Edward Marston - The Queen's Head

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1587, and Mary, Queen of Scots, dies by the executioner's axe, her head, shorn of its auburn wig, rolling across the platform. Will her death end the ceaseless plotting against Mary's red-haired cousin, Elizabeth?
1588, the year of the Spanish Armada, is a time of more terror and triumph, not just for queen and court but for the whole of England. The turmoil is reflected in its theatres and under the galleries of inns like London's The Queen's Head where Lord Westfield's Men perform. The scene there on grows even more tumultuous when one of the actors is murdered by a mysterious stranger during a brawl.
Nicholas Bracewell, the company's bookholder, a role far wider than mere producer, faces two immediate repercussions. The first is to secure a replacement acceptable to its temperamental star -- and chief shareholder -- Lawrence Firethorn. The second is to keep his promise to the dying Will Fowler and catch his killer.
Soon further robberies, accidents, and misfortunes strike Lord Westfield's Men even as their stage successes swell. Bracewell begins to suspect a conspiracy, not a single murderous act, but where lies the proof? Then the players are rewarded with the ultimate accolade -- an appearance at court -- and the canny bookholder senses the end to the drama is at hand....
First published to great acclaim in 1988, The Queen's Head anticipated the lure of bawdy, boisterous, yet elegant epics like Shakespeare in Love. Actor and playwrite Marston has followed with, to date, ten more lusty, historically grounded, theatrically sound Bracewell mysteries that explore the face of England and reveal his deep love for its rich literary and dramatic heritage. The Roaring Boy wasnominated for a 1996 Edgar Award for Best Novel.
From Publishers Weekly
Marston launches a series with this first appearance of Nicholas Bracewell, "book holder" for an English theatrical company in 1588. Not only the prompter but also the wise manager of the group, Bracewell must cope with temperamental thespians and other, more grave crises. As England rejoices in the triumph over the Spanish Armada, the troupe rehearses a play honoring Queen Elizabeth, which she will attend. Hopes for a gala performance are dashed when a villain named "Redbeard" kills actor Will Fowler; that event and other incidents lead Bracewell to suspect a plot to ruin the company. Helped by Sam Ruff, who substitutes for Fowler, the manager keeps up morale and takes steps to guard against Redbeard in advance of the queen's arrival at the theater. Marston's exhilarating mystery, ending with a bang-up close--on and off stage--is colored by details about the acting profession at that time and, sadly, about the era's mortal quarrels between Catholics and Protestants. 

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'How long have you been a player, Samuel?'

'For more years than I care to remember,' admitted Ruff with a half-smile. 'I began with Leicester's Men, then I toured with smaller companies.'

'At home or abroad?'

'Both, sir.'

'Where have you been on your travels?'

'My calling has taken me to Germany, Holland, Belgium, Denmark, even Poland. I've been hissed at in many languages.'

'And applauded in many more,' insisted Fowler loyally. 'Sam is a fine actor, Nick. Indeed, he is almost as good as myself.'

'No recommendation could be higher,' said Nicholas, smiling.

'We are old fellows, are we not, Sam?'

'We are, Will.'

'If memory serves me aright, we first played together in The Three Sisters of Mantua at Bristol. They were happy days.'

'Not for everyone,' recalled Ruff.

'How say you?'

'Have you forgotten, Will? You fetched the trumpeter such a box on the ear that he could not play his instrument properly for a week.'

'The knave deserved it!'

'If he'd not ducked in time, you'd have boxed his other ear and taken his breath away for a fortnight.'

'What was the man's offence?' wondered Nicholas.

'He blew a scurvy trumpet,' explained Will.

Fowler and Ruff shook with mirth at the shared recollection. As further memoirs were revealed by the former, the other seemed to relax and blossom, secure in the knowledge that there had been a time when his talent had been in demand. Samuel Ruff was older and greyer than Fowler but his build was similar. Nicholas noted the faded attire and the neglected air. He also studied the big, open face with its honest eyes and resolute jaw. There was an integrity about Ruff which had not been beaten out of him by his straitened circumstances, and his pride was intact as well. When Fowler offered him money, he was frankly wounded.

'Take it back, Will. I can pay my way.'

'I mean it as a loan and not as charity.'

'Either would be an insult to me.'

Fowler slipped the coins quickly back into his purse and revived some more memories of their time together. The laughter soon started again but it lacked its earlier warmth. Nicholas had taken a liking to Samuel Ruff but he could not see how he could help him in the immediate future. The number of hired men in the company was kept to a minimum by Firethorn in order to hold down costs. There was no call for a new player at the moment.

In any case, Ruff did not appear to be in search of a job. Months without work had taken their toll of his spirit and he was now talking of leaving the profession altogether. Will Fowler gasped with shock as he heard the news.

'What will you do, Sam?'

'Go back home to Norwich.'

'Norwich?'

'My brother has a small farm there. I can work for him.'

'Sam Ruff on a farm!' exclaimed Fowler with healthy disgust. 'Those hands were not made to feed pigs.'

'He keeps cows.'

'You're an actor. You belong on the stage.'

'The playhouse will manage very well without me.'

'This is treasonable talk, Sam!' urged Fowler. 'Actors never give up. They go on acting to the bitter end. Heavens, man, you're one of us!

'Not any more, Will.'

'You will miss the playhouse mightily,' said Nicholas.

'Miss it?' echoed Fowler. 'It will be like having a limb hacked off. Two limbs. Yes, and two of something else as well, Sam. Will you surrender your manhood so easily? How can anyone exist without the theatre?'

'Cows have their own consolation,' suggested Ruff.

'Leave off this arrant nonsense about a farm!' ordered his friend with a peremptory wave of his arm. 'You'll not desert us. D'you know what Nick and I talked about as we walked here tonight? We spoke about the acting profession. All its pain and setback and stabbing horror. Why do we put up with it?'

'Why, indeed?' said Ruff gloomily.

'Nick had the answer. On compulsion. It answers a need in us, Sam, and I've just realized what that need is.'

'Have you?'

'Danger.'

'Danger?'

'You've felt it every bit as much as I have, Sam,' said Fowler with eyes aglow. 'The danger of testing yourself in front or a live audience, of risking their displeasure, of taking chances, of being out there with nothing but a gaudy costume and a few lines of verse to hold them. That's why I do it, Sam, to have that feeling dread coursing through my veins, to know that excitement, to face that danger! It makes it all worthwhile.'

'Only if you are employed, Will,' observed Ruff.

'Where will you get your danger, Sam?'

'A tow can give a man a nasty kick at times.'

'I'll give you a nasty kick if your persist like this!'

'My mind is made up, Will.'

Further argument was futile. No matter how hard he tried, Fowler could not deflect his friend from his purpose. Nicholas was brought in to add the weight of his persuasion but it was in vain. Samuel Ruff had decided to return to Norwich- It would be a hard life but he would have a softer lodging than the Hope and Anchor.

Nicholas watched the two men carefully. They were middle-aged actors in a profession which handled its members with callous indifference. Both had met the impossible demands made upon them for a number of years, but one had now been discarded. It was a sobering sight. Will Fowler's exuberance came in such sharp contrast to Ruff's quiet despair. Taken together, the two friends seemed to embody the essence of theatre with its blend of extremes and its death-grapple between love and hate.

There was something else that Nicholas observed and it made him feel sorry for his friend. Will Fowler had looked forward to the meeting with Samuel Ruff and placed a lot of importance upon it, but it was ending in disappointment. The man he had known in palmier days no longer existed. What was left was a pale reminder of his old friend, a few flashes of the real Samuel Ruff. An actor who had once shared his blind faith in the theatre had now become a heretic. It hurt Fowler and Nicholas shared that pain. 'Can nothing make you change your mind?' pleaded Fowler.

'Nothing, Will.'

'So be it.'

They finished their ale in a desultory way then Nicholas went across to the hostess to pay the reckoning. It was even more rowdy now and the air was charged with a dozen pungent odours.

Couples groped their way up the narrow stairs to uncertain joy, raucous jeers arose from a game of dice and the old sailor, swaying like a mainmast in a gale, tried to sing a ballad about the defeat of the Armada. The dog barked and someone vomited in the hearth.

Nicholas was glad that they were about to leave. He sensed trouble. The Hope and Anchor was a tinderbox that could ignite at any moment. Though more than able to take care of himself in a brawl, he did not look for a fight and it worried him that he had come to the tavern with someone who often did. A buoyant Fowler was problem enough but a jaded one was highly volatile. Nicholas paid the bill and turned to go.

But he was already too late.

'Away, sir!'

'Will you bandy words with me!'

'No, sir. I'll break your crown!'

'I have something here to split yours asunder!'

'Stand off!'

'Draw!'

Will Fowler was being challenged by a tall, hulking man with a red beard and a sword in his hand. The actor jumped up from the settle and grabbed his own blade. A space immediately cleared in the middle of the room as tables were pushed hurriedly away, then the two men circled each other. Before Nicholas could move, Samuel Ruff interceded.

'Put up your sword, Will,' he implored.

'Stand aside, Sam.'

'There is no occasion for this quarrel.'

'I mean to have blood here.'

Ruff swung round to confront the stranger. Unarmed but quite unafraid, he leapt between the two combatants and held out his arms, shielding his friend with his body.

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