Clive Cussler - Inca Gold

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When a tsunami hit a Spanish treasure galleon, all trace of a golden hoard greater than that of any pharaoh's vanished into history. Until NUMA agent DIRK PITT® dives into an ancient sacrificial pool far into the Andean jungle in order to rescue two archaeologists, and plunges into a vortex of corruption, betrayal, and death. A sinister crime syndicate has traced the long-lost treasure -- worth almost a billion dollars -- from the Andes to the banks of a hidden underground river flowing beneath a Mexican desert. Nothing will stop their ruthless and murderous drive to recover the gold. Nothing, that is, until Pitt and his team place themselves square in the path of danger....
From Publishers Weekly A chance rescue of two divers trapped in a Peruvian sinkhole leads series hero Dirk Pitt ( Raise the Titanic! ; Deep Six ) into a search for lost treasure that involves grave robbers, art thieves and ancient curses. Cussler's latest adventure novel features terrorists who aren ' t really terrorists and a respected archeologist who is not what he seems; it all boils down to a race between Pitt and some unscrupulous crooks for a cache of Inca gold hidden away from the Spanish and lost since the 16th century. The villains, a society of art and antiquity smugglers called the Solpemachaco , want to get their hands on the Golden Body Suit of Tiapollo, which contains in its hieroglyphics a description of the Inca treasure's hidden burial place. Pitt ends up searching for a jade box containing a quipu , an Inca silver-and-gold metalwork map to the treasure. The box was stolen from the Indians by the Spanish, stolen from the Spanish by Francis Drake and then lost in the South American jungle, but readers who know Pitt know that that a 400-year-old missing clue is only a minor obstacle. Master storyteller Cussler keeps the action spinning as he weaves a number of incredible plotlines and coincidences into a believable and gripping story. It's pure escapist adventure, with a wry touch of humor and a certain self-referential glee (Cussler himself makes a cameo appearance), but the entertainment value meets the gold standard.

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Pitt looked at her for a long moment, his green eyes strangely soft and understanding. "There is nothing left to touch," he said finally. "Somebody beat you to it. Any artifacts that were in your sacred pool a month ago are gone. Only the bones of animals and sacrificial victims are left scattered on the bottom."

Her face turned incredulous and the hazel eyes flew very wide. "Are you certain?"

"Would you like proof?"

"We have our own equipment. I'll dive into the pool and see for myself."

"Not necessary," he advised.

She turned and called to Miles Rodgers. "Let's get suited up."

"You begin probing around in the silt and you will surely die," Pitt said, with all the emotion of a professor lecturing to a physics class.

Maybe Shannon wasn't listening to Pitt, but Rodgers was. "I think we had better listen to what Dirk is saying."

"I don't wish to sound nasty, but he lacks the necessary credentials to make a case."

"What if he's right?" Rodgers asked innocently.

"I've waited a long time to explore and survey the bottom of the pool. You and I came within minutes of losing our lives trying to unlock its secrets. I can't believe there isn't a time capsule of valuable antiquities down there."

Pitt took the line leading down into the water and held it loosely in his hand. "Here is the verification. Pull on this line and I guarantee you'll change your mind."

"You attached the other end?" she challenged him. "To what?"

"A set of bones masquerading as a Spanish conquistador."

"You're beyond belief," she said helplessly.

It was a long time since a woman had stared at him like that. "Do you think I'm a head case? Do you think I enjoy this? I damn well don't enjoy spending my time saving your backside. Okay, you want to die and be buried in a thousand bits and pieces, enjoy the trip."

Uncertainty crept into her expression. "You're not making sense."

"Perhaps a little demonstration is in order." Pitt gently pulled in the line until it became taut. Then he gave it a hard jerk.

For a moment nothing happened. Then a rumbling came from the bottom of the well, swelling in volume, sending tremors through the limestone walls. The violence of the explosion was electrifying. The underwater blast came like the eruption of a huge depth charge as a seething column of white froth and green slime burst out of the sinkhole, splattering everyone and everything standing within 20 meters (66 feet) of the edge. The thunder of the explosion rolled over the jungle as the spray fell back into the sinkhole, leaving a heavy mist that swirled into the sky and temporarily blocked out the sun.

Shannon stood half-drenched and stared down into her beloved sacred well as if she couldn't make up her mind whether or not to be sick. Everyone around the edge stood like statues suddenly frozen in shock. Only Pitt looked as though he'd witnessed an everyday event.

Fading incomprehension and the tentative beginnings of understanding appeared in Shannon's eyes. "How in God's name did you know. . ."

"That there was a booby trap?" Pitt finished. "No great deduction. Whoever buried a good forty-five kilograms of high explosive under the skeleton made two major mistakes. One, why clean out every antiquity but the most obvious? And two, the bones couldn't have been more than fifty years old and the armor hasn't rusted enough to have been underwater for four centuries."

"Who would have done such a thing?" asked Rodgers dazedly.

"The same man who murdered Doc Miller," answered Pitt.

"The imposter?"

"More likely Amaru. The man who took Miller's place didn't want to risk exposure and investigation by Peruvian authorities, not before they cleaned out the City of the Dead. The Solperrzachaco had robbed the sacrificial well of its artifacts long before you arrived. That's why the imposter sent out a call for help when you and Shannon vanished in the sinkhole. It was all part of the plot to make your deaths look like an accident. Although he felt reasonably sure that you'd be sucked into the adjoining cavern by the underwater surge before you could fully search the bottom and realize all artifacts had been removed, he hedged his bets by lowering the phony conquistador into position purely as a red herring to blow you to pieces in the event the surge didn't carry you away."

Shannon's eyes took on a saddened and disillusioned look. "Then all antiquities from the sacred well are gone."

"You can take a small measure of cheer in knowing they were removed and not destroyed," said Pitt.

"They'll turn up," said Giordino consolingly. "They can't remain hidden away in some rich guy's collection forever."

"You don't understand the discipline of archaeology," Shannon said dully. "No scholar can study the artifacts, classify or trace them without knowing their exact site of origin. Now we can learn nothing of the people who once lived here and built the city. A vast archive, a time capsule of scientific information, has been irretrievably lost."

"I'm sorry all your hopes and efforts have come to grief," Pitt said sincerely.

"Grief, yes," she said, thoroughly defeated now. "More like a tragedy."

Rudi Gunn walked back from the helicopter that was transporting Miller's body to the morgue in Lima. "Sorry to interrupt," he said to Pitt. "Our job is finished here. I suggest we pack up the helicopter, lift off, and rendezvous with Dr. Ortiz at the City of the Dead."

Pitt nodded and turned to Shannon. "Well, shall we move on to the next disaster your antiquity looters have left us?"

Dr. Alberto Ortiz was a lean, wiry old bird in his early seventies. He stood off to one side of the helicopter landing site dressed in a white duck shirt and matching pants. A long, flowing, white moustache drooped across his face, making him look like a wanted poster for an aging Mexican bandido. If flamboyance was his trademark, it was demonstrated by a wide-brimmed panama hat sporting a colorful band, a pair of expensive designer sandals, and a tall iced drink in one hand. A Hollywood casting director searching for someone to play a beachcomber in a South Seas epic would easily have decided that Dr. Ortiz fit the role to perfection. He was not what the NUMA men had pictured as Peru's most renowned expert on ancient culture.

He came smiling to greet the newcomers, drink in left hand, right extended for shaking. "You're early," he said warmly in almost perfect English. "I didn't expect you for another two or three days."

"Dr. Kelsey's project was cut short unexpectedly," said Pitt, grasping a strong, callused hand.

"Is she with you?" asked Ortiz, peering around Pitt's broad shoulders.

"She'll be here first thing in the morning. Something about using the afternoon to photograph the carvings on an altar stone beside the well." Pitt turned and made the introductions. "I'm Dirk Pitt and this is Rudi Gunn and Al Giordino. We're with the National Underwater and Marine Agency."

"A great pleasure to meet you gentlemen. I'm grateful for the opportunity to thank you in person for saving the lives of our young people."

"Always a joy to play the palace again," said Giordino, looking up at the battle-scarred temple.

Ortiz laughed at the distinct lack of enthusiasm. "I don't imagine you enjoyed your last visit."

"The audience didn't throw roses, that's for sure."

"Where would you like us to set up our tents, Doctor?" Gunn inquired.

"Nothing of the sort," Ortiz said, his teeth flashing beneath the moustache. "My men have cleaned up a tomb that belonged to a rich merchant. Plenty of room, and it's dry during a rain. Not a four-star hotel, of course, but you should find it comfortable."

"I hope the original owner isn't still in residence," Pitt said cautiously.

"No, no, not at all," replied Ortiz, mistakenly taking him seriously. "The looters cleaned out the bones and any remains in their frantic search for artifacts."

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