William Faulkner: Sanctuary

In addition to several collections of short fiction, his other novels include Pylon (1935), The Unvanquished (1938), The Wild Palms (1939), The Hamlet (1940), Intruder in the Dust (1948), A Fable (1954), The Town (1957), The Mansion (1959), and The Reivers (1962).

William Faulkner died of a heart attack on July 6, 1962, in Oxford, Mississippi, where he is buried.

‘He is the greatest artist the South has produced.… Indeed, through his many novels and short stories, Faulkner fights out the moral problem which was repressed after the nineteenth century [yet] for all his concern with the South, Faulkner was actually seeking out the nature of man. Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics.’

—RALPH ELLISON

‘Faulkner, more than most men, was aware of human strength as well of human weakness. He knew that the understanding and the resolution of fear are a large part of the writer’s reason for being.’

—JOHN STEINBECK

‘For range of effect, philosophical weight, originality of style, variety of characterization, humor, and tragic intensity, [Faulkner’s works] are without equal in our time and country.’

—ROBERT PENN WARREN

‘No man ever put more of his heart and soul into the written word than did William Faulkner. If you want to know all you can about that heart and soul, the fiction where he put it is still right there.’

—EUDORA WELTY

ALSO BY WILLIAM FAULKNER

ABSALOM, ABSALOM!

One of Faulkner’s finest achievements, Absalom, Absalom! is the story of Thomas Sutpen and the ruthless, single-minded pursuit of his grand design—to forge a dynasty in Jefferson, Mississippi, in 1830—which is ultimately destroyed (along with Sutpen himself) by his two sons.

AS I LAY DYING

As I Lay Dying is the harrowing account of the Bundren family’s odyssey across the Mississippi countryside to bury Addie, their wife and mother. Told by each of the family members—including Addie herself—the novel ranges from dark comedy to deepest pathos.

A FABLE

Winner of the Pulitzer Prize and the National Book Award, this allegorical novel about World War I is set in the trenches of France and deals with a mutiny in a French regiment.

FLAGS IN THE DUST

The complete text, published for the first time in 1973, of Faulkner’s third novel, written when he was twenty-nine, which appeared, with his reluctant consent, in a much cut version in 1929 as Sartoris .

LIGHT IN AUGUST

A novel about hopeful perseverance in the face of mortality, Light in August tells the tales of guileless, dauntless Lena Grove, in search of the father of her unborn child; Reverend Gail Hightower, who is plagued by visions of Confederate horsemen; and Joe Christmas, an enigmatic drifter consumed by his mixed ancestry.

THE REIVERS

One of Faulkner’s comic masterpieces and winner of a Pulitzer Prize, The Reivers is a picaresque tale that tells of three unlikely car thieves from rural Mississippi and their wild misadventures in the fast life of Memphis—from horse smuggling to bawdy houses.

REQUIEM FOR A NUN

The sequel to Faulkner’s most sensational novel Sanctuary , was written twenty years later but takes up the story of Temple Drake eight years after the events related in Sanctuary . Temple is now married to Gowan Stevens. The book begins when the death sentence is pronounced on the nurse Nancy for the murder of Temple and Gowan’s child. In an attempt to save her, Temple goes to see the judge to confess her own guilt. Told partly in prose, partly in play form, Requiem for a Nun is a haunting exploration of the impact of the past on the present.

THE SOUND AND THE FURY

One of the greatest novels of the twentieth century, The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in American literature: beautiful, rebellious Caddy; the man-child Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant.

THE UNVANQUISHED

The Unvanquished is a novel of the Sartoris family, who embody the ideal of Southern honor and its transformation through war, defeat, and Reconstruction: Colonel John Sartoris, who is murdered by a business rival after the war; his son Bayard, who finds an alternative to bloodshed; and Granny Millard, the matriarch, who must put aside her code of gentility in order to survive.

Snopes Trilogy

THE HAMLET

The Hamlet , the first novel of Faulkner’s Snopes trilogy, is both an ironic take on classical tragedy and a mordant commentary on the grand pretensions of the antebellum South and the depths of its decay in the aftermath of war and reconstruction. It tells of the advent and the rise of the Snopes family in Frenchman’s Bend, a small town built on the ruins of a once-stately plantation. Flem Snopes—wily, energetic, a man of shady origins—quickly comes to dominate the town and its people with his cunning and guile.

THE TOWN

This is the second volume of Faulkner’s trilogy about the Snopes family, his symbol for the grasping, destructive element in the post-bellum South. Like its predecessor The Hamlet , and its successor The Mansion, The Town is completely self-contained, but it gains resonance from being read with the other two. The story of Flem Snopes’ ruthless struggle to take over the town of Jefferson, Mississippi, the book is rich in typically Faulknerian episodes of humor and of profundity.

THE MANSION

The Mansion completes Faulkner’s great trilogy of the Snopes family in the mythical county of Yoknapatawpha, Mississippi, which also includes The Hamlet and The Town . Beginning with the murder of Jack Houston and ending with the murder of Flem Snopes, it traces the downfall of the indomitable post-bellum family who managed to seize control of the town of Jefferson within a generation.

BIG WOODS

The best of William Faulkner’s hunting stories are woven together brilliantly in Big Woods . First published in 1955 and now available in paperback for the first time, the volume includes Faulkner’s most famous story, ‘The Bear’ (in its original version), together with ‘The Old People,’ ‘A Bear Hunt,’ and ‘Race at Morning.’ Each of the stories is introduced by a prelude, and the final one is followed by an epilogue, which serve as almost musical bridges between them. Together, these pieces create a seamless whole, a work that displays the full eloquence, emotional breadth, and moral complexity of Faulkner’s vision.

COLLECTED STORIES

‘A Bear Hunt,’ ‘A Rose for Emily,’ ‘Two Soldiers,’ ‘Victory,’ ‘The Brooch,’ ‘Beyond’—these are among the forty-two stories that make up this magisterial collection by the writer who stands at the pinnacle of modern American fiction. Compressing an epic expanse of vision into narratives as hard and wounding as bullets, William Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of which human beings are capable. These tales are set not only in Yoknapatawpha County but in Beverly Hills and in France during World War I; they are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson (‘A Justice’) as well as ordinary men and women who emerge in these pages so sharply and indelibly that they dwarf the protagonists of most novels.