Greg Iles - The Devils Punchbowl

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With his gift for crafting “a keep-you engaged- to-the-very-last-page thriller” (
) at full throttle, Greg Iles brings back the unforgettable Penn Cage in this electrifying suspense masterpiece.
A new day has dawned . . . but the darkest evils live forever in the murky depths of a Southern town. Penn Cage was elected mayor of Natchez, Mississippi—the hometown he returned to after the death of his wife—on a tide of support for change. Two years into his term, casino gambling has proved a sure bet for bringing new jobs and fresh money to this fading jewel of the Old South. But deep inside the 
, a fantastical repurposed steamboat, a depraved hidden world draws high-stakes players with money to burn on their unquenchable taste for blood sport and the dark vices that go with it. When an old high school friend hands him blood-chilling evidence, Penn alone must beat the odds tracking a sophisticated killer who counters his every move, placing those nearest to him—including his young daughter, his renowned physician father, and a lover from the past—in grave danger, and all at the risk of jeopardizing forever the town he loves.
From Publishers Weekly
Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence. 

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Julia hopes Tim wasn'’t lying about Penn, that he didn't simply tell her whatever he thought would quiet her while he went off to God-knew-where to earn the right to feel good about himself again. And so she waits, and watches her baby, and prays that someone will take the cross from her husband’s back and carry it for him. For in the inmost chamber of her heart Julia is certain that if Tim goes on alone, he will die before finding the salvation he seeks.

CHAPTER

5

I should probably drive straight home from the cemetery, but as Tim predicted, I cannot free my mind from the terrible images in his photographs. Instead, I drive up Linton Avenue, turn on Madison Street, and cruise past the newspaper building, where my old lover once worked as publisher. While Caitlin Masters lived in Natchez, everything she could uncover and verify about the city was printed in the paper. Now, despite the fact that her father still owns the Examiner, much of the investigative fire seems to have gone out of the staff. If Caitlin were still here, I suspect, the rumors that Tim fleshed out tonight would already be halfway to the front page.

I turn on State Street and negotiate a series of right angles on the city’s notorious one-way streets, checking for a tail as I make my way to City Hall. The cop at the cemetery proved easy enough to handle, but I'm not sure he bought my explanation of visiting my wife’s grave. He kept glancing over my shoulder as though he expected a half-dressed woman to appear from among the gravestones beyond the cemetery wall. Of course, he might also have been searching for Tim Jessup, and that’s why I'm keeping my eyes on my rearview mirror as I drive. I’d like to know just how interested the police are in my movements.

Unlike most Mississippi towns, Natchez has no central square dominated by a courthouse or a Confederate soldier on a pillar. The

lifeblood of this city has always been the river, and the stately old commercial blocks platted in 1790 march away from it as though with regret, toward onetime plantations now mostly subdivided into residential neighborhoods. City Hall faces Pearl Street and abuts the county courthouse at the rear. The courthouse is the larger of the two buildings, but people often see them as a single structure, since only a narrow alley separates them.

Parking before the cream-colored stone of City Hall, I walk beneath hundred-year-old oaks to the main entrance. The building is usually locked by 5:00 p.m., but the chandelier in the foyer blazes like the ballroom of the Titanic, and I use its light to find the proper key on my ring. A couple of years before I was elected mayor, the previous board of selectmen awarded me a key to the city. This token of recognition didn't mean much at the time—it was the kind of honor you might dream about as a kid watching a Disney movie—but tonight, unlocking City Hall with the actual key to the building, I feel the crushing weight of my responsibility to the people who elected me.

Upstairs, in my office, I kneel before my safe and open its combination lock. The few sensitive documents I deal with as mayor reside in this safe, among them my file on the Golden Parachute Gaming Corporation, the Los Angeles–based company that owns the Magnolia Queen.

Feeling strangely furtive, I slip the thick file inside my button-down shirt before I walk downstairs and lock the door. With the file still tucked against my belly, I drive the ten blocks required to reach my home on Washington Street three blocks away, my eyes alert for police cars.

When I moved back to town, I had the morbid luck to arrive shortly before the patriarch of an old Natchez family died, which resulted in their family home coming up for sale after a century of benign neglect. I bought it the same day, and I’'ve never regretted it. An elegant, two-story Federal town house of red brick, it stands at the center of one of the most beautiful enclaves of the city. Town houses of various styles and pedigrees stand along both sides of the street like impeccably dressed ladies and gentlemen from another era, gradually giving way to the Episcopal Church, the Temple B’nai Israel, Glen Auburn—a four-story French Second Empire mansion—and Magnolia Hall, a massive Greek Revival mansion and the

headquarters of one of the once-powerful local garden clubs. The town houses aren'’t antebellum for the most part, but rather the dwellings of the merchants, lawyers, and physicians who prospered in Natchez in the Victorian era. The entire downtown length of Washington Street is lined with fuchsia-blooming crape myrtle trees, which are tended by ladies obsessively dedicated to their survival.

As I park and exit my car, a faint but steady glow from the second floor of the house across the street catches my eye. My stomach gives a little flip and I pause, trying to recall whether I’'ve seen that light in the past few weeks. The question has some importance, for the house still belongs to Caitlin, though she hasn’'t lived in it for eighteen months, preferring to spend most of her time in Charlotte, North Carolina, where her father’s newspaper chain is based. But the house remains furnished, and she does not rent it out. Caitlin and I parted on good enough terms that I still possess a key, in theory so that should any kind of emergency befall the house, I could help the proper people to deal with it.

The reality is that for six of the past seven years, Caitlin and I lived as a couple. Her owning a house across the street from mine helped maintain the fiction that we were not “living in sin,” which people still say here, and only half-jokingly. Caitlin often spent the night when Annie was in the house, but Caitlin’s an early riser, and she was usually at work by the time Annie got up to get ready for school. As I remember those mornings now, something catches in my chest. It’s been too long since I felt that relaxed intimacy, and I know my daughter misses it.

For most of the time we were together, Caitlin and I planned to marry. We took it for granted in the beginning, when we still believed that fate had brought us together. We met during the civil rights case that seized control of my life after I returned here, and before the resulting trial ended, we’d discovered that though we were ten years apart in age and quite different on the surface, we were joined as inseparably as siblings beneath the skin. The only tension in our relationship developed later, when living and working in a small Southern town no longer felt charming to Caitlin, but rather like a prison. She was born and raised for the big canvas (her coverage of our case earned her a Pulitzer at twenty-eight), and while Natchez sometimes explodes into lethal drama, for the most part it remains a quiet river town, trapped in an eddy of time and history, changing almost imperceptibly when it changes at all.

My decision to run for mayor threw our differences into stark relief and ultimately made the relationship untenable. Caitlin came to Natchez as a flaming, Ivy League liberal with no experience of living in the South, but after five years here, she’d developed ideas more racist than those of many “good ol’ boys” I’d grown up with, and she was ready to get out. Our sharpest points of contention were (a) whether the city was worth saving, and (b) if so, was I the person to save it? Caitlin claimed that people get the government they deserve, and that Natchez didn't deserve me.

She did, in her view, and added the argument that Annie deserved a culturally richer childhood than she would have here. In short, Caitlin wanted me to leave my past behind. But true Southerners don'’t think that way. I was willing to risk being turned into a pillar of salt, if by so doing I could help renew the city and the land that had borne me. More than this, I believed that living closely with my parents would provide my daughter an emotional bedrock that no amount of cultural diversity would ever replace. In the end, I followed my conscience and my heritage, ensuring that my future marriage became the first casualty of my mayoral campaign. Caitlin cried—as much for Annie as for us—then wished me well and went back to North Carolina, to the New South of glass office towers, boutique restaurants, and the Research Triangle. I stayed in the land of kudzu and Doric columns and bottleneck guitars—one short ride away from James Dickey’s Land of Nine-Fingered People.

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