Edward Marston - The Queen's Head

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1587, and Mary, Queen of Scots, dies by the executioner's axe, her head, shorn of its auburn wig, rolling across the platform. Will her death end the ceaseless plotting against Mary's red-haired cousin, Elizabeth?
1588, the year of the Spanish Armada, is a time of more terror and triumph, not just for queen and court but for the whole of England. The turmoil is reflected in its theatres and under the galleries of inns like London's The Queen's Head where Lord Westfield's Men perform. The scene there on grows even more tumultuous when one of the actors is murdered by a mysterious stranger during a brawl.
Nicholas Bracewell, the company's bookholder, a role far wider than mere producer, faces two immediate repercussions. The first is to secure a replacement acceptable to its temperamental star -- and chief shareholder -- Lawrence Firethorn. The second is to keep his promise to the dying Will Fowler and catch his killer.
Soon further robberies, accidents, and misfortunes strike Lord Westfield's Men even as their stage successes swell. Bracewell begins to suspect a conspiracy, not a single murderous act, but where lies the proof? Then the players are rewarded with the ultimate accolade -- an appearance at court -- and the canny bookholder senses the end to the drama is at hand....
First published to great acclaim in 1988, The Queen's Head anticipated the lure of bawdy, boisterous, yet elegant epics like Shakespeare in Love. Actor and playwrite Marston has followed with, to date, ten more lusty, historically grounded, theatrically sound Bracewell mysteries that explore the face of England and reveal his deep love for its rich literary and dramatic heritage. The Roaring Boy wasnominated for a 1996 Edgar Award for Best Novel.
From Publishers Weekly
Marston launches a series with this first appearance of Nicholas Bracewell, "book holder" for an English theatrical company in 1588. Not only the prompter but also the wise manager of the group, Bracewell must cope with temperamental thespians and other, more grave crises. As England rejoices in the triumph over the Spanish Armada, the troupe rehearses a play honoring Queen Elizabeth, which she will attend. Hopes for a gala performance are dashed when a villain named "Redbeard" kills actor Will Fowler; that event and other incidents lead Bracewell to suspect a plot to ruin the company. Helped by Sam Ruff, who substitutes for Fowler, the manager keeps up morale and takes steps to guard against Redbeard in advance of the queen's arrival at the theater. Marston's exhilarating mystery, ending with a bang-up close--on and off stage--is colored by details about the acting profession at that time and, sadly, about the era's mortal quarrels between Catholics and Protestants. 

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'Let us settle this over a pint of ale, sir.'

'No!' snarled the other.

'Mend your differences,' advised Ruff.

The stranger was not deterred. He saw the chance to catch his adversary off guard and he took it. With a lightning thrust, his sword passed under Ruffs arm and went deep into Fowler's stomach. The fight was over.

'Will!' shouted Nicholas, darting forward.

'I'll...kill him,' threatened Fowler weakly.

Dropping his sword, he staggered a few steps then collapsed to the floor. Nicholas bent down to enfold him in his arms, shaken by the speed of it all. The hostess screamed, the card players yelled, the old sailor roared and the dog barked madly. In the general confusion, the stranger ran out through the door and vanished down the alley.

Everyone pressed in upon the fallen man.

'Stand back!' ordered Nicholas. 'Give him air.'

'What happened?' mumbled Fowler drowsily.

'It was my fault,' confessed Ruff, covered in remorse as he knelt beside the wounded man. 'I tried to stop him and he stabbed you under my arm.'

'Curse him!' groaned Fowler.

The hostess pushed through the crowd to view the hideous sight. Brawls were common enough in the tavern but they did not usually involve swordplay nor end with someone losing his life-blood all over the floor.

'Carry him to the surgeon!' she urged.

'He cannot be moved,' said Nicholas, doing what he could to stem the flow of blood. 'Bring the surgeon here. Tell him to hurry!'

The hostess despatched her boy with a curt command. Nicholas was still cradling his friend in his arms and shuddering with disbelief. Will Fowler had been such a powerful and energetic man yet his life was now draining rapidly away in the miserable setting of a Bankside stew. The sense of waste was overwhelming.

'Who was he?' murmured Fowler.

'Save your strength, Will,' cautioned Nicholas.

'I want to know,' he said with a last show of spirit. 'Who was the rogue?'

He looked up questioningly but nobody had the answer.

Nicholas Bracewell was consumed with grief and anger. It was only now that he was about to lose Will Fowler that he realized how much the man's friendship had meant to him. The actor's warmth and effervescence would be sorely missed. Nicholas held the body more tightly to pull him back from death but he knew that it was all to no avail. Will Fowler was doomed.

Samuel Ruff was in tears, tormenting himself with the thought that he was to blame, muttering endless apologies to the prostrate figure. Nicholas saw the blank horror in his face then he noticed that Ruffs sleeve was dripping with blood that seeped from a wound of his own. The sword thrust had cut his arm before killing Will Fowler.

The dying man found enough breath to whisper.

'Nick...'

'I'm here, Will.'

'Find him...please...find the rogue!'

He clutched at his stomach as a new spasm of pain shot through him then his whole body went limp. A final hiss escaped his throat. Will Fowler had no need of a surgeon now.

Samuel Ruff buried his face in his hands. Nicholas felt his own tears come but his sorrow was edged with cold fury. A dear friend had been viciously cut down. In a flash of temper, a valuable life had been needlessly squandered. Will Fowler had begged him to track down the culprit and Nicholas now took this duty upon himself with iron determination.

'I'll find him, Will,' he promised.

(*)Chapter Three

Bankside was not entirely given over to stews, gambling dens, taverns and ordinaries. Because it was outside the City's jurisdiction, this populous area of Southwark had its share of cockpits and beat gardens and bull-baiting rings to please the appetites of those who flocked to them, but it also had its shops, its places of work and its respectable dwellings. Lined with wharves and warehouses for much of the way, it commanded fine views across the river of St Paul's and the City.

Anne Hendrik had lived in Bankside for a number of years and she knew its labyrinthine streets well. Born of English stock, she married Jacob Hendrik while she was still in her teens. One of the many Dutch immigrants who poured into London, Jacob was a skilful hatmaker who found that the City Guilds had a vested interest in keeping him and his compatriots out of their exclusive brotherhoods. To make a living, therefore, he had to set up outside the City limits and Southwark was the obvious choice. Hard work and a willingness to adapt helped him to prosper. When he died after fifteen happy years of marriage, he left his widow with a good house, a flourishing business and moderate wealth.

Other women might have moved away or married again but Anne Hendrik was committed to the house and its associations. Having no children, she lacked company and decided to take in a lodger. He soon became rather more than that.

'Is that you, Nicholas?' she called.

'Yes.'

'You're late.'

'There was no need for you to wait up.'

'I was worried about you.'

Anne came out to the front door as he closed it behind him. When she saw him by the light of the candles, her comely features were distorted with alarm.

'You're hurt!' she said, rushing to him.

'No, Anne.'

'But there's blood on your hands, and on your clothing.'

'It's not mine,' he soothed.

'Has there been trouble, Nick?'

He nodded. 'Will Fowler.'

'What happened?'

They adjourned to his chamber. Anne fetched him a bowl of water so that he could clean himself up and Nicholas Bracewell told her what had occurred at the Hope and Anchor. He was still very shaken by it all. Anne was deeply distressed. Though she had only met Will Fowler a few times, she remembered him as a lively and loquacious man with a fund of amusing stories about the world of the playhouse. It seemed perverse that his life should be snuffed out so quickly and cheaply.

'Have you no idea who the man was?' she asked.

'None,' said Nicholas grimly. 'But I will catch up with the fellow one day.'

'What of this Master Ruff?'

'He was as stricken as I was, Anne. I helped him to find a new lodging for the night. He could not bear to stay in the place where Will had been murdered.'

'You should have brought him back here,' she offered.

Nicholas looked up at her and his affection for Anne Hendrik surged. Her oval face, so lovely and contented in repose, was now pitted with anxious frowns. Kindness and compassion oozed from her. In any crisis, her first instinct was always to give what practical help she could. It was a trait that Nicholas shared and it was one of the reasons that bonded them together.

'Thank you, Anne,' he said quietly.

'We could have found him something better than a room in some low tavern. Did you not think to invite him here?'

'He would not have come,' Nicholas replied. 'Samuel Ruff is a very proud and independent sort of man. His friendship with Will goes back many years and it was something that both of them treasured. Samuel wants to keep his own counsel and mourn alone. I can respect that, Anne.'

While he dried his hands, she took away the clouded water. Nicholas was exhausted. It was hours past midnight and the events at the Hope and Anchor had taxed him. Officers had been sent for and the whole matter was now in the hands of a magistrate. The dead body had been removed and there was nothing that Nicholas could do until the morrow. Yet his mind would not let him rest.

Anne Hendrik came back. She was a tall, well-kept woman with graceful movements and a lightness of touch in all she did. Her tone was soft and concerned.

'You need your sleep, Nick. Can you manage?'

'I think so.'

'If you want anything, you have only to call me.'

'I know.'

She gazed fondly at him then a sudden thought made her reach out and clasp him to her bosom for a few moments. When she released him, she caressed his hair with long, delicate fingers.

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