Bentley Little - The Collection

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How far would you go with a hitchhiker who'd left behind an unimaginable trail of horror and destruction?
How would you feel if your father's new bride was something dredged up from the bowels of hell?
What would you do if you discovered an old letter suggesting one of America's Founding Fathers had been a serial killer?
How long would you last in a mysterious border town that promised to let you in on one of its most gruesome secrets?
This is The Collection — thirty-two stories of hot blood and frigid terror that could have come only from the mind of Bentley Little. And that's a scary place to be. 
He's been hailed by Dean Koontz for his "rock-'em, jolt-'em, shock-'em contemporary terror fiction." Now Little presents a 32-story collection that could only have come from an author with "a deft touch for the terrifying" (
).
From Publishers Weekly
Little (The Association) displays his darker side in the 32 mostly memorable stories that comprise this collection of unpublished and previously published stories. Drawing from a bizarre cauldron of influences (cited in brief introductions to each piece), Little tackles some disturbing topics, including pedophilia, family crucifixions, incest and bestiality. Indeed, even fans accustomed to the gore found in Little's novels may be taken aback by the manner in which characters carry out their fetishes and crimes. The main character in "Blood," for example, kills both little boys and grown men without remorse, believing that his macaroni and cheese craves human blood. The supernatural and the unexplained are common themes, but some plot lines are underdeveloped. In "Monteith," readers are left to ponder what would have happened had the main character confronted his wife about a one-word note - written in her hand - that turned his life upside down. Among Little's best offerings are "Bob," a chilling tale of mistaken identity, and "Pillow Talk," a witty yet sad story about bed linens that come to life and ultimately display more human traits than many of the characters in this collection. A fascinating glimpse into how Little's creativity has evolved over the years, this volume is a must-have for the author's fans despite its uneven nature. 
From Booklist
Of the 32 spine tinglers in Little's gathering, some inevitably stand out. In "The Phonebook Man," the guy delivering the directory, once invited into a woman's house, changes his appearance drastically and refuses to leave. "Life with Father," one of the darkest stories in the collection, concerns a recycling obsession that leads to incest and murder. In "Roommates," Ray searches for one, only to get a strange batch of applicants, including a woman who believes her monkey is her daughter, a three-foot-tall albino, and a dirt-obsessed nurse. In "Bob," a group of women cleverly "sell" a young man on the idea of killing the abusive husband of a woman they know. And in "Pillow Talk," a man is shocked to find himself pursued sexually--by pillows. Little introduces each story by briefly explaining his inspiration for writing it. Little's often macabre, always sharp tales are snippets of everyday life given a creepy twist. 

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To celebrate our victory, we performed the Ritual. I or­dered a virgin from the steno pool, a high school grad who had been destined for the Whorehouse because of her poor shorthand skills, and we tied her down with rubber bands and laid her out on top of my desk. Feena rubber-cemented shut her eyes; I Wited-Out her nipples. We took turns with her.

I shrunk Mike's head and kept it on my desk as a paper­weight, and when the stock market reached record levels, led by our corporation, I sent his head to the CEO through the Inter-Office Mail.

This time, we got our notepads.

Blood

Before I moved in with my wife, I lived on macaroni and cheese. I spent so much time standing in front of my stove, stirring pots of boiling macaroni, that I used to stare down into the swirling, roiling water and imagine that I could see shapes in the foam the way some people see shapes in clouds.

I decided to write a story about it.

***

Alan stood and stretched as the whistle blew and halftime began. His gaze moved downward from the television to the clock on the VCR. Twelve forty. No wonder his stomach was growling.

He walked into the kitchen, took a medium-sized glass pot from the drying rack next to the sink, filled it with water, sprinkled in some salt, placed the pot on the stove's front burner, and turned the gas to "High." Opening the cupboard, he drew out a package of macaroni and cheese. He pulled off the top of the box, took out the small foil packet of dried cheese, and dumped the macaroni into the water.

It would be several minutes before the water started to boil, he knew. Not wanting to stand there in the kitchen, he returned to the living room and switched channels on the TV until he found another game. He watched it until a commercial came on, then went to the bathroom to wash his hands. When he returned to the kitchen to check on his lunch, small bubbles were starting to rise through the clear water from the hill of macaroni at the bottom of the pot. He quickly took a spoon from the drawer and began stirring, scraping. He didn't want the macaroni to stick to the bottom. It was hell to wash, almost impossible to get off.

He shifted his weight from one foot to the other and looked down idly as he stirred. The water bubbled, a thin film of white foam seeping upward from the macaroni and whirlpooling into the center of the pot. The foam thickened, thinned, swirling about as he stirred, maintaining a roughly circular shape even as the metal spoon cut through its heart, sliced its edges.

He stared at the water, fascinated both by the amazing mechanics of boiling and by the shifting patterns of the bub­bles and the film on top. The effect was kaleidoscopic, though the only colors he could see were the translucent brown of the Vision Ware, the pale wheat of the macaroni, and the pure white of the foam. He continued to look down as he stirred, imagining he could make out vague shapes in the boiling water, impressionistic outlines of elephants and birds and—

a face.

He peered closely at the contents of the pot, hardly be­lieving what he was seeing. He blinked. The features of the face, formed by clear spaces in the white foam circle, were somehow familiar to him though he could not immediately place their antecedent. As the water bubbled, individual pieces of macaroni rising to the top, the face seemed to move, eyes peering around, mouth opening and closing as if to speak.

He stopped stirring for a second.

The face smiled up at him.

Alan stepped backward as a chill passed through him. He was suddenly aware of the dim emptiness of the kitchen, of the fact that he was alone in the apartment. Unreasonably frightened, he shut off the gas. The bubbles died down as the heat disappeared, the foam face dissipating, swirling out­ward in fading tendrils to reveal the cooked macaroni below.

He was cold, but he was sweating, and he used a paper towel to wipe the sides of his face. His lips were dry, and he licked them, but his mouth had no saliva to spare. From the living room, he heard the roar of a football crowd. The noise sounded muffled, far off.

He thought for some reason of his mother, of his sister. Strange. He had not thought of them in years.

He looked down at the spoon shaking in his trembling hand. This was stupid. There was nothing to be afraid of. What the hell was wrong with him? Halftime would be over soon and the game would start again. He had to hurry up and finish lunch.

He turned the gas on again and tried not to pay attention as the still hot water began almost instantly to bubble. But he could not help noticing with a shiver of fear that the foam was again beginning to swirl, again beginning to take on the features of a face: eyes, nose, mouth.

He stirred. Quickly, harshly, rapidly. But the face re­mained intact.

He pulled out the spoon, afraid now to touch the water even through this metal conduit, and began to back away.

He heard a noise, a low whispery sound somewhere be­tween the quiet constant hissing of the gas flame and the percolating bubble of the boiling water. He had the distinct impression that the sound was a voice, a voice repeating a single word, but he could not make out what that word was. Summoning all of his courage, he looked into the pot.

The foam mouth closed, then opened, then closed, and seeing this movement timed with the whispering sound, he knew what word was being spoken.

"Blood," the face said. "Blood."

Blood.

What could that mean? He had spent all afternoon think­ing about it. More than anything else, the word had sounded to him like a command, an order.

A request for sustenance.

But that was crazy. A random pattern formed by boiling macaroni was demanding blood? If he had read this in a story, he would have dismissed it as laughably implausible. If he had heard someone else mention it, he would have con­sidered that person a candidate for the rubber room. But he was sitting here thinking about it, had been doing so for hours, and the scary part was that he was actually trying to logically, rationally, analyze the situation.

But that wasn't really the scary part, was it?

No, the scary part was not that he believed this was hap­pening and that therefore his mind was going. The scary part was that his mind was not going, that this thing really ex­isted. This creature, this being, this demon, this ghost, this whatever-it-was could actually be conjured up by making macaroni and cheese.

But could it be conjured up at any time, or was it only on Saturdays and only at lunchtime?

He didn't know.

That night the apartment seemed much darker than it did ordinarily. There were shadows on the sides of the couch and at the foot of the bed, echoes of darkness in the corners of the rooms.

He went to sleep early.

He left the lights on.

He dreamed of a man in a doorway with an ax.

He had the rest of the week to think about what had oc­curred. Afraid, he stayed away from the apartment as much as possible, leaving early for work, coming home late. He cooked no meals for himself but ate out for breakfast, lunch, and dinner: Jack in the Box, Der Weinerschnitzel, Taco Bell, McDonald's.

He'd thought the fear would abate with the coming of a new day, that as the hours passed the horror of the occur­rence would dim. He thought he'd be able to find a rational explanation for what he had seen, what he had heard.

But it had not happened.

He recalled with perfect and profound clarity the con­tours of the bubbly foam face, the way the boiling water had made it smile. He heard in his head the whispered word.

Blood.

There was nothing he could do, he realized. He could move, get a new apartment, but what would that accom­plish? The impetus for this horror might lie not in his home but in himself. He could never cook again, or at least never make macaroni and cheese, but he would always know that the face was there, waiting, unconjured, below the surface reality of his daily life.

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