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Craig Dilouie: Tooth And Nail

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Craig Dilouie Tooth And Nail

Tooth And Nail: краткое содержание, описание и аннотация

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As a new plague related to the rabies virus infects millions, America recalls its military forces from around the world to safeguard hospitals and other vital buildings. Many of the victims become rabid and violent but are easily controlled—that is, until so many are infected that they begin to run amok, spreading slaughter and disease. Lieutenant Todd Bowman got his unit through the horrors of combat in Iraq. Now he must lead his men across New York through a storm of violence to secure a research facility that may hold a cure. To succeed in this mission to help save what’s left of society, the men of Second Platoon will face a terrifying battle of survival against the very people they have sworn to protect—people turned into a fearless, endless horde armed solely with tooth and nail.

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“I’ll bet we got guys in Boise and the towns around it just like we’re here in New York,” Ruiz tells him. “Some of them are probably New Yorkers and wishing they were here. And they’re watching over your family just like we’re watching over theirs. The same way that everybody in this platoon has each other’s backs. All right?”

“Hooah, Sergeant,” says Boyd, without enthusiasm.

The boys quietly begin to pull their gear on: battle dress uniform, boots, kneepads, body armor, harness, watch, ammo, knife, gloves, primary weapons and Kevlar.

“Okay, so we’ve reached the point where we’re setting people on fire, but if you look at this whole global plague of death in a glass-half-full kind of way, there are some things we could actually be pretty happy about,” McLeod says to break the ice after a few moments. “For example, we’re getting three squares a day, eight hours of rack time a night, and we even got running water. Plus we don’t have to go out on patrol in neighborhoods that all look like Tijuana after it’s been cluster-bombed, getting our balls blown off by elevated IEDs and crazy Hajjis.”

“Shut up, McLeod,” growls Ruiz.

“I’m just trying to cheer everybody up by pointing out it may be true that two hundred million people are going to die and the world is probably ending, but at least we got out of that Arab Hell with our butts and balls intact and we don’t have to shit in an oven covered in flies, so mission accomplished, am I right or am I right?”

Most of the boys are laughing, but Ruiz is now standing in front of McLeod, who snaps to attention, staring straight ahead into the void, his mouth carefully zipped and primly holding back a smile. Ruiz takes a step forward until their eyes are inches away, Ruiz’s probing, searching for an excuse, McLeod’s respectfully vacant. Finally, the sergeant shakes his head in exaggerated disgust and walks away. “ Vamos , ladies!”

Williams slaps McLeod on the back after Ruiz leaves the room. Their friendship goes back to basic training, where they were battle buddies and McLeod often got them both smoked with pushups and barracks maintenance—usually scrubbing toilets—by falling asleep in class and otherwise pissing off the drill instructors.

“You go on being a buster and Magilla is gonna chunk your ass good, dawg,” Williams warns. He means it: Ruiz is an articulate and thoughtful NCO but has a short temper and, thanks to constant exercise, a thickly muscled body, making him resemble a bulldog. The boys call him Magilla behind his back, short for Magilla Gorilla.

McLeod replies with a cartoonish shrug.

Corporal Hicks, watching Boyd slowly pull on his gear while muttering to himself, says, “Get yourself squared away, Rick. Almost everybody in this platoon has somebody on the outside who’s got the bug.”

“I should be there with them,” Boyd says. “They’re all I’ve got in this world.”

“If we stay focused, we’ll all get through this and I mean everybody. If we start falling apart, with everybody going off his own way, well, then God help us all because we are surely jacked. Because this thing is going to get a hell of a lot worse before it gets better. Until then, make the pain your friend and it will make you stronger.”

McLeod grins and says, “Wouldn’t it be cool if the Sergeant got Lyssa in his brain and turned into a Mad Dog? ‘Get out of your fartsacks and get your shit on, ladies!’ Snarl, snarl!”

The boys burst into laughter.

I’m going to kill you dead

Sergeant McGraw roars, “Squad as skirmishers, move!” and watches his squad deploy in a line, weapons held at safe port so the friendly citizens of New York can clearly observe their bayonets. Beyond the concertina wire and the sandbags, people keep on streaming through the cars. They break into a run after seeing the soldiers begin to close the checkpoint, and when they finally reach the wire and confirm their dashed hopes, they try to shout or beg their way in.

Help me, they say. I think my kids have it and I don’t know what to do. Their faces are turning blue.

Corporal Eckhardt hands them the yellow sheets, but the people do not want to leave. Many of them brought a sick loved one with them, and the prospect of walking ten blocks to a Lyssa clinic set up in some school or bowling alley does not seem promising. They scream, they shout, they beg. They fall to the ground and sit, numbly clutching their yellow pieces of paper. The air fills with that sickly sour smell people give off when they’ve got Lyssa—the stench that keeps on giving.

A woman is crying, I can’t do it by myself, I can’t, I just can’t.

“Couldn’t we let in just a few more people?” Mooney hisses.

“Shut up,” says Finnegan, standing next to him. “You know the answer to that.”

“This is horrible.”

Sergeant McGraw says into his handheld, “We’re good at this end, sir.”

Gunfire rattles just a few blocks away to the west, loud and echoing among the buildings. The seemingly constant wail of police and ambulance sirens appears to multiply in volume.

McGraw pauses, looking west, and says, “I’ve got—”

A deafening boom sends a brief tremor through the ground and shatters windows in nearby buildings. The soldiers break formation to look as a fireball mushrooms into the air on a plume of black smoke, rising up over the buildings across the avenue to the west. A shrill wail goes up from the civilians.

“Holy crap!” says Wyatt. “I felt the concussion.”

“Back in formation!” McGraw roars, his face red. “Right now!”

“Whoa, what was that?” says Rollins. “It practically blew out my eardrums.”

“Dude, this is seriously jacked,” Mooney whispers.

“We got to trust the Sergeant,” Finnegan hisses at them. “He’ll get us through this. If he don’t, Pops will. Now just shut up and do what you’re told. It’s all going to be okay.”

“No talking in the ranks, you hear?” McGraw says, then finishes his report to the LT on his handheld.

Mooney is not listening. He is watching two men jogging towards the crowd at the wire. There is something not right about them. The way they move as they weave purposefully through the cars. A strange, loping gait with their hands splayed into claws pressed against their chests. Like they aren’t people, but some kind of animal. The thought chills him.

“Sergeant?” he says.

“Next man who talks is going to get my boot,” McGraw growls, fed up.

Mooney has lost sight of the two men. One of them had no shirt on and what looked like blue pajama bottoms. The other wore a baseball cap, denim shirt and blue jeans and had a black stain on his face, around his mouth.

The civilians are screaming. Mooney cranes his neck, trying to see past McGraw’s broad shoulders.

Then the sergeant moves, running fast, and Mooney can see the checkpoint. The two men are there, one of them pulling the long dark hair out of a woman’s head by the handful while the other systematically bites her stomach, drawing blood and leaving a smear of drool. The other civilians are screaming and trying to get out of the area fast. The men wrestle the woman to the ground. She lets out a horrible high-pitched whine and suddenly seems to give up, her body starting to go slack, her eyes glassy and pleading.

McGraw is shouting, stop, stop or I will shoot.

Corporal Eckhardt takes a step forward. “Sergeant—”

The sergeant sees what they’ve done and screams, “I’m going to kill you dead—”

But remembers his training, fires his Beretta into the air. Warning shots. The men’s heads jerk up with a spray of blood and spittle, looking like birds startled while feasting on carrion. The one wearing pajama bottoms leaps to his feet and takes a run straight at McGraw but immediately becomes entangled in the concertina wire, thrashing and making sounds like a dog being strangled.

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