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Bentley Little: The Collection

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Bentley Little The Collection

The Collection: краткое содержание, описание и аннотация

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How far would you go with a hitchhiker who'd left behind an unimaginable trail of horror and destruction? How would you feel if your father's new bride was something dredged up from the bowels of hell? What would you do if you discovered an old letter suggesting one of America's Founding Fathers had been a serial killer? How long would you last in a mysterious border town that promised to let you in on one of its most gruesome secrets? This is The Collection — thirty-two stories of hot blood and frigid terror that could have come only from the mind of Bentley Little. And that's a scary place to be.  He's been hailed by Dean Koontz for his "rock-'em, jolt-'em, shock-'em contemporary terror fiction." Now Little presents a 32-story collection that could only have come from an author with "a deft touch for the terrifying" ( ). From Publishers Weekly Little (The Association) displays his darker side in the 32 mostly memorable stories that comprise this collection of unpublished and previously published stories. Drawing from a bizarre cauldron of influences (cited in brief introductions to each piece), Little tackles some disturbing topics, including pedophilia, family crucifixions, incest and bestiality. Indeed, even fans accustomed to the gore found in Little's novels may be taken aback by the manner in which characters carry out their fetishes and crimes. The main character in "Blood," for example, kills both little boys and grown men without remorse, believing that his macaroni and cheese craves human blood. The supernatural and the unexplained are common themes, but some plot lines are underdeveloped. In "Monteith," readers are left to ponder what would have happened had the main character confronted his wife about a one-word note - written in her hand - that turned his life upside down. Among Little's best offerings are "Bob," a chilling tale of mistaken identity, and "Pillow Talk," a witty yet sad story about bed linens that come to life and ultimately display more human traits than many of the characters in this collection. A fascinating glimpse into how Little's creativity has evolved over the years, this volume is a must-have for the author's fans despite its uneven nature.  From Booklist Of the 32 spine tinglers in Little's gathering, some inevitably stand out. In "The Phonebook Man," the guy delivering the directory, once invited into a woman's house, changes his appearance drastically and refuses to leave. "Life with Father," one of the darkest stories in the collection, concerns a recycling obsession that leads to incest and murder. In "Roommates," Ray searches for one, only to get a strange batch of applicants, including a woman who believes her monkey is her daughter, a three-foot-tall albino, and a dirt-obsessed nurse. In "Bob," a group of women cleverly "sell" a young man on the idea of killing the abusive husband of a woman they know. And in "Pillow Talk," a man is shocked to find himself pursued sexually--by pillows. Little introduces each story by briefly explaining his inspiration for writing it. Little's often macabre, always sharp tales are snippets of everyday life given a creepy twist. 

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We went out to the spot. The grass was trampled and brown and looked like it'd been burned. "That's all," Momma said, kicking the spot with her shoe. "It's over now."

But I knew it wasn't. I could tell. I could feel it in my bones. I knew that we'd have to do the same thing we did for Daddy. And I was scared.

Scared bad.

That was one of them weird days when everything was backwards and all the directions was wrong. Our house was suddenly facing south when it'd always faced west, and I stayed close to home. I knew that if I lost sight of the house I wouldn't never get back to it.

It was overcast the whole day, and in the kitchen things broke for no reason. Momma'd walk out to the living room for a minute to talk to one of us kids and when she'd go back into the kitchen all the silverware would be poured out on the floor or one of her good dishes would be smashed or

something. She tried to ignore all this, but one time I caught her saying the Prayer to herself when she thought no one was looking.

I said the Prayer, too. I knew what was happening.

After supper we all just sat around and waited for night to fall. We didn't sit on the porch this time. We stayed inside. Sissy closed all the windows and drapes and Junior turned on all the lights.

I was almost asleep when something huge crashed against the north wall of the house. I jerked awake. It sounded like a cannon. Everyone else was wide awake too and Petey was crying. Momma held us all tight. "Stay here," she said. "Don't go near the windows." She didn't say noth­ing after that and I looked up at her. Her eyes was shut and it looked like she was praying to herself.

Something crashed hard against the wall again, making the whole house shake.

Outside, I could hear voices. It sounded like there was at least six or seven of them out there. Their words was all run­ning together and I couldn't understand what they were say­ing. I plugged my ears and closed my eyes but I could still hear the voices talking inside my head.

And I could feel it when the thing crashed against the wall again.

I fell asleep plugging my ears.

I dreamed about Daddy.

We went to see Mrs. Caffrey the next day. All of us. We went into her little trailer out there by the edge of the lake and waited in the tiny waiting room out front. When she came out she was all dressed up. Momma told her what hap­pened and Mrs. Caffrey prayed over her small bag of bones and threw a handful of sticks onto the table. When she was through she nodded. She held her head in her hands, closed her eyes, and sort of hummed to herself. When she looked up she was staring at me.

I tried to look away but I couldn't.

Mrs. Caffrey reached over and grabbed my arm and I could feel her sharp nails digging into my skin. "You must go to the bad place," she said. "You must go through the rit­ual." Her voice got real low. "But be careful. There are many dangers. The woods be dark."

She let go of me and I ran out of the trailer. I was crying bad. I knew this would happen and I didn't know if I could go through the ritual again.

Mrs. Caffrey came outside a few minutes later and put her arm around me. She opened up her Bible, closed her eyes, put her finger down, and made me read. "Walk while you have the light," I read, "lest the darkness overtake you."

She closed the Bible, smiled at me, and patted my head. "It'll be all right, child," she said. She went back inside to talk to Momma.

No one said nothing on the way home.

It was noon by the time we got back to the house and Momma said there wasn't enough time to do it today, I would have to wait 'til tomorrow.

I was glad.

They came back that night, pounding on the walls and talking in our heads. All us kids sat on the couch together, holding on to each other. Momma pretended like she didn't hear a thing, and she worked on a big sack for me to carry the next day.

I fell asleep listening to the pounding and the voices.

Momma woke me up before it was even light and told me I had to take a bath before I went out. "You must cleanse yourself," she said. I took my bath real quietly, but everyone was up by the time I got out of the tub. It was already start­ing to get light out.

Momma gave me the sack and told me to be careful, and I said goodbye to everyone just in case. I didn't spend too long on goodbyes, though, because I couldn't afford to waste no time. I had to get back before dark.

It was overcast again and the sky was covered with solid gray clouds and I couldn't see the sun. I walked down the path through the clearing, past the spot where Momma'd shot Robert, into the woods. Momma packed me a flashlight in my sack and I got it out. I needed it. The woods was dark, real dark, darker even than when I went in for Daddy, and it was completely silent. Usually you can hear the sounds of the lake or someone's car or people talking out by the boat launch, but I couldn't hear nothing. Even the birds was quiet. My footsteps sounded real loud, and I had a headache from my heart pounding and thumping the blood in my head.

I was scared.

It took me about a half an hour to get to the shack. I could feel it before I saw it and I looked in the other direction as I ran past. I didn't want to see them open windows and that black doorway. I didn't want to know what was inside. I made that mistake the last time and I almost didn't get no farther than that, so this time I just looked the other way and ran by.

There was something inside the shack, though.

I could feel it.

And I thought I heard it when I ran by.

I slowed down when I was out of breath, a good ways from the shack. It was hidden way back behind the trees now, so I didn't have nothing to worry about. The shack was about halfway to the bad place, I knew, maybe a little less, but the second half of the trip was a lot tougher and took a lot longer. The path ended a little ways up ahead, I remem­bered, and I'd have to find the rest of the way myself.

No path led to the bad place.

Sure enough, the path just sort of petered out. It got smaller and smaller and harder to see and after a while I re­alized it had ended some ways back and I hadn't noticed.

I was on my own.

It was real dark here and it kept getting darker the deeper I went into the woods. I saw shadows of things moving through the trees out of the corners of my eyes, but I ignored them and pretended they wasn't there. I said the Prayer to myself.

I didn't really know where I was going but I knew I was headed in the right direction. Tons of moss was hanging from the tops of the trees and it kept brushing my face and my blouse as I went past. I climbed over old dead logs and through thickets of sticker bushes. I started getting hungry, and I pulled out one of the sandwiches Momma made for me. I didn't sit down and eat, though. I kept walking.

Finally, I came to the ruins and I knew I was getting close.

I remember Momma used to scare us when we was little by telling us that she'd take us out to the ruins and leave us there if we didn't behave, but I'm the only person I know that's actually seen them. They used to be part of an old stone fort during the war. A bunch of soldiers was stationed there to protect the county, but something happened to all the soldiers. All kinds of government people came down to check on the fort afterwards, but none of them could figure out what happened.

The people around here knew what happened, though.

They built the fort too close to the bad place.

Now the ruins was just old piles of stone block and pieces of wall with plants and ivy growing all over them. A few buildings were still left, but I got the same feeling from them that I got from the shack and I just ran by.

After the ruins, the trees started to grow weird and the di­rections got all lost again. I was going south, then all of a sudden I was going west and I hadn't even changed my course. The trees became all gnarly and twisted, and the moss started to grow into shapes, strange shapes that I knew what they were but I didn't want to admit it.

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