Joe Lansdale - Lost Echoes

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Since a mysterious childhood illness, Harry Wilkes has experienced horrific visions. Gruesome scenes emerge to replay themselves before his eyes. Triggered by simple sounds, these visions occur anywhere a tragic event has happened. Now in college, Harry feels haunted and turns to alcohol to dull his visionary senses. One night, he sees a fellow drunk easily best three muggers. In this man, Harry finds not only a friend that will help him kick the booze, but also a sensei who will teach him to master his unusual gift. Soon Harry’s childhood crush, Kayla, comes and asks for help solving her father’s murder. Unsure of how it will affect him, Harry finds the strength to confront the dark secrets of the past, only to unveil the horrors of the present.
From Publishers Weekly
In this superior East Texas crime thriller from Stoker-winner Lansdale (
), Harry Wilkes discovers after a severe childhood ear infection that he has a peculiar "hindsight." Harry can not only see dead people but see and hear violent events as they occurred in the recent or distant past. "It's like I hear and see ghosts in sounds," he tells his father. By the time he's a college student, Harry's psychic abilities have driven him to booze. After meeting alcoholic Tad Peters, a retired martial arts expert, Harry becomes Tad's surrogate son and student. The two forge a pact to sober up together. Their resolve is tested when Harry agrees to help Kayla Jones, an old childhood crush now a cop, solve her father's murder, which her boss, the local police chief, has dismissed as a suicide. Lansdale's down-home prose erupts with explosive twists and razor sharp insights into how "echoes from the original sounds" can never be silenced until action is taken to defeat the fear that created them.
From Booklist
The prolific Lansdale returns, after sojourns in pulp, sf, and horror, to work his peculiar mojo on the supernatural crime thriller. Harry Wilkes has inherited his family's curse of experiencing "dark sounds," full-sensory recordings of traumatic events that can be unleashed by, for example, the banging of a toilet lid upon which a guy once blew his brains out. Booze helps hold the "ghosts in the noise" at bay, but his life as a drunken recluse isn't going well. He gets things under control with the help of an eccentric sensei named Tad, but when a boyhood girlfriend named Kayla comes home to find her father's killer, Harold grits his teeth and journeys into the dark once more. Lansdale's prose finds the perfect pitch between the laid-back cadences of front-porch storytelling and the thriller's demand for growing urgency. He is a bit unreconstructed when it comes to gender relations--or at least the vocabulary to describe them--but he's got both the charisma and the balls to pull it off. Funny and scary, with a barn-burner ending. 

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“Was it ever wrecked?”

“I don’t know. How the fuck would I know? Close the glove box. That fucker’s always popping open.”

“Can we leave it open so it doesn’t do that again?”

“You got more pussy ways than anyone I know. Yeah. Leave it open if it don’t make you hop and yell. Most motherfuckers like to listen to the radio, they’re gonna do that hoppin’ about. But you, you got the silent drummer going on, you know.”

There had been other incidents, not in cars. In houses. When he visited Joey, and Joey’s father closed the door, there had been images of Joey’s mother being shoved up against it, taking a whack. There were places all over that house like that. Memories hidden in the walls where Joey and his mother and siblings had been bounced by Joey’s father. That place was a smorgasbord of fear.

It gave Harry a kind of sick stomach to be there. All that angry business hidden in the walls and furniture, the way Joey and his mom and his brother had to glide by without disturbing the air around Mr. Barnhouse. And the way Barnhouse looked at him, as if he were some interloper there to do him harm or take away his television set, which seemed to be Barnhouse’s lifeline. Without that, he would have had nothing but silence, the life inside his own head.

Harry figured it wasn’t very nice in there, in Mr. Barnhouse’s head, and that noise of any kind, beating the wife and children now and then, was welcome. Anything but silence. Anything but being alone with himself inside his head.

He quit going there, waited on the porch until Joey came out. Found ways to be somewhere else, have Joey meet him somewhere, like his own home.

Home was a sanctuary. There were no horrors hidden in that old house, and his parents weren’t creating anything that might be recorded.

Oh, there was something by the windows. Where he had fallen when he was six. Once when he stomped the floor there, killing a roach, he discovered a childhood version of himself, and the room went dark and he could see a chair and the windows were full of imagery; the drive-in theater and cartoons across the way, and he could hear loud honky-tonk music. And there had been something just a little different.

He had felt pain.

In his ear.

And then his mother, younger, robed, hair loose and wild, had come rushing from the bedroom, followed by his father. The image began to fade, speed up. He saw them rushing out the door, his father carrying him in his arms. Yeah. Things were recorded—in houses and cars and furniture, and who knew what all?

He just didn’t understand why.

Unless it was all in his head, and he was, in fact, crazy.

He was thinking of all this as he sat in a chair with his license in his hand, considering going out. He had use of the family car tonight, the very first time, and he wanted to go, but he was scared, and not of images, but of something more common. The highway. Parallel parking. He had barely passed that part.

“You look nice,” his dad said.

“What?” Harry looked up.

His dad grinned at him. He noticed his dad looked tired, and for the first time he realized that he had grayed around the temples and there was a little less hair on top. Saw him every day, and now he noticed. God, when did that happen?

“Said you look good. All cleaned up.”

“Ah, you know. Nothing much. A shower.”

Dad laughed. “And lots of smell-pretty.”

“Got too much?”

“Roll down the window, let the wind blow some of it off, and you’ll be fine.”

“Yeah, sure.”

“You going out, or you just gonna drive that chair?”

“I’m going out. I guess.”

“You got the car. You got your license. It’s Friday night. What you ought to do is go out. What you gonna sit here for?”

“Just thinking.”

“About girls?”

“Not really.”

“I suggest you do. Girls are pretty nice to think about. You ain’t got the fanciest ride in the world there, but you can go on dates, you know. You got to ask a girl, though. I always found out, you didn’t ask them, they didn’t show up.”

Harry felt himself turning red. “Yeah, I know.”

“Listen here, Harry. I know what you’re thinking. It’s about that stuff.”

That’s what his dad always called the visions, the bothersome stuff .

“Just a little.”

“Ain’t nothing wrong with you.”

“You think, Dad? I mean, the doctors—”

“Hell with them.”

Dad pulled over a wooden chair, sat down across from him.

“Let me tell you, you’re…you know…imaginative.”

“You mean I make things up?”

“I don’t think so.”

“You think I believe them, but they aren’t true?”

The big man paused, put his hands in his lap. “Son, I don’t know. Truly I don’t. But it was said there was some in our family had the second sight. Can’t say it was true, but it was the story.”

“This is sort of like hindsight, Daddy. It’s already done. It’s like I hear and see ghosts in sounds. It’s got something to do with fear, or violence. I’ve told you all this.”

Dad sat and considered for a moment. “Hindsight, second sight, maybe it’s all the same.”

“Who had second sight in our family?”

“My mother. You never knew her. Dead before you were born, just like your grandpa. All your grandparents, dead before you were born. That’s too bad. Least as far as your grandmother—my mother—went. Your mom’s parents, good people. My dad, he was a son of a bitch…. You know the scars on my back?”

“The barbed wire?”

The old man nodded. “Them ain’t barbed wire. Told you I got tangled in barbed wire when I was a kid. That ain’t what happened. I didn’t want to tell you, not then, that your grandpa beat me with a belt. The buckle. It cut me, made them scars.”

“Why are you telling me now, Daddy?”

“I don’t know. I think you ought to know. Don’t know why, but thought you ought to.”

“What did you do?”

“When he hit me?”

“Yeah.”

“Wasn’t nothing I could do. I was a kid, and he was big and mean and always drunk…. You stay away from that liquor, hear me? You might have the tendency. I drank a little when I was young, and I had the tendency. It brought the mean out in me. Your mama, she got me away from that. Told me she’d go out with me, but not if I drank, and if I drank she was through with me. I ain’t never taken another drop…. Thing is, Harry, there’s shit in your life you don’t expect. Ain’t all of it good. But you got to get around that, got to grab the good, got to get your mind wrapped around that, and let the bad things go. Otherwise you just get caught up in hating or being mad, or being worried all the time. You got what you got, son. But you’ll deal with it.”

“You think?”

“Hell, boy, I know…. Here’s the keys. It’s got a full tank.”

The old man opened his wallet, and Harry could see there was a twenty in there, three or four ones. Daddy took out the twenty, handed it to him.

“No, Dad, that’s all right.”

“Take it. You might want a Coke or something. Might want to buy a girl a Coke. Take the car out, you ought to try and have a little money. Take it, son.”

Harry took the twenty. “Thanks, Dad.”

“Hey, that’s what dads do.”

“Sure.”

Harry stood up.

“You be careful out there, son.”

“Absolutely.”

“She idles kind of heavy at lights, stop signs, but she’s okay. I’ve tuned her up and gone over her good. She’ll run like a spotted-ass ape.”

Harry laughed. “And how do they run?”

Dad grinned. “I don’t really know, son. Just an old saying.”

Harry suddenly grabbed his Dad and hugged him. “I love you,” he said.

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