William Faulkner - Sanctuary

The light hung from the center of the ceiling, beneath a fluted shade of rose-colored paper browned where the bulb bulged it. The floor was covered by a figured maroon-tinted carpet tacked down in strips; the olive-tinted walls bore two framed lithographs. From the two windows curtains of machine lace hung, dust-colored, like strips of lightly congealed dust set on end. The whole room had an air of musty stodginess, decorum; in the wavy mirror of a cheap varnished dresser, as in a stagnant pool, there seemed to linger spent ghosts of voluptuous gestures and dead lusts. In the corner, upon a faded scarred strip of oilcloth tacked over the carpet, sat a washstand bearing a flowered bowl and pitcher and a row of towels; in the corner behind it sat a slop jar dressed also in fluted rose-colored paper.

Beneath the bed the dogs made no sound. Temple moved slightly; the dry complaint of mattress and springs died into the terrific silence in which they crouched. She thought of them, woolly, shapeless; savage, petulant, spoiled, the flatulent monotony of their sheltered lives snatched up without warning by an incomprehensible moment of terror and fear of bodily annihilation at the very hands which symbolised by ordinary the licensed tranquillity of their lives.

The house was full of sounds. Indistinguishable, remote, they came in to her with a quality of awakening, resurgence, as though the house itself had been asleep, rousing itself with dark; she heard something which might have been a burst of laughter in a shrill woman voice. Steamy odors from the tray drifted across her face. She turned her head and looked at it, at the covered and uncovered dishes of thick china. In the midst of them sat the glass of pale gin, a pack of cigarettes and a box of matches. She rose on her elbow, catching up the slipping gown. She lifted the covers upon a thick steak, potatoes, green peas; rolls; an anonymous pinkish mass which some sense—elimination, perhaps—identified as a sweet. She drew the slipping gown up again, thinking about them eating down at school in a bright uproar of voices and clattering forks; of her father and brothers at the supper table at home; thinking about the borrowed gown and Miss Reba saying that they would go shopping tomorrow. And I’ve just got two dollars, she thought.

When she looked at the food she found that she was not hungry at all, didn’t even want to look at it. She lifted the glass and gulped it empty, her face wry, and set it down and turned her face hurriedly from the tray, fumbling for the cigarettes. When she went to strike the match she looked at the tray again and took up a strip of potato gingerly in her fingers and ate it. She ate another, the unlighted cigarette in her other hand. Then she put the cigarette down and took up the knife and fork and began to eat, pausing from time to time to draw the gown up onto her shoulder.

When she finished eating she lit the cigarette. She heard the bell again, then another in a slightly different key. Across a shrill rush of a woman’s voice a door banged. Two people mounted the stairs and passed the door; she heard Miss Reba’s voice booming from somewhere and listened to her toiling slowly up the stairs. Temple watched the door until it opened and Miss Reba stood in it, the tankard in her hand. She now wore a bulging house dress and a widow’s bonnet with a veil. She entered on the flowered felt slippers. Beneath the bed the two dogs made a stifled concerted sound of utter despair.

The dress, unfastened in the back, hung lumpily about Miss Reba’s shoulders. One ringed hand lay on her breast, the other held the tankard high. Her open mouth, studded with gold-fillings, gaped upon the harsh labor of her breathing.

“Oh God oh God,” she said. The dogs surged out from beneath the bed and hurled themselves toward the door in a mad scrabble. As they rushed past her she turned and flung the tankard at them. It struck the door jamb, splashing up the wall, and rebounded with a forlorn clatter. She drew her breath whistling, clutching her breast. She came to the bed and looked down at Temple through the veil. “We was happy as two doves,” she wailed, choking, her rings smoldering in hot glints within her billowing breast. “Then he had to go and die on me.” She drew her breath whistling, her mouth gaped, shaping the hidden agony of her thwarted lungs, her eyes pale and round with stricken bafflement, protuberant. “As two doves,” she roared in a harsh, choking voice.

Again time had overtaken the dead gesture behind the clock crystal: Temple’s watch on the table beside the bed said half-past-ten. For two hours she had lain undisturbed, listening. She could distinguish voices now from below stairs. She had been hearing them for some time, lying in the room’s musty isolation. Later a mechanical piano began to play. Now and then she heard automobile brakes in the street beneath the window; once two voices quarrelling bitterly came up and beneath the shade.

She heard two people—a man and a woman—mount the stairs and enter the room next hers. Then she heard Miss Reba toil up the stairs and pass her door, and lying in the bed, her eyes wide and still, she heard Miss Reba hammering at the next door with the metal tankard and shouting into the wood. Beyond the door the man and woman were utterly quiet, so quiet that Temple thought of the dogs again, thought of them crouching against the wall under the bed in that rigid fury of terror and despair. She listened to Miss Reba’s voice shouting hoarsely into the blank wood. It died away into terrific gasping, then it rose again in the gross and virile cursing of a man. Beyond the wall the man and woman made no sound. Temple lay staring at the wall beyond which Miss Reba’s voice rose again as she hammered at the door with the tankard.

Temple neither saw nor heard her door when it opened. She just happened to look toward it after how long she did not know, and saw Popeye standing there, his hat slanted across his face. Still without making any sound he entered and shut the door and shot the bolt and came toward the bed. As slowly she began to shrink into the bed, drawing the covers up to her chin, watching him across the covers. He came and looked down at her. She writhed slowly in a cringing movement, cringing upon herself in as complete an isolation as though she were bound to a church steeple. She grinned at him, her mouth warped over the rigid, placative porcelain of her grimace.

When he put his hand on her she began to whimper. “No, no,” she whispered, “he said I cant now he said.……” He jerked the covers back and flung them aside. She lay motionless, her palms lifted, her flesh beneath the envelope of her loins cringing rearward in furious disintegration like frightened people in a crowd. When he advanced his hand again she thought he was going to strike her. Watching his face, she saw it beginning to twitch and jerk like that of a child about to cry, and she heard him begin to make a whimpering sound. He gripped the top of the gown. She caught his wrists and began to toss from side to side, opening her mouth to scream. His hand clapped over her mouth, and gripping his wrist, the saliva drooling between his fingers, her body thrashing furiously from thigh to thigh, she saw him crouching beside the bed, his face wrung above his absent chin, his bluish lips protruding as though he were blowing upon hot soup, making a high whinnying sound like a horse. Beyond the wall Miss Reba filled the hall, the house, with a harsh choking uproar of obscene cursing.

19

But that girl,” Horace said. “She was all right. You know she was all right when you left the house. When you saw her in the car with him. He was just giving her a lift to town. She was all right. You know she was all right.”