Greg Iles - The Devils Punchbowl

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With his gift for crafting “a keep-you engaged- to-the-very-last-page thriller” (
) at full throttle, Greg Iles brings back the unforgettable Penn Cage in this electrifying suspense masterpiece.
A new day has dawned . . . but the darkest evils live forever in the murky depths of a Southern town. Penn Cage was elected mayor of Natchez, Mississippi—the hometown he returned to after the death of his wife—on a tide of support for change. Two years into his term, casino gambling has proved a sure bet for bringing new jobs and fresh money to this fading jewel of the Old South. But deep inside the 
, a fantastical repurposed steamboat, a depraved hidden world draws high-stakes players with money to burn on their unquenchable taste for blood sport and the dark vices that go with it. When an old high school friend hands him blood-chilling evidence, Penn alone must beat the odds tracking a sophisticated killer who counters his every move, placing those nearest to him—including his young daughter, his renowned physician father, and a lover from the past—in grave danger, and all at the risk of jeopardizing forever the town he loves.
From Publishers Weekly
Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence. 

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The bat doesn’'t ring on impact, but it jolts my arms and rattles my spine down to my pelvis as a wet crack like a boy stomping on a sodden limb echoes through the trees. The awful whistling has stopped. The dog lies motionless. I stumble back to the other tree, lean the bat against it, then march past Kelly toward the river.

As I wedge my knees through the cockpit of my kayak, he walks into the shallow water and looks down at me. “You did the right thing. But I think that’s enough for tonight. I should take it from here.”

Thrusting my legs forward, I set my feet against the pedals, jerk the lanyard that flips down my rudder, and push away from the sandbar. “I'’ll see you down there.”

CHAPTER

32

Walt Garrity takes a sip of ice-cold Maker’s Mark and gazes around the vast gaming floor of the

Magnolia Queen.

Most casino boats are floating barns filled with slot machines and few table games, but the

Magnolia Queen

is magnificent, harkening back to the days of the floating palaces that cruised the river after the Civil War. The

Queen

has a three-hundred-foot salon built in the style known as steamboat Gothic, with Gothic arches, stained-glass skylights, gilt pendants, and eight massive chandeliers. There are hundreds of slot machines, yes, but there are also table games of every type.

Walt spent the first part of the evening putting on the same kind of show he’d given on the

Zephyr

last night, making a spectacle of himself at the craps table and tipping everyone beyond all reason. He’s stayed with Nancy because since their scene in the RV they’ve had a certain understanding about the sexual component of their relationship that he doesn’'t want to explain to a succession of prostitutes.

She stands a few feet away, losing wads of Penn Cage’s money at the blackjack table. Nancy doesn’'t seem to mind Walt’s frequent absences, so long as the flow of chips and alcohol continues uninterrupted. She probably assumes that a man of his age is making repeated trips to the restroom. In fact, Walt has conducted a casual but very thorough inspection of Golden Parachute’s floating casino. This is the second time they’ve been aboard the

Queen

today. They

first visited it after lunch, then spent some time on both the

Zephyr

and the

Evangeline.

Walt was glad to learn that the opulence of the

Magnolia Queen

would justify J. B. Gilchrist’s spending most of his time in Natchez aboard her, and not the lesser boats.

During his first visit, Walt twice saw Jonathan Sands—the first time coming down the escalator from the upper deck where Walt now knows Sands’s office is, and the second in the cashier’s cage, talking to some employees. Despite his bespoke suit, Sands moved like an alert and graceful animal padding through a herd of less sentient creatures. Most of the gamblers on the boat blunder around like shoppers in a mall, their eyes on the slot machines, the tables, or the young women that seem so plentiful. Sands’s eyes miss nothing. He actually made eye contact with Walt long enough to register that he was being watched as he descended the escalator. Even after seeing Sands only twice, Walt knows the Irishman will be a difficult man to outwit, much less capture.

Walt has paid some attention to the women as well. Several of the younger ones are Chinese, and from their behavior he guessed they were prostitutes. Nancy confirmed this when Walt asked about them and showed more than a little jealousy when she did. Apparently this perk of the

Magnolia Queen

is becoming well-known to out-of-town businessmen, who don'’t seem to mind that the girls speak little or no English. Walt understands the attraction. As a young soldier in 1953, he fell in love with a young Japanese girl during an extended R&R in Kobe, Japan. Most of the women he’d met in Korea were prostitutes, but Kaeko was a nurse he met by chance in a restaurant. Walt had married his high school sweetheart before shipping out, and he’d sworn to be faithful while he was overseas. Kaeko had tested his vow to the limit, not physically so much as by slowly and completely inhabiting his soul.

The Chinese girls on the

Magnolia Queen

look different from Kaeko, but their resemblance is enough to trigger a feeling in Walt that shames the twinge of lust he felt when Nancy bared her bottom in the van.

“Why do you keep running off?” Nancy asks. “You’re tired of me, aren'’t you?”

“No, I'm just taking it all in. I’'ve been on a lot of boats, but I haven'’t seen one like this in many a year.”

Thus reassured, Nancy begins chattering mindlessly, but Walt suddenly becomes aware that several people are looking up over his shoulder. When he turns, he sees one of the most beautiful women he has ever encountered descending the escalator. She looks like a princess being carried down steps in a royal litter. She wears a jade green dress that lies close against her petite body, and her hair is long and straight. What strikes Walt, though, as it must have the other watchers, is the sense of self-possession radiated by the girl. Reaching behind him, he takes hold of Nancy’s cheap dress and turns her so that she can see the escalator.

“Daddy, I'm

playing,”

she protests. “Hit,” she tells the dealer. “Stay.”

“Do you know who that is?” Walt asks.

“Who?”

“That girl on the escalator.”

Nancy turns and stares for a few seconds. “No, I never seen that one before. She looks like she thinks her you-know-what don'’t stink, though.”

Nancy’s harsh voice intrudes on Walt’s reverie like the squawk of a crow startling a man contemplating a pristine dawn. He cannot imagine that the girl on the escalator could be for sale. If she were, the price for a night with her would have to be ten times that for a night with the Nancys so common on the boats. But Walt knows one thing: If her time is for sale, he intends to buy as much as he can afford.

CHAPTER

33

As we near the island, I start to ease my kayak along the sandy shore, but Kelly pulls alongside and points. “Farther down. That brush’ll keep the boats out of sight if a patrol comes down to the main bank.”

I nod and wait for him to lead the way. I almost vomited during our sprint downriver from the first stop. Sweat is pouring off me, but not from the eighty-strokes-per-minute pace Kelly set. Not even from the shock of killing the dog, which was an act of mercy by any measure. What has shaken me to the core is that the glimpse of hell I saw under the trees was less than five miles from the place where I grew up. My meditation on the ironies of Tim’s “heroic quest” as Kelly and I paddled down from Natchez has filled me with shame, and any doubt about our purpose tonight has vanished. Standing among the chains and hooks and infernal machines, I felt as though I’d stumbled into a death camp, one designed for animals rather than humans. The eerie whistling of the dog breathing through its skull will haunt me to my grave.

“Penn? You with me?”

“Right behind you.”

Kelly turns his rudder and knifes silently toward the shore. He pulls parallel to an overgrown bank that looks a little steep for my taste—not to mention snaky—then braces his paddle and climbs out

of his cockpit. As I pull in behind him and follow suit, Kelly drags his boat behind some kudzu, then unloads his pack and takes out his night-vision scope.

“Come on,” he says, seizing the grab handle on my bow and dragging the Seda into the weeds.

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