Gary Jennings - Aztec

To see Teotihuacan as I first saw it—in an extravagantly colorful sunset, its pyramids looming up from the flatland and looking in that light as if newly sheathed in the richest red gold, luminous against the background of distant purple mountains and deep blue sky—that is a sight so overwhelming as to make one believe that the city was the work of the gods, or, if it was made by men, that they were a godlike race of men.

I entered the city at its northern end and picked my way through the litter of fallen stone blocks around the base of the pyramid that our Mexíca wise men supposed had been dedicated to the moon. That pyramid had lost at least a third of its height, where its top has been worn away, and its staircase ascends to a welter of loose rocks up there. The Pyramid of the Moon is surrounded by the standing or toppled columns and walls of buildings that must once have been two or three floors high. One edifice we called The Palace of the Butterflies, because of the abundance of those blithe creatures pictured in the murals still visible on its interior walls.

But I did not loiter there. I walked south along the city's central avenue, which is as long and broad as the floor of a good-sized valley, but much more level. We called it in Micaótli, The Avenue of the Dead, and, although it is thick with brush through which snakes slither and rabbits bounce, it still affords a pleasant stroll. More than a one-long-run in length, it is bordered by the ruins of temples on either side—until you are halfway along it. There the left-hand row of temples is interrupted for the unbelievably immense bulk of the icpac tlamanacali that our wise men had decided was The Pyramid of the Sun.

If I say that the whole city of Teotihuacan is impressive, but that The Pyramid of the Sun makes all the rest look trivial, perhaps that will give you some idea of its size and majesty. It is easily half again as big in every dimension as was the Great Pyramid of Tenochtítlan, and that was the grandest I had ever seen before. In fact, no one can say how big The Pyramid of the Sun really is, because much of its base is under the earth deposited there by wind and rain during the ages since Teotihuacan was abandoned. But what remains visible and measurable is awesome. At ground level, each of the four sides is two hundred and thirty paces from corner to corner, and the structure soars as high as twenty ordinary houses piled up on top of each other.

The pyramid's entire surface is rough and jagged, because the smooth slabs of slate with which it was once clad have all come loose from the jutting rock studs that held them. And long before those slates slid down to become a jumble of shards on the ground, I imagine they had already shed their original coating of white lime gesso and colored paints. The structure rises in four tiers, and each one slopes upward at a slightly different angle, for no reason except that that refinement of design deceives the eye and makes the entire edifice somehow appear even bigger than it is. So there are three wide terraces around the four sides and, at the very top, a square platform on which a temple must once have stood. But it would have had to be a very small temple, and quite inadequate for ceremonies of human sacrifice. The staircase ascending the pyramid's front is now so broken and crumbled that the individual steps are barely discernible.

The Pyramid of the Sun faces westward, toward the setting sun, and its front was still colored flame and gold when I reached it. But at that moment the lengthening shadows of the ruined temples on the other side of the avenue began to creep up the pyramid's front, like jagged teeth biting at it. I quickly began to scramble up what remained of the staircase, keeping in the jacinth sunlight all the way, just above and ahead of the encroaching shadow teeth.

I attained the platform at the summit at the same time the last sunlight lifted from the pyramid, and I sat down heavily, wheezing for breath. A late-flying butterfly came fluttering up from somewhere and perched on the platform companionably near me. It was a very large and entirely black butterfly, and it gently waggled its wings as if it too were panting from the climb. All of Teotihuacan was by then in twilight, and before long a pale mist began to rise from the ground. The pyramid on which I sat, for all its massiveness, seemed to be floating unattached to the earth. The city, which had been flamboyantly red and yellow, had become muted blue and silver. It looked peaceful and drowsy. It looked its great age. It looked older than time, but so steadfast that it would still endure when all of time had passed away.

I scanned the city from end to end—at that height it was possible—and, using my topaz, I could see the innumerable pits and dimples in the weed-grown land stretching far on both sides of The Avenue of the Dead: the places where had stood more habitations than there were in Tenochtítlan. Then I saw something else, and it startled me: distant small fires taking bloom. Was the dead city coming to life again? But then I perceived that they were torch lights, a long double line of them, approaching from the south. I was briefly annoyed that I no longer had the city to myself. But I knew that pilgrims often came there, singly or in crowds—from Tenochtítlan, from Texcóco and other parts—to make offerings or prayers in that place where the gods once had gathered. There was even a campground to accommodate such visitors: a vast, rectangular, sunken meadow at the southern extremity of the main avenue. It was believed that it had originally been Teotihuacan's marketplace, and that under the grass must be enclosing walls and a stone-paved plaza.

The night was full dark by the time the torchlight procession reached that place, and for a time I watched, as some of the torches stopped and stayed in a circle, while others moved here and there, their carriers busy with the activity of making camp. Then, being sure that none of the pilgrims would venture farther into the city before morning, I swung around on the platform to face eastward and watch the early rising moon. It was full, as perfectly round and benignly beautiful as Aztlan's stone of Coyolxauqui. When it was well up above the undulant profile of the far-off mountains, I turned yet again to look at Teotihuacan by its light. A gentle night breeze had dispelled the ground mist, and the many edifices were sharply outlined in every detail by the blue-white moonlight, and they threw stark black shadows across the blue ground.

Almost all the roads and the days of my life had been hectic and eventful, with not many leisurely intervals, and I expected that they would continue to be so to their end. But I sat in serenity there for a little time, and I treasured it. I was even moved to make the one poem I ever made in my life. It had little regard for facts or history; it was inspired purely by the moonlight loveliness and silence and tranquility of that place and that time. When I had made the poem in my head, I stood erect atop that towering Pyramid of the Sun, and I said the poem aloud to the empty city:

Once, when nothing was but night,

they gathered, in a time forgotten—

all the gods of greatest might—

to plan the dawn of day and light.

Here... at Teotihuacan.

"Very nice," said a voice not my own, and I started so that I nearly leapt off the pyramid. The voice recited the poem back to me, word for word, slowly and savoringly, and I recognized the voice. I have heard my small effort recited by other people on later occasions, and even in recent times, but never again by the Lord Motecuzóma Xocoyatl, Cem-Anáhuac Uey-Tlatoani, Revered Speaker of the One World.

"Very nice," he said again. "Especially since Eagle Knights are not noted for their poetic turn of mind."

"Nor even sometimes for their knightliness," I said ruefully, knowing that he had recognized me too.