Clive Cussler - Cyclops

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Cyclops: краткое содержание, описание и аннотация

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A FATAL OCEAN TREASURE HUNT . . . A BEAUTIFUL WOMAN ON A SECRET MISSION . . . AN INTERNATIONAL STANDOFF ON THE SURFACE OF THE MOON . . . When DIRK PITT® intercepts a rogue blimp on a deadly course, authorities find four dead men aboard. None of them, however, is the wealthy American financier who set out aboard the antique airship on an ocean treasure hunt in the Bermuda Triangle. He and his crew have disappeared, and the dead men are discovered to be Soviet cosmonauts. Meanwhile, the President of the United States is informed that a covert group of U.S. industrialists successfully placed a secret colony on the moon nearly three decades previously. Now, a Soviet mission is poised to land on the moon, and what they find there may lead to nuclear war. Threatened in space, the Russians are about to strike a savage blow in Cuba. From the cold ocean depths to a Cuban torture chamber to the CIA headquarters at Langley, Pitt is racing to defuse an international conspiracy that threatens to shatter the earth.
From Publishers Weekly Written in the bestselling style of Pacific Vortex! and Deep Six, and with the indestructible Dirk Pitt as its hero, this latest Cussler suspense caper features, and ingeniously connects, a maverick American colony on the Moon, a fabulous sunken treasure sought by an unscrupulous, blimp-owning financier, and two cunningly devised Soviet schemes, one to steal U.S. space secrets, the other to replace Fidel Castro with a Kremlin puppet, no matter what the cost in human lives. The nonstop action involves murder and torture as well as superpower politicking, and Pitt extricates himself from one desperate situation after another, even finding time for a little romance. The writing is brittle, but the reader is not likely to worry about that in a story whose plot resembles a box of exploding fireworks and poses some interesting questions regarding both Cuba and the militarization of space.

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"Is a directive straight from your Commander in Chief in the White House good enough for you?"

"Yes, sir," he said slowly. "I guess it is."

God, Hollyman thought despairingly, there was no getting around it.

"Altitude twenty-two miles, nine minutes to touchdown." Burkhart was reading off the instruments for Jurgens. "We've got lights off to our right."

"What's going down, Houston?" asked Jurgens, his face set in a frown. "Where in hell are you putting us?"

"Stay cool," replied the impassive voice of Flight Director Foley. "You're lined up just fine. Just sit tight and we'll bring you in."

"Radar and navigation indicators say we're touching down in the middle of Cuba. Please cross-check."

"No need, Gettysburg, you're on final approach."

"Houston, I'm not getting through to you. I repeat, where are you setting us down?"

There was no reply.

"Listen to me," said Jurgens in near desperation. "I'm going to full manual."

"Negative, Dave. Remain in auto. All systems are committed to the landing site."

Jurgens clenched his fists in futility. "Why?" he demanded. "Why are you doing this?"

There was no reply.

Jurgens looked over at Burkhart. "Move the speed brakes back to zero percent. We're going on TAEM.* I want to keep this ship in the air as long as I can until we get some straight answers."

-------------------------------------

*Terminal-area energy management, a process for conserving speed and altitude.

"You're only prolonging the inevitable by a couple of minutes," said Burkhart.

"We can't just sit here and accept this."

"It's out of our hands," Burkhart replied miserably. "We've no place else to go."

The real Merv Foley sat at a console in the Houston control center in helpless rage. His face, the color of chalk, showed an expression of incredulity. He pounded a fist against the edge of the console.

"We're losing them," he muttered hopelessly.

Irwin Mitchell of the "inner core" stood directly behind him. "Our communications people are doing the best they can to get through."

"Too damned late!" Foley burst out. "They're on final approach." He turned and grabbed Mitchell by the arm. "For Christ's sake, Irv, beg the President to let them land. Give the shuttle to the Russians, let them take whatever they can get out of it. But in the name of God don't let those men die."

Mitchell stared up dully at the data display screens. "Better this way," he said, his voice vague.

"The moon colonists-- those are your people. After all they've achieved, the years of struggling just to stay alive in a murderous environment, you can't simply write them off this close to home."

"You don't know those men. They'd never allow the results of their efforts to be given away to a hostile government. If I was up there and Eli Steinmetz was down here, he wouldn't hesitate to blow the Gettysburg to ashes."

Foley looked at Mitchell for a long moment. Then he turned away and buried his head in his hands, stricken with grief.

<<57>>

Jessie lifted her head and gazed at Pitt, the coffee-brown eyes misted, teardrops rolling past the bruises on her cheeks. She was shuddering now, shuddering from the death around her and immense relief. Pitt unashamedly embraced her, saying nothing, and gently removed the gun from her hand. Then he released her, quickly cut Giordino's bonds, gave Gunn a reassuring squeeze on the shoulder, and stepped up to the huge wall map.

He rapped his knuckles against it, gauging the thickness. Then he moved back and lashed out with his foot at the center of the Indian Ocean. The hidden panel gave way, swung on its hinges, and smashed against the wall.

"I'll be back," he said, and disappeared into a passageway.

The interior was well lit and carpeted. He rushed incautiously, the gun held out in front of him. The passage was air-conditioned and cool, but the sweat was flowing through his pores more heavily than ever before. He rubbed a sleeve over his forehead, blocking his view for a brief moment, and almost died.

At that exact moment he reached a cross passage, and like a scene from an old Mack Sennett silent movie he collided with two guards who were walking around the corner.

Pitt crashed through them, knocking them to the sides, then whirled and dropped to the floor. The advantage of surprise was on his side. The guards hadn't expected to meet a foe so close to General Velikov's study. Pitt did. The automatic in his hand spat four times before the startled guards had a chance to trigger their rifles. He leaped to his feet while they were still falling.

For two seconds, perhaps three-- it seemed an hour-- he stared at the inert figures, curiously unaffected by their death but stunned that it all happened so fast. Mentally and emotionally he was exhausted, physically he felt reasonably fit. He sucked in deep lungfuls of air until his mind struggled through the haze, and he turned it to figuring which passage ran toward the electronic center of the compound.

The side passages had concrete floors, so he stuck with the one with the carpet and forged ahead. He had run only fifty feet when his brain cells finally came back on line and he cursed his sluggishness for not thinking to snatch one of the guard's rifles. He pulled out the clip of the automatic. It was empty, only one shell remained in the chamber. He wrote off the mistake and kept going.

It was then he saw a backwash of light ahead and heard voices. He slowed and ghosted up to a portal and peered out with the wariness of a mouse peeking from a knothole for a cat.

Six feet away was a railing on a balcony overlooking a vast room crammed with banks of computers and consoles stretched in neat rows beneath two large data display screens. At least ten technicians and engineers sat and calmly monitored the array of electronics while another five or six stood in agitated conversation.

The few uniformed guards who were present were crouched at one end of the room, their rifles aimed at a heavy steel door. A barrage of gunfire was coming from the other side, and Pitt knew Quintana and his men were about to break through. Now he was really sorry he hadn't taken the guns from the dead guards. He was about to turn and run back for them when a thunderous roar engulfed the room, followed by a great shower of dust and debris as the shattered door twisted crazily and burst into jagged fragments.

Before the cloud settled, the Cubans charged through the opening, guns blazing. The first three inside the room went down from the fire of the guards. Then the Russians seemed to melt away before the murderous onslaught. The din inside the concrete-walled room was deafening, but even so, above it all Pitt could hear the screams of the wounded. Most of the technicians hid under their consoles. Those who resisted were unmercifully shot down.

Pitt moved out along the balcony, keeping his back flattened against the wall. He saw two men standing about thirty feet away, staring in rapt horror at the carnage below. He recognized one of them as General Velikov and began edging closer, stalking his prey. He had only moved a short distance when Velikov pulled back from the balcony railing and turned. He looked at Pitt blankly for an instant, and his eyes widened in recognition, and then incredibly he smiled. The man seemed to have no nerves at all.

Pitt raised the automatic and took deliberate aim.

Velikov moved with the swiftness of a cat, jerking the other man in front of him, a fraction of a second before the hammer fell on the cartridge.

The bullet caught Lyev Maisky in the chest. The deputy chief of the KGB stiffened in shock and stood there staring in petrified astonishment before staggering backward and tumbling over the railing to the floor below.

Pitt unconsciously pulled the trigger again, but the gun was empty. In a futile gesture he threw it at Velikov, who easily deflected it with an arm.

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