Greg Iles - The Devils Punchbowl

I spent my first thirty minutes anxiously searching the crowd for Daniel Kelly or signs of people following me. Several times I felt someone

was

watching me, but whenever I turned, I saw nothing suspicious. Ten minutes ago, I presented the citizenship award to Paul Labry, who had no idea he had been voted the honor. I actually saw tears in Labry’s eyes as he accepted the brass plaque, but my mind was only half on the presentation, because five minutes before my speech, my father had called on Kelly’s Star Trek and told me that Jewel Washington, the coroner, was at the Ramada and had something important to give me. I spotted Jewel right after the speech, serving barbecue under a tent, but she gave no sign of recognizing me, so I decided to stick around until she felt an approach was safe.

Caitlin is roaming the crowd, just in case Jewel sees her as an obstacle to our communication. She has my backpack slung over her shoulder, and in it the satellite phone and my gun. We’'ve done a good job playing the role of reconciled lovers; I only hope Libby Jensen’s not here today. Normally, Libby would be able to handle the situation, but with her son in jail, she might make a scene.

“Mr. Mayor?” someone says nervously from behind me.

Turning, I look into the cornflower blue eyes of a girl of about twenty. She’s mousy-haired and round-faced but pretty in her way, a hillbilly girl who will soon lose her looks along with the blush of youth. She’s either tall or wearing very high heels, because I'm look

ing almost straight into her eyes. My first coherent thought is that someone should teach her how to apply eye makeup, because she could take off half of what she’s wearing and look twice as good.

“Hello,” I say. “Are you enjoying the festival?”

The girl smiles, but her eyes are filled with confusion, or even fear. Something about her seems familiar. Before I can figure out what, she shoves something into my front pants pocket. The contact startles me, but the crowd around us is intent on two balloons that are flying too close together as they sweep in off the river.

“Don’t read that until you’re by yourself,” the girl says. “It’s superimportant.”

“Are you—”

“I gotta go,” she says, then turns and moves into the crowd. I see her leather jacket for a couple of seconds, then only a blur of bodies.

“Who was that?” Caitlin asks, suddenly appearing at my side. She’s staring after the girl, but I can no longer distinguish her from the other people swirling between us and the hotel swimming pool.

“I don'’t know.”

“What was she saying?”

“She stuffed something into my pocket. I think it’s a note. She said to read it in private. Jewel must have sent her over. Somebody must be watching Jewel.”

“Or you.”

“Yeah.”

Caitlin takes my hand. “Let’s get out of here.”

I look around the grounds of the hotel. Unless you have a room, there’s no privacy to be had. “We shouldn’t leave until we’re sure I have whatever Jewel needs to give me.”

“Have some barbecue, Mr. Mayor!”

Jewel Washington’s sweating brown face appears before me so suddenly that I can’t quite tell where she came from. She shoves a Chinet plate piled high with tangy-smelling pork into my hands. Before letting go of it, she pinches the back of my hand, then adjusts the plate so that I feel something hard taped to the bottom it. It’s small and rectangular and feels plastic.

“The pork was going fast,” she says loudly. “Paul Labry told me to bring you a plate before we got down to the bone.” Jewel interposes herself between me and Caitlin, then starts talking to Caitlin

in a “girl talk” tone—probably to give me time to remove whatever it is she’s trying to pass me.

“Caitlin’s cool, Jewel,” I say softly. “What’s under the plate?”

Without breaking the rhythm of her conversation, the coroner laughs loudly and squeezes Caitlin’s arm, then pulls the two of us together and leans in as though dispensing romantic advice. “A tape of a voice memo Tim Jessup recorded on his cell phone right before he died. Shad has the phone. He has your cell records too. This case is getting crazy, Penn. You need to watch yourself.”

“You’re crazy, girl!” Caitlin says, playfully shoving Jewel’s shoulder. “But if this keeps up, I might consider moving back here.”

“You come on back!” cries Jewel. “We need you back here gettin’ on people’s case.” She backs away from us. “You two be talkin’ again, so you can share that plate!”

Jewel waves broadly, then makes her way back toward the barbecue tent. Two sheriff’s deputies standing in line watch as she approaches, and they don'’t take their eyes off her as she moves behind the serving table.

Caitlin grabs my arm and pulls me around some shrubs beside the pool. “I don'’t know what’s going on, but let’s get the hell out of here and see what we’ve got.”

Balancing the plate on my right hand, I put my left arm around Caitlin and walk toward the breezeway that leads to the hotel parking lot. Nearly everyone we pass speaks to me, and several call Caitlin by name. A local Realtor tries to stop me and talk about a zoning variance, but I plead official business and push on. The moment we get twenty yards of space around us, Caitlin says, “Is the tape in the freaking barbecue or what?”

“It’s taped to the bottom of the plate.”

“What kind of tape is it?”

“A minicassette, I think.”

“Old school. I have that kind of recorder at the office.”

“Kmart’s only a minute away.”

“Okay.” As we make our way through the crowded lot, Caitlin says, “If the tape is what Jewel had for you, then who’s the note in your pocket from?”

“Probably some nut job, if not the girl herself. There’s the car. Come on.”

Caitlin unlocks the car we drove here, a Corolla owned by the newspaper. Before we get in, I realize that if someone did follow us here, they could have planted a listening device in the car while we were gone. I feel like hammering my fist against the roof in frustration, but instead I take Caitlin by the upper arms, lean into her neck, and kiss her below the ear.

“Don’t say anything about this stuff in the car,” I whisper, surprised by the force of my reaction to her scent. “We can read the note on the way to Kmart, but don'’t talk about it. We’ll talk in the store.”

She nods and gets behind the wheel.

Before I get in, I crouch between the cars, take out the Star Trek, and call Kelly. When he acknowledges, I ask, “Are you at the hotel?”

“Yeah.”

“We’re driving to the Kmart, just up the highway. I want you to cover us.”

“No problem. Everything okay?”

“I may have good news. Stay close to us.”

“Don’t worry.”

As soon as I'm inside the car, I pull the tape from the bottom of the plate and confirm that it’s a standard minicassette. Slipping it deep into my left front pocket, I dig out what the girl shoved down my right pocket. It’s blue-ruled newsprint from the kind of tablets first-graders use when they'’re learning to write block print. It’s been folded and refolded many times, like a love note someone passes you in junior high.

“Let’s get some food for this afternoon,” I say casually. “For postcoital munchies.”

Caitlin laughs convincingly. “What do you want?”

“Chips and dip, drinks and stuff. You don'’t have anything at your house.”

“What do you expect after a year and a half?”

She backs out of the parking space and carefully negotiates the packed vehicles. Soon we’re coasting down the long, curving hill that leads to the highway below the bridge. Across that highway is the Visitors’ Center, where only yesterday I blew Caitlin off in the parking lot. That feels like three days ago. She drops a hand from the wheel and makes a fast “hurry up” motion.