Clive Cussler - Cyclops

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Cyclops: краткое содержание, описание и аннотация

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A FATAL OCEAN TREASURE HUNT . . . A BEAUTIFUL WOMAN ON A SECRET MISSION . . . AN INTERNATIONAL STANDOFF ON THE SURFACE OF THE MOON . . . When DIRK PITT® intercepts a rogue blimp on a deadly course, authorities find four dead men aboard. None of them, however, is the wealthy American financier who set out aboard the antique airship on an ocean treasure hunt in the Bermuda Triangle. He and his crew have disappeared, and the dead men are discovered to be Soviet cosmonauts. Meanwhile, the President of the United States is informed that a covert group of U.S. industrialists successfully placed a secret colony on the moon nearly three decades previously. Now, a Soviet mission is poised to land on the moon, and what they find there may lead to nuclear war. Threatened in space, the Russians are about to strike a savage blow in Cuba. From the cold ocean depths to a Cuban torture chamber to the CIA headquarters at Langley, Pitt is racing to defuse an international conspiracy that threatens to shatter the earth.
From Publishers Weekly Written in the bestselling style of Pacific Vortex! and Deep Six, and with the indestructible Dirk Pitt as its hero, this latest Cussler suspense caper features, and ingeniously connects, a maverick American colony on the Moon, a fabulous sunken treasure sought by an unscrupulous, blimp-owning financier, and two cunningly devised Soviet schemes, one to steal U.S. space secrets, the other to replace Fidel Castro with a Kremlin puppet, no matter what the cost in human lives. The nonstop action involves murder and torture as well as superpower politicking, and Pitt extricates himself from one desperate situation after another, even finding time for a little romance. The writing is brittle, but the reader is not likely to worry about that in a story whose plot resembles a box of exploding fireworks and poses some interesting questions regarding both Cuba and the militarization of space.

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"Yes."

"What's my deadline?"

"The Russian spacecraft is set to land on the moon nine days from now. I need every hour I can steal to prevent a fight between their cosmonauts and our moon colonists that might spread into a space conflict that none of us could stop. The `inner core' must be convinced to back off. I've got to have them under wraps, Ira, at least twenty-four hours before the Russians touch down."

"Eight days isn't much to find nine men."

The President gave a helpless shrug. "Nothing comes easy."

"A certificate saying I'm your brother-in-law won't be enough to pass me through legal and bureaucratic roadblocks. I'll require a concrete cover."

"I leave it to you to create one. An Alpha Two clearance should get you through most doors."

"Not bad," said Hagen. "The Vice President only carries a Three."

"I'll give you the number of a safe phone line. Report to me day or night. Understood?"

"Understood."

"Questions?"

"Raymond LeBaron, dead or alive?"

"Undecided. The wife refused to identify the body found in the blimp as his. She was right. I asked the FBI director, Sam Emmett, to take possession of the remains from Dade County, Florida. They're over at Walter Reed Army Hospital now, undergoing examination."

"Can I see the county coroner's report?"

The President shook his head in wonderment. "You never miss a trick, do you, Ira?"

"Obviously there had to be one."

"I'll see you get a copy."

"And the lab results at Walter Reed."

"That too."

Hagen stuffed the files back into the briefcase, but left out the photo from the golf course. He studied the images for perhaps the fourth time. "You realize, of course, Raymond LeBaron may never be found."

"I've considered that possibility."

"Nine little Indians. And then there were eight. . . make that seven."

"Seven?"

Hagen held up the photo in front of the President's eyes. "Don't you recognize him?"

"Frankly, no. But he did say we knew each other many years ago." "Our high school baseball team. You played first base. I was left field and Leonard Hudson caught."

"Hudson!" The President gasped incredulously. "Joe is Leo Hudson. But Leo was a fat kid. Weighed at least two hundred pounds."

"He became a health nut. Lost sixty pounds and ran marathons. You were never sentimental about the old gang. I still keep track of them. Don't you remember? Leo was the school brain. Won all sorts of awards for his science projects. Later he graduated with honors at Stanford and became director of the Harvey Pattenden National Physics Laboratory in Oregon. Invented and pioneered rocket and space systems before anyone else was working in the field."

"Bring him in, Ira. Hudson is the key to the others."

"I'll need a shovel."

"You saying he's buried?"

"Like in dead and buried."

"When?"

"Back in 1965. A light-plane crash in the Columbia River."

"Then who is Joe?"

"Leonard Hudson."

"But you said--"

"His body was never found. Convenient, huh?"

"He faked his death," the President said as if beholding a revelation. "The son of a bitch faked his death so he could go underground to ramrod the Jersey Colony project."

"A brilliant idea when you think about it. No one to answer to. No way he could be tied to a clandestine program. Disguise himself as any character who could be used to his advantage. A nonperson can accomplish far more than the average taxpayer whose name, birthmarks, and nasty habits are stored in a thousand computers."

There was a silence, then the President's grim voice "Find him, Ira. Find and bring Leonard Hudson to me before all hell breaks loose."

Secretary of State Douglas Oates peered through his reading glasses at the last page of a thirty-page letter. He closely examined the structure of each paragraph, trying to read between the lines. At last he looked up at his deputy secretary, Victor Wykoff.

"Looks genuine to me."

"Our experts on the subject think so too," said Wykoff. "The semantics, the rambling flow, the disjointed sentences, all fit the usual pattern."

"No denying it sounds like Fidel all right," Oates said quietly. "However, it's the tone of the letter that bothers me. You almost get the impression he's begging."

"I don't think so. More like he's trying to stress utmost secrecy with a healthy dose of urgency thrown in."

"The consequences of his proposal are staggering."

"My staff has studied it from every angle," said Wykoff. "Castro has nothing to gain from creating a hoax."

"You say he went through devious lengths to get the document into our hands."

Wykoff nodded. "Crazy as it sounds, the two couriers, who delivered it to our field office in Miami, claim they sneaked from Cuba to the United States on board a blimp."

<<12>>

The barren mountains and the shadowy ridges on the moon's craters leaped out at Anastas Rykov as he peered through the twin lenses of a stereoscope. Beneath the eyes of the Soviet geophysicist the desolate lunar landscape unreeled in three dimensions and vivid color. Taken from thirty-four miles up, the details were strikingly sharp. Solitary pebbles, measuring less than one inch across, were visually distinct.

Rykov lay face downward on a pad, studying the photographic montage that slowly rolled beneath to the stereoscope on two wide reels. The process was similar to a motion picture director editing film, only more comfortable. His hand rested on a small control unit that could stop the reels and magnify whatever area he was scrutinizing.

The images had been received from sophisticated devices on a Russian spacecraft that had circumnavigated the moon. Mirrorlike scanners reflected the lunar surface into a prism that broke it down into spectrum wavelengths that were digitized into 263 different shades of gray, black beginning at 263 and fading to white at zero. Next, the spacecraft's computer converted them into a quiltwork of picture elements on high-density tape. After the data was retrieved from the orbiting spacecraft, it was printed in black-and-white on a negative by laser and filtered with blue, red, and green wavelengths. Then it was computer enhanced in color on two continuous sheets of photographic paper that were overlapped for stereoscopic interpretation.

Rykov raised his glasses and rubbed his bloodshot eyes. He glanced at his wristwatch. It was 11:57 PM. He'd been analyzing the peaks and valleys of the moon with only a few catnaps for nine days and nights. He readjusted his glasses and ran both hands through a dense carpet of oily black hair, dully realizing he hadn't bathed or changed his clothes since beginning the project.

He shook away the exhaustion and dutifully returned to his work, examining a small area on the far side of the moon that was volcanic in origin. Only two inches of the photo roll remained before it mysteriously ended. He had not been informed by his superiors of the reason for the sudden cutoff, but assumed it was a malfunction of the scanning gear.

The surface was pockmarked and wrinkled, like pimpled skin under a strong magnifying glass, and appeared more beechnut brown than gray in color. The steady bombardment of meteorites through the ages had left crater gouged on crater, scar crossing scar.

Rykov almost missed it. His eyes detected an unnatural oddity, but his tired mind nearly ignored the signal. Wearily he backed the image and magnified a grid on the edge of a steep ridge soaring from the floor of a small crater. Three tiny objects came into crisp focus.

What he saw was unbelievable. Rykov pulled back from the stereoscope and took a deep breath, clearing the creeping fog from his brain. Then he looked again.

They were still there, but one object was a rock. The other two were human figures.

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