Greg Iles - The Devils Punchbowl

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With his gift for crafting “a keep-you engaged- to-the-very-last-page thriller” (
) at full throttle, Greg Iles brings back the unforgettable Penn Cage in this electrifying suspense masterpiece.
A new day has dawned . . . but the darkest evils live forever in the murky depths of a Southern town. Penn Cage was elected mayor of Natchez, Mississippi—the hometown he returned to after the death of his wife—on a tide of support for change. Two years into his term, casino gambling has proved a sure bet for bringing new jobs and fresh money to this fading jewel of the Old South. But deep inside the 
, a fantastical repurposed steamboat, a depraved hidden world draws high-stakes players with money to burn on their unquenchable taste for blood sport and the dark vices that go with it. When an old high school friend hands him blood-chilling evidence, Penn alone must beat the odds tracking a sophisticated killer who counters his every move, placing those nearest to him—including his young daughter, his renowned physician father, and a lover from the past—in grave danger, and all at the risk of jeopardizing forever the town he loves.
From Publishers Weekly
Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence. 

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“How does that relate to Jiao?” Caitlin asks.

“We don'’t need two dozen recorders. We only need two.”

Caitlin is shaking her head, but Kelly is nodding, his tactical sense kicking in.

“I'm going to demand the meeting I told you about a few minutes ago. But not just with Hull. I'm going to demand that Sands be there too. He won'’t want to come, but if the thumb drive is what we think it is, I can make it happen. I pressure Hull, Hull pressures Sands.”

Caitlin’s listening now.

“There’s only one place Sands is going to feel safe in a meeting like that,” Kelly says.

She blinks in silence. “The

Magnolia Queen

“You got it,” I say. “And so far as I know, there are only two places on that casino boat not being recorded by surveillance equipment twenty-four hours a day. The first is Sands’s office, where Kelly and I talked to him. And the second is—”

“The torture room,” Caitlin says. “The Devil’s Punchbowl. Jesus.”

“If Jiao will hide voice-activated recorders in those two rooms, I can do the rest. Fifteen minutes alone with Hull and Sands, and I'’ll have them both by the balls.”

“And you know what happens then,” Kelly says, watching Caitlin like a hopeful teacher.

She smiles. “Their hearts and minds will follow.”

Kelly laughs and looks at his watch. “Right now, Jiao Po is taking a PiYo class at Mainstream Fitness.”

“Are you kidding?” I ask.

Kelly shakes his head. “Hell, no. She’s like a Mafia wife. People are dying left and right, and she’s worried about her cellulite.”

“She doesn’'t have any,” Caitlin says. “I’'ve seen the pictures. Is that where I approach her?”

Kelly shakes his head. “She likes to go down to the coffee bar on Franklin Street after her workout, for green tea and a bran muffin.”

“That'’s it,” I say, squeezing my right hand into a fist.

“I have a feeling,” says Caitlin, “that her muffin won'’t be going down so well today.”

CHAPTER

67

Caitlin is sitting at a small, round table in the Natchez Coffee Bar, a long, narrow space downtown, not far from the club where Jiao Po takes her PiYo class. Jiao sits across the table, not an arm’s length away, her eyes deep and remote. People have often told Caitlin that her skin resembles porcelain, but Jiao’s skin is perfect, without blemish. She radiates a self-possession that Caitlin finds intimidating, and her light eyes seem startlingly alive in the Chinese face. The coffee bar is almost empty, but when Caitlin asked to sit with Jiao, the woman did not object. Only when Caitlin identified herself did Jiao’s eyes rise to take her in.

“Is anyone watching you?” Caitlin asks. “Any of Sands’s men, I mean?”

Kelly has already assured Caitlin that Jiao isn’t being tailed, but Caitlin wants to make sure.

“What do you want?” Jiao asks, regarding her coolly. “A human interest story for your newspaper?”

“No. I want to show you something. A photograph.”

Jiao rises from the table.

“You stayed in New Orleans too long,” Caitlin says quickly. “I know you must suspect about the women.”

The girl slows almost imperceptibly.

“I know you went to Cambridge, Ms. Po. I know you don'’t miss

much. But sometimes we blind ourselves intentionally to things we don'’t want to see.”

Jiao stops and looks back, her body utterly motionless. “What does this photograph show?”

Caitlin shakes her head. “You have to see it. Either you have something to fear or you don'’t. I'm not here to hurt you. Only people you trust can do that.”

Jiao steps back to the table with regal poise and gives Caitlin an impatient look. “Well?”

“Will you sit down?”

Jiao sighs lightly, then takes her seat again. “Show me.”

Caitlin takes a five-by-seven manila envelope from her bag and removes the bathroom-mirror photograph of Sands screwing Linda Church. With an eerie sense of detachment, she slides the photo across the table, just as Penn told her he did with Shad Johnson.

Jiao doesn’'t flinch or even blink. After a few seconds, Caitlin can’t tell if the woman’s breathing.

“Is this the only one?” Jiao asks at last.

“No.”

“Show me.”

Caitlin removes five more photographs, each showing Sands having sex with a different woman, every one an employee on the

Magnolia Queen.

Jiao must have seen many of these women over the past few weeks. The final photo shows only a male organ entering a woman’s anus, but Caitlin is sure that Jiao knows whose penis she’s looking at. Her doll-like lips purse for a few seconds, then without lifting her eyes from the top image, she says, “Do you have money?”

“Do you need money?” Caitlin asks, confused. Perhaps Jiao has been cut off by her uncle and fears she can’t survive without Sands’s support.

A fleeting smile crosses Jiao’s face, and the aquamarine eyes rise to Caitlin’s. “No, I mean, were you raised with money?”

“Yes.”

“My father made little, but my uncle saw that we never went without. Father wouldn'’t touch that money for himself, but we children got the necessities. After he died, I lacked for nothing. But I found that whether women have money or not, we look for men

who are strong enough to be providers. Strong enough to protect us, yes? But with that strength comes things we do not want so much. A wandering eye, aggressiveness, even cruelty. Yet the men who would always be faithful, the ones who worship us, we ignore or kick away. Do you find this to be true?”

“I’'ve made mistakes like that. But some men are both strong and kind.”

Jiao’s eyes move over Caitlin’s face. “I think my father was like your lover. He was a professor. He taught law in Communist China. What could be more absurd? When I was young, I thought he was a fool. After he died, I attended school in England, as you said. But during breaks I went to Macao, to live under my uncle’s protection. He didn't want me there, but I insisted. I was seduced by his power, his money, the unimaginable wealth. And I fell in love with Jonathan Sands. He seemed a glamorous figure to me, an Irishman who could carve out a place for himself among my uncle’s henchmen. He was white, yet my uncle respected him. And of course, my mother was a Scot.”

The coffee bar’s single waitress walks toward them. Caitlin lays the manila envelope over the explicit photos as the woman passes and goes to the restroom. “You must have been very young when you fell for Sands.”

Jiao shrugs. “Older than my mother when she married. But, yes, I was young. Too young to see what I was to him. A way to rise in the hierarchy, to reach the inner circle. He was playing a role from the beginning, I think.”

Caitlin is impressed by the girl’s sangfroid, but it makes her doubt the soundness of her plan. Without an angry Jiao, nothing of value will be accomplished here.

“I'm curious about something. Did they let you see the violent part of what they did?”

Jiao takes a quick breath, then expels it. “They tried to insulate me from that, my uncle especially. But everyone has a primal fascination with violence. At that point in my life I was curious. But my curiosity was quickly satisfied. Death holds no mystery for me. I think women are interested in life, men in death. What do you think?”

Jiao’s genuine interest in her opinions takes Caitlin off guard. This

meeting reminds her of conversations during college. “I think there’s some truth in that.”

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