Edward Marston - The Trip to Jerusalem

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London is under siege by the Black Plague, closing its theaters and losing its frightened citizens to the countryside. Lord Westfield's Men decide upon the relative safety of the road and a tour of the North. Before they can pack up and depart, one player in the troupe is murdered. 
As they travel, the company of players managed by its bookholder, Nicholas Bracewell, learns that their arch-rivals, Banbury's Men, have been pirating their best works. Hoping to shake off Banbury's Men, actor Lawrence Firethorn eventually leads his troupe to York where all is revealed in a thrilling performance.
Originally published in the U.S. in 1990 by St. Martin's Press, The Trip to Jerusalem is the third Nicholas Bracewell Elizabethan mystery following The Queen's Head and The Merry Devils.
From Publishers Weekly
Marston ( The Merry Devils ) here skillfully develops an engaging tale of murder, politics and general mayhem focused on the travels and tribulations of Westfield's Men, a 16th-century, London-based troupe. As the Great Plague decimates the city, the right to stage plays, always precarious, has been revoked. In an effort to find work, Lawrence Firethorn, the group's leader, takes his contentious crew on the road. Misfortune dogs their every step. Banbury's Men, a rival yet inferior company, purloins Westfield's plays, costumes and even players. Westfield also finds itself enmeshed in the vicious battle raging between the Church of England and the recently disenfranchised Catholics. The climax occurs at an inn in the city of York called "The Trip to Jerusalem." Marston uses period dialogue; it is cleverly handled and easily understood. A historically authentic depiction of life in England is lightly woven into the main story, and a delightfully ribald flavor freshens many scenes. 

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Their morale had lifted since the sun came out. The decision to leave the Great North Road had been a mixed blessing. It gave them performances in Oakham and Melton Mowbray in front of small but committed audiences but it also acquainted them with the misery of traversing bad roads in inclement weather. Resting for the night some five miles south of Nottingham, they hoped they had put the worst of their troubles behind them.

When Lawrence Firethorn insisted that they stay at the Smith and Anvil, the others thought that it was a rare instance of sentimentality in him. The son of a village blacksmith himself, he had the build of those who followed that trade along with the bearing of a true gentleman. The original forge was a building of napped flints with a deep thatch but the inn which had grown up around it was largely timber-framed. When they entered the taproom, they realized why the actor-manager had been so insistent that they spent the night there.

'Master Firethorn!'

'Come, let me embrace you, Susan!'

'Oh, sir! This is unlooked-for joy!'

'And all the sweeter for it.'

The hostess was an attractive woman of ample girth and vivacious manner. Susan Becket was spilling out of her dress with welcome. The plump face was one round smile and the red tresses were tossed in delight. She came bouncing across the taproom to bestow a kiss like a clap of thunder on the lips of Lawrence Firethorn.

'What brings you to my inn, sir?'

'What else but your dear self?'

'You flatter me, you rascal.'

'I am like to do more than that ere I leave.'

'Away, you saucy varied' she said with a giggle.

'Do you have good beds at your hostelry?'

'No man has complained, sir.'

'Then neither will I,' said Firethorn enfolding her in his arms again. 'Hold me tight, Mistress Susan Becket. Though you have the name of a saint, I like you best for being a sinner.'

Her laughter set the huge breasts bobbing merrily.

Nicholas Bracewell, as usual, organized the sleeping arrangements. The best rooms went to the sharers and the hired men had to make do with what was left. Since it was a small establishment, some of them had to bed down on straw in an outhouse. Nicholas volunteered to spend the night with a few others so that the apprentices could have the last small room. All four of them were packed into the same lumpy bed. George Dart slept at their feet.

The book holder finished his supper in the taproom with Barnaby Gill and Edmund Hoode. Carrying a large candle, the hostess guided Lawrence Firethorn up to his chamber. Gill gave a sardonic snort.

'She'll burn his candle for him till he be all wax.'

'They are old friends, I think,' said Hoode.

'Lawrence has friends in every tavern and trugging-house in England,' said Gill. 'I wonder they do not name one of their diseases after him. I know a dozen or more doxies who have caught a dose of Firethorn before now.'

'He has always been popular with the ladies,' said Nicholas diplomatically.

'Ladies!' Gill hooted. 'There is nothing ladylike about them, Master Bracewell. As long as they give him a gallop, that is sufficient, and Mistress Becket will prove a willing mount. Hell not have to ride side-saddle with her, I warrant.

'Leave off this carping, Barnaby,' said Hoode.

'I do it but in memory of his wife.'

'Margery knows the man she married.'

And so do half the women in London.'

'We all have passions, sir.'

Not of that kind!' Gill rose from the table with an air of magisterial disdain. 'Some of us can discern where true satisfaction lies and it is not in the arms of some whore. There is a love that surpasses that of women.'

'Love of self, sir?' said Nicholas artlessly.

'Good night, gentlemen!'

Barnaby Gill banged out of the room in disgust.

Richard Honeydew had some difficulty getting off to sleep because of the high spirits of the other apprentices. They fought, laughed, teased and played tricks upon one another until they tired themselves out. George Dart was quite unable to control them and was usually the butt of their jokes. When they finally drifted off, it was into a deep and noisy sleep. Dart's snore was the loudest.

None of them yielded more readily to slumber than Richard Honeydew. Wedged into one end of the bed beside John Tallis, he did not even feel the kicks from the restless feet of his two companions who slept at the other end of the bed. Nor did he hear the latch of the door lift. Two figures entered silently and looked around in the gloom. One held a sword at the ready to ward off any interruption and the other carried a sack. When their quarry was located, the sack was slipped over his head and a hand pressed firmly over his mouth. The boy was pulled from the bed with careful speed and the interlopers made off with their prize.

Nicholas Bracewell was curled up in the straw in the outhouse when his shoulder was grabbed by someone. He came awake at once and saw George Dart beside him.

'Master Bracewell! Master Bracewell!'

'What ails you, George?'

'We have been robbed, sir.'

'Of what?' said Nicholas, sitting up.

'I did not hear a thing. Nor did the others.'

'The theft was from your chamber?'

'Yes, Master. We have lost our biggest jewel.'

'How say you?'

'Dick Honeydew has gone.'

'Are you sure?'

'Beyond all doubt.'

'This is not some jest of the others?'

'They are as shocked as I am.'

'Where can Dick be?'

'I know the answer, sir.'

'Do you?'

'Stolen by the gypsies.'

Oliver Quilley sat impatiently on the chair as the physician attended to him. His brush with the highway robbers had left him bruised and battered and he felt it wise to have himself patched up by a medical man before he continued his journey. The physician helped him back on with his doublet then asked for his fee. Quilley had no money left to pay him. Instead he reached into his leather pouch and took something out.

'This is worth ten times your fee, sir.'

'What is it, Master?'

'A work of genius.'

Quilley opened his hand to reveal the most exquisite miniature. The face of a young woman had been painted with such skill that she was almost lifelike. The detail which had been packed into the tiny area was astounding. Quilley offered it to the physician.

'I cannot take it, sir.'

'Why not? I'd sell it for three pounds or more.'

'Then do so, Master Quilley, and pay me what you owe. It is too rich a reward for my purse, sir, and I have a wife to consider besides.'

'A wife?'

'Women are jealous creatures whether they have cause or no,' said the physician. 'If my wife saw me harbouring such beauty, she would think I loved the lady more than her, and bring her action accordingly. Keep it, sir. I will not take more than I have earned.'

'I'll sell it in Nottingham and fetch you your fee.'

'There's no hurry, Master, and you need the rest.'

'What rest?'

'To recover from your injuries.'

'They are of no account.'

'A few days in bed would see them gone for good.'

'I have no time to tarry,' said Quilley fussily. I am needed elsewhere. There are those who seek the magic of my art. I've lost good time already in telling the magistrate what befell me and watching my companion buried in the ground. I must go in haste for they expect me there.'

'Where, Master Quilley?'

'In York.'

Foul weather, bad roads and hilly country could force a lethargic pace upon a troupe of travelling players but there were faster ways to cover distance. A messenger who had fresh relays of horses at staging posts some twenty or thirty miles apart could eat up the ground. Word sent from London could reach any part of the kingdom within a few days. Urgency could shrink the length of any road.

Sir Clarence Marmion received the message at his home then called for his own horse to be saddled. He was soon galloping towards the city. Ouse Bridge was the only one that crossed the river in York. Hump-backed and made of wood, it had six arches. Hooves pounded it. Spurring his horse on past the fifty houses on the bridge, Sir Clarence did not check the animal until he turned into the yard of the Trip to Jerusalem. An ostler raced out to perform his usual duty and the newcomer dismounted.

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