 1992) "Comes the Bad Time" (originally published in The Horror

Show, Winter 1987) "Against the Pale Sand" (originally published in Grue #10,

1989) "The Pond" (originally published in Blue Motel: Narrow

Houses, Vol. 3, 1994) "Roommates" (originally published in The Silver Web #9,

1993)

"Llama" (originally published in Hottest Blood, 1993) "Full Moon on Death Row" (unpublished) "The Show" (originally published in The Horror Show, Fall

1987) "The Mailman" (originally published in The Horror Show,

Summer 1988) "Monteith" (originally published in Expressions of Dread,

1993) "Pillow Talk" (originally published in Eldritch Tales #25,

1991)

"Maya's Mother" (unpublished) "Colony" (unpublished) "Confessions of a Corporate Man" (originally published in

The Fractal, Spring/Summer 1996) "Blood" (originally published in Cemetery Dance, Spring

1990)

"And I Am Here, Fighting with Ghosts" (originally pub­lished in Eldritch Tales #18, 1988) "The Baby" (originally published in Spwao Showcase 7:

Selected Works, 1989) "Coming Home Again" (originally published in New Blood

#3, 1987)

"The Potato" (originally published in Borderlands II, 1991) "The Murmurous Haunt of Flies" (originally published in

Murmurous Haunts: The Selected Works of Bentley

Little, 1997)

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