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Bentley Little: The Collection

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Bentley Little The Collection

The Collection: краткое содержание, описание и аннотация

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How far would you go with a hitchhiker who'd left behind an unimaginable trail of horror and destruction? How would you feel if your father's new bride was something dredged up from the bowels of hell? What would you do if you discovered an old letter suggesting one of America's Founding Fathers had been a serial killer? How long would you last in a mysterious border town that promised to let you in on one of its most gruesome secrets? This is The Collection — thirty-two stories of hot blood and frigid terror that could have come only from the mind of Bentley Little. And that's a scary place to be.  He's been hailed by Dean Koontz for his "rock-'em, jolt-'em, shock-'em contemporary terror fiction." Now Little presents a 32-story collection that could only have come from an author with "a deft touch for the terrifying" ( ). From Publishers Weekly Little (The Association) displays his darker side in the 32 mostly memorable stories that comprise this collection of unpublished and previously published stories. Drawing from a bizarre cauldron of influences (cited in brief introductions to each piece), Little tackles some disturbing topics, including pedophilia, family crucifixions, incest and bestiality. Indeed, even fans accustomed to the gore found in Little's novels may be taken aback by the manner in which characters carry out their fetishes and crimes. The main character in "Blood," for example, kills both little boys and grown men without remorse, believing that his macaroni and cheese craves human blood. The supernatural and the unexplained are common themes, but some plot lines are underdeveloped. In "Monteith," readers are left to ponder what would have happened had the main character confronted his wife about a one-word note - written in her hand - that turned his life upside down. Among Little's best offerings are "Bob," a chilling tale of mistaken identity, and "Pillow Talk," a witty yet sad story about bed linens that come to life and ultimately display more human traits than many of the characters in this collection. A fascinating glimpse into how Little's creativity has evolved over the years, this volume is a must-have for the author's fans despite its uneven nature.  From Booklist Of the 32 spine tinglers in Little's gathering, some inevitably stand out. In "The Phonebook Man," the guy delivering the directory, once invited into a woman's house, changes his appearance drastically and refuses to leave. "Life with Father," one of the darkest stories in the collection, concerns a recycling obsession that leads to incest and murder. In "Roommates," Ray searches for one, only to get a strange batch of applicants, including a woman who believes her monkey is her daughter, a three-foot-tall albino, and a dirt-obsessed nurse. In "Bob," a group of women cleverly "sell" a young man on the idea of killing the abusive husband of a woman they know. And in "Pillow Talk," a man is shocked to find himself pursued sexually--by pillows. Little introduces each story by briefly explaining his inspiration for writing it. Little's often macabre, always sharp tales are snippets of everyday life given a creepy twist. 

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I was sitting in my car. In my garage.

I had never left.

I could never leave.

To be honest, I do not know how long I've been here in the house. I don't know why Kathy and I moved here to begin with, and I cannot recall how all this started. I do not even know how many days or weeks or months or years or decades ago Kathy left me. For now I just exist. Every day is like every other and I cannot tell them apart. My routine is established and I seldom vary from it.

It was different when Kathy was here. We performed our duties, of course, but we also got on with our lives. We had friends. And we had each other, corny and trite as that may sound.

But they grew stronger even then. Our nights, more and more, were taken up with this ... combat. Our dreams be­came less our own. Our time together became more difficult.

Finally Kathy had to leave. She too realized what our po­sition was, where this house was located, what it would mean if we left, but in the end she didn't care. The respon­sibility was too much for her.

I could not leave, however.

So here I am—isolated, partly by choice, partly by cir­cumstance, in this house. Alone. And here I stay, trying to figure out what to do next, trying to stay on top of what is real and what isn't. There is no one to help me, and with these latest developments I don't know how much longer I can make it by myself.

I need Kathy.

But Kathy is gone.

And I am here, fighting with ghosts.

The Baby

It was the late 1980s, and I was driving with some friends through a dilapidated industrial section of Los Angeles on the way to a concert, when I looked out the window and saw three dirty young boys kneeling before a cardboard box in an empty lot. They were clearly looking at something in the box, and I thought: a dead baby. I don't know why that thought occurred to me, but the next day I sat down and wrote this story.

***

"You go in first."

"No, you."

"No, you."

Steve, always the bravest, stuck his head through the open doorway and peered into the dark interior of the aban­doned warehouse. "Hello-o-o-o!" he called, hoping for an echo. His voice died flatly, as though it had been absorbed by the blackness, by the walls. Someone—Bill or Jimmy or Seun—pushed him from behind, and he almost lost his bal­ance and fell through the door into the building, but he waved his arms to maintain his equilibrium and jumped quickly back out to the safety of the open air. He whirled on them, his face seething with the heat of his anger, ready to beat the hell out of whoever had done it, but all three of them looked at him innocently. He stared back at them for a moment, then laughed. "Wimps," he said.

Jimmy turned toward Steve. Nervously flipping the switch of his flashlight off and on, he asked, "Are we really going in?"

Steve looked at him scornfully. "Of course," he said. But he was far from sure himself. Back home, sitting on the ce­ment driveway, surrounded by houses filled with grown­ups, the idea had sounded good. They would bring lights and ropes and Bill's metal detector and explore the old aban­doned warehouse. None of them had the guts to go near the warehouse by themselves—not even in the daytime. But to­gether they would be able to explore the old building to their hearts' content, to plumb its unplumbed depths and bring forth what treasures they could find.

Now, however, standing in front of the multistory struc­ture, looking into the darkened doorway, the idea did not sound nearly so good or nearly so feasible. Theoretically, they should be braver in a group than they were individually. There was safety in numbers. But it turned out that they were just as scared together as apart. Steve looked up toward the top of the building, where the bare concrete wall was blackened by soot, where flames had once leaped up through the night stillness toward the moon, and he silently hoped that one of them would chicken out. Maybe Seun, the youngest of them, would start crying and want to go home.

But all three of them stared silently at him, waiting for him to make the decision.

"Let's go," he said, turning on his flashlight.

They walked slowly, softly, cautiously, through the open doorway of the warehouse, Steve leading, Jimmy and Bill following, Seun bringing up the rear. Gravel and charred rubble crunched beneath their feet.

"I don't want to be last!" Seun said suddenly. "I want to be in the middle!"

"Jimmy! Trade!" Steve hissed. He didn't want any of them to talk, but if they did talk he wanted them to whisper. He wasn't quite sure why.

"Why me?" Jimmy hissed back.

" 'Cause I said so!" Steve told him.

Jimmy and Seun switched places, and all of them moved a little closer together.

They walked farther into the darkness. Soon the doorway was little more than a patch of square white light behind them, no longer offering any illumination. The gravel crunched beneath their feet as they walked, and their flash­lights played nervously upon the walls and floor. The thin yellowish beams piercing the blackness made the surround­ing dark seem that much darker.

"I don't think we're supposed to be in here," Bill whis­pered.

"Of course we're not," Steve whispered back. "But no one cares. The place is abandoned."

"I mean, I think the other half of it's across the border."

They all stopped. None of them had thought of that. De­spite the way it looked on the maps, the border between Cal­ifornia and Mexico was not a straight line, they all knew. Several stores and homes throughout the city straddled the boundary, and many of them had rooms which were techni­cally in both nations.

Visions of himself falling over some stray chunk of con­crete and breaking his leg in the Mexico side of the ware­house pushed themselves into Steve's consciousness. He didn't know what would happen if that occurred. Would he have to be rushed to a Mexican hospital? By a Mexican am­bulance? Or would he have to crawl back across that invisi­ble border into his own country?

"Don't worry about it," he said aloud. They started walking again.

Although it was too dark to see the sides of the ware­house, Steve had the feeling that the walls had narrowed, that they were now walking through a room much smaller than that which they had originally entered. He shined his light to the left and right, following the contours of the floor, but his beam was not strong enough to reach a wall. He de­cided to change course, to find a wall and follow it instead of stumbling through this inky blackness in the center of the building. He veered off thirty degrees and the other kids fol­lowed him.

He bumped his head on a beam. Steve screamed, and his right hand shot instantly to his forehead to check for blood. His fingers came back dry. "Jesus!" he said.

"What is it?" Seun's voice was scared. "Nothing." Steve played his light along the wooden beam. But it was not a beam. He had reached a wall. His eyes and his flashlight had been concentrated on the floor, and he had been looking through a large hole in the bottom section of the wall. He shined his light to the left and to the right and saw several similar holes. Holes big enough for a person to crawl through. He bent down on his knees and crept closer to the nearest one, shining his light through to the next room. It looked exactly the same.

"Let's crawl through," he said, "see what's on the other

side."

"No!" Seun said.

Steve knew how Seun felt, but his fear was now sub-servient to his spirit of adventure. They had come here to ex­plore, and they would explore.

He crawled through the hole.

"Steve!" Seun yelled.

"Come on through. There're no monsters."

There was a quick moment of indistinguishable mum­bling from the other side of the wall, then Jimmy poked his head through. Seun followed, scrambling, and Bill came im­mediately afterward. They stood up and shook themselves off, Jimmy brushing what felt like cobwebs from his hair.

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