Clive Cussler - Inca Gold

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When a tsunami hit a Spanish treasure galleon, all trace of a golden hoard greater than that of any pharaoh's vanished into history. Until NUMA agent DIRK PITT® dives into an ancient sacrificial pool far into the Andean jungle in order to rescue two archaeologists, and plunges into a vortex of corruption, betrayal, and death. A sinister crime syndicate has traced the long-lost treasure -- worth almost a billion dollars -- from the Andes to the banks of a hidden underground river flowing beneath a Mexican desert. Nothing will stop their ruthless and murderous drive to recover the gold. Nothing, that is, until Pitt and his team place themselves square in the path of danger....
From Publishers Weekly A chance rescue of two divers trapped in a Peruvian sinkhole leads series hero Dirk Pitt ( Raise the Titanic! ; Deep Six ) into a search for lost treasure that involves grave robbers, art thieves and ancient curses. Cussler's latest adventure novel features terrorists who aren ' t really terrorists and a respected archeologist who is not what he seems; it all boils down to a race between Pitt and some unscrupulous crooks for a cache of Inca gold hidden away from the Spanish and lost since the 16th century. The villains, a society of art and antiquity smugglers called the Solpemachaco , want to get their hands on the Golden Body Suit of Tiapollo, which contains in its hieroglyphics a description of the Inca treasure's hidden burial place. Pitt ends up searching for a jade box containing a quipu , an Inca silver-and-gold metalwork map to the treasure. The box was stolen from the Indians by the Spanish, stolen from the Spanish by Francis Drake and then lost in the South American jungle, but readers who know Pitt know that that a 400-year-old missing clue is only a minor obstacle. Master storyteller Cussler keeps the action spinning as he weaves a number of incredible plotlines and coincidences into a believable and gripping story. It's pure escapist adventure, with a wry touch of humor and a certain self-referential glee (Cussler himself makes a cameo appearance), but the entertainment value meets the gold standard.

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Pitt obtained bearings from his compass and began sweeping around the shaft that protruded from the silt, enlarging the search pattern while unreeling the line, as if following the path of a pinwheel. He slowly swam above the muck, scanning from side to side with Giordino following slightly to the side and rear of Pitt's fins. In the transparent liquid void they soon spotted the saponified remains of Doc Miller.

In the few days since he had seen the body it had changed for the worse. Tiny pieces were missing from the exposed skin areas. Pitt was at a loss to explain this until he glimpsed a strange brightly speckled fish with luminous scales dart in and begin nibbling one of Doc's eyes. He brushed away the carnivorous fish, the size of a small trout, and wondered how it came to be stranded in a deep pool in the middle of a jungle.

He gave a hand signal to Giordino who removed a rubberized body bag from a pack that was strapped to his chest above his weight belt. A decomposing body cannot be smelled underwater. That's what they say. Perhaps it was in their minds, but the smell of death seemed to flow through their breathing regulators as if their air tanks were contaminated with it. An impossibility, to be sure, but tell that to rescue teams who have seen the horror of long-immersed dead.

They wasted no time in examining the body but moved as fast as their hands would let them, pulling the body bag over the corpse while trying not to stir up a cloud of silt. The silt did not cooperate, billowing up in a dense cloud, cutting off all visibility. They worked blind, carefully zipping up the bag, making sure no flesh protruded from the seam. When the grisly job was completed, Pitt reported to Gunn.

"We have the body contained and are on our way up."

"Acknowledged," Gunn replied. "We will lower a sling with a stretcher."

Pitt grabbed Giordino's arm through the silt cloud, signaling for a mutual ascent. They began raising the remains of Doc Miller to the sunlight. After reaching the surface, they gently eased the body onto the stretcher and secured it with buckled straps. Then Pitt advised Gunn.

"Ready for lift."

As Pitt watched the stretcher rise toward the rim of the sinkhole, he sadly wished he had known the genuine Steve Miller instead of the imposter. The esteemed anthropologist had been murdered without knowing why. No hint was given by the scum that cut his throat. He never knew that his death was an unnecessary act by a sociopathic killer. He was simply a cast-off pawn in the high-stakes game of stolen art and antiquities.

There was nothing more to be done. Their part of the body retrieval operation was finished. Pitt and Giordino could only float and wait for the winch to lower the cable again. Giordino looked over at Pitt expectantly and removed the breathing regulator from his mouth.

We still have plenty of air, he wrote on a communications board. Why not poke around while we're waiting for the next elevator?

To Pitt the suggestion struck a harmonious chord. Unable to remove his head mask and speak, he replied on his own communications board, Stay close to me and grab hold if struck by surge. Then he gestured downward. Giordino nodded and faithfully swam alongside as they jackknifed and kicked once more toward the floor of the sinkhole.

The puzzle in Pitt's mind was the lack of artifacts in the silt. Bones, yes, there was an overabundance. But after probing the sinkhole's floor for half an hour, they found no sign of ancient artifacts. Nothing except the armor on the intact skeleton he had discovered on his first dive, and the dive gear Pitt had cast off before his climb out of the well. Two minutes was all it took to relocate the site. The bony hand was still raised, one finger pointing in the direction where Miller had lain.

Pitt slowly drifted around the armor-encased Spaniard, examining every detail, occasionally glancing up and around the dim reaches of the sinkhole, alert to any disturbance in the silt that signaled the approach of the mysterious surge. He felt his every movement was followed from deep within the empty eye sockets of the skull. The teeth seemed frozen in a mocking grin, taunting and baiting him at the same time. The sunlight from above filtered through the slime and painted the bones a ghostly shade of green.

Giordino floated nearby, observing Pitt with detached curiosity. He had no clue to what captivated his friend. The old bones held little fascination for Giordino. The remains of a five-hundred-year-old Spaniard conjured up nothing in his imagination, except possibly the eruption that would occur when Shannon Kelsey discovered that her precious archaeological site had been disturbed before she could investigate it.

No such thoughts ran through Pitt's mind. He was beginning to sense that the skeleton did not belong here. He rubbed a finger lightly over the breastplate. A thin smudge of rust came away, revealing smooth, unpitted, uncorroded metal beneath. The leather straps that held the armor against the chest were incredibly well preserved. And so were the fasteners that joined the straps. They had the appearance of metal buckles on old shoes that had sat inside a trunk in an attic for one or two generations.

He swam a few meters away from the skeleton and pulled a bone out of the silt, a tibia by the shape of it. He returned and held it against the Spaniard's protruding forearm and hand. The bone from the silt was much rougher and pitted as well as more deeply stained from the minerals in the water. The bony structure of the skeleton was smooth in comparison. Next he studied the teeth, which were in remarkably good condition. Pitt found caps on two molars, not gold but silver. Pitt was no expert on sixteenth-century dentistry, but he knew that Europeans didn't even begin to fill cavities and cap teeth until the late eighteenth century.

"Rudi?"

"I'm listening," answered Gunn.

"Please send down a line. I want to lift something."

"A line with a small weight attached to the end is on the way."

"Try to drop it where you see our bubbles."

"Will do." There was a pause, and then Gunn's voice came back over Pitt's earphones with a slight edge to it. "Your archaeologist lady is raising hell. She says you can't touch anything down there."

"Pretend she's in Moline, Illinois, and drop the line."

Gunn replied nervously. "She's making a terrible scene up here."

Either drop the line or throw her over the edge," Pitt snapped obstinately.

"Stand by."

Moments later a small steel hook attached to a nylon line materialized through the green void and landed in the silt two meters away. Giordino effortlessly swam over, snagged the line with one hand, and returned. Then, with the finesse of a pickpocket delicately lifting a wallet, Pitt very carefully wrapped the loose end of the line around a strap holding the breastplate to the skeleton and cinched it with the hook. He stared at Giordino and made the thumbs-up gesture. Giordino nodded and was mildly surprised when Pitt released the line, allowing it to slacken and leaving the skeleton where it lay.

They took turns being lifted out of the sinkhole. As the crane raised him by his safety line, Pitt looked down and vowed he would never again enter that odious slough. At the rim, Gunn was there to help swing him onto firm ground and remove his full face mask.

"Thank God, you're back," he said. "That madwoman threatened to shoot off my testicles."

Giordino laughed. "She learned that from Pitt. Just be thankful your name isn't Amaru."

"What. . . what was that?"

"Another story," said Pitt, inhaling the humid mountain air and enjoying every second of it.

He was struggling out of his dive suit when Shannon stormed up to him like a wild grizzly who had her cubs stolen. "I warned you not to disturb any artifacts," she said firmly.

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