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Philippa Gregory: The Constant Princess

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Philippa Gregory The Constant Princess

The Constant Princess: краткое содержание, описание и аннотация

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"I am Catalina, Princess of Spain, daughter of the two greatest monarchs the world has ever known...and I will be Queen of England." Thus, bestselling author Philippa Gregory introduces one of her most unforgettable heroines: Katherine of Aragon. Known to history as the Queen who was pushed off her throne by Anne Boleyn, here is a Katherine the world has forgotten: the enchanting princess that all England loved. First married to Henry VIII's older brother, Arthur, Katherine's passion turns their arranged marriage into a love match; but when Arthur dies, the merciless English court and her ambitious parents -- the crusading King and Queen of Spain -- have to find a new role for the widow. Ultimately, it is Katherine herself who takes control of her own life by telling the most audacious lie in English history, leading her to the very pinnacle of power in England. Set in the rich beauty of Moorish Spain and the glamour of the Tudor court, The Constant Princess presents a woman whose constancy helps her endure betrayal, poverty, and despair, until the inevitable moment when she steps into the role she has prepared for all her life: Henry VIII's Queen, Regent, and commander of the English army in their greatest victory against Scotland. From Publishers Weekly As youngest daughter to the Spanish monarchs and crusaders King Ferdinand and Queen Isabella, Catalina, princess of Wales and of Spain, was promised to the English Prince Arthur when she was three. She leaves Spain at 15 to fulfill her destiny as queen of England, where she finds true love with Arthur (after some initial sourness) as they plot the future of their kingdom together. Arthur dies young, however, leaving Catalina a widow and ineligible for the throne. Before his death, he extracts a promise from his wife to marry his younger brother Henry in order to become queen anyway, have children and rule as they had planned, a situation that can only be if Catalina denies that Arthur was ever her lover. Gregory's latest (after Earthly Joys) compellingly dramatizes how Catalina uses her faith, her cunning and her utter belief in destiny to reclaim her rightful title. By alternating tight third-person narration with Catalina's unguarded thoughts and gripping dialogue, the author presents a thorough, sympathetic portrait of her heroine and her transformation into Queen Katherine. Gregory's skill for creating suspense pulls the reader along despite the historical novel's foregone conclusion. 

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And so, I believe, would any woman in my position.

Henry’s new lover, Elizabeth Boleyn’s girl, my maid-in-waiting, turns out to be the one that I knew I had to fear: the one who has an ambition that is even greater than mine. Indeed, she is even more greedy than the king. She has an ambition greater than any I have ever seen before in a man or a woman. She does not desire Henry as a man—I have seen his lovers come and go and I have learned to read them like an easy storybook. This one desires not my husband, but my throne. She has had much work to find her way to it, but she is persistent and determined. I think I knew, from the moment that she had his ear, his secrets, and his confidence, that in time, she would find her way—like a weasel smelling blood through a coney warren—to my lie. And when she found it, she would feast on it.

The usher calls out, “Katherine of Aragon, Queen of England, come into court”; and there is a token silence, for they expect no answer. There are no lawyers waiting to help me there, I have prepared no defense. I have made it clear that I do not recognize the court. They expect to go on without me. Indeed, the usher is just about to call the next witness…

But I answer.

My men throw open the double doors of the hall that I know so well and I walk in, my head up, as fearless as I have been all my life. The regal canopy is in gold, over at the far end of the hall with my husband, my false, lying, betraying, unfaithful husband in his ill-fitting crown on his throne sitting beneath it.

On a stage below him are the two cardinals, also canopied with cloth of gold, seated in golden chairs with golden cushions. That betraying slave Wolsey, red-faced in his red cardinal’s robe, failing to meet my eye, as well he might; and that false friend Campeggio. Their three faces, the king and his two procurers, are mirrors of utter dismay.

They thought they had so distressed and confused me, separated me from my friends and destroyed me, that I would not come. They thought I would sink into despair like my mother, or into madness like my sister. They are gambling on the fact that they have frightened me and threatened me and taken my child from me and done everything they can do to break my heart. They never dreamed that I have the courage to stalk in before them, and stand before them, shaking with righteousness, to face them all.

Fools, they forget who I am. They are advised by that Boleyn girl who has never seen me in armor, driven on by her who never knew my mother, did not know my father. She knows me as Katherine, the old Queen of England, devout, plump, dull. She has no idea that inside, I am still Catalina, the young Infanta of Spain. I am a princess born and trained to fight. I am a woman who has fought for every single thing I hold, and I will fight, and I will hold, and I will win.

They did not foresee what I would do to protect myself and my daughter’s inheritance. She is Mary, my Mary, named by Arthur: my beloved daughter, Mary. Would I let her be put aside for some bastard got on a Boleyn?

That is their first mistake.

I ignore the cardinals completely. I ignore the clerks on the benches before them, the scribes with their long rolls of parchment making the official record of this travesty. I ignore the court, the city, even the people who whisper my name with loving voices. Instead, I look at no one but Henry.

I know Henry, I know him better than anyone else in the world does. I know him better than his current favorite ever will, for I have seen him, man and boy. I studied him when he was a boy, when he was a child of ten who came to meet me and tried to persuade me to give him a Barbary stallion. I knew him then as a boy who could be won with fair words and gifts. I knew him through the eyes of his brother, who said—and rightly—that he was a child who had been spoilt by too much indulgence and would be a spoilt man and a danger to us all. I knew him as a youth, and I won my throne by pandering to his vanity. I was the greatest prize he could desire and I let him win me. I knew him as a man as vain and greedy as a peacock when I gave to him the credit for my war: the greatest victory ever won by England.

At Arthur’s request I told the greatest lie a woman has ever told, and I will tell it to the very grave. I am an Infanta of Spain, I do not give a promise and fail to keep it. Arthur, my beloved, asked me for an oath on his deathbed and I gave it to him. He asked me to say that we had never been lovers and he commanded me to marry his brother and be queen. I did everything I promised him, I was constant to my promise. Nothing in these years has shaken my faith that it is God’s will that I should be Queen of England, and that I shall be Queen of England until I die. No one could have saved England from the Scots but me—Henry was too young and too inexperienced to take an army into the field. He would have offered a duel, he would have chanced some forlorn hope, he would have lost the battle and died at Flodden and his sister Margaret would have been Queen of England in my place.

It did not happen because I did not allow it to happen. It was my mother’s wish and God’s will that I should be Queen of England, and I will be Queen of England until I die.

I do not regret the lie. I held to it, and I made everyone else hold to it, whatever doubts they may have had. As Henry learned more of women, as Henry learned more of me, he knew, as surely he had known on our wedding night, that it was a lie, I was no virgin for him. But in all our twenty years of marriage together, he found the courage to challenge me only once, at the very beginning; and I walk into the court on the great gamble that he will never have the courage to challenge me again, not even now.

I walk into court with my entire case staked on his weakness. I believe that when I stand before him, and he is forced to meet my eyes, that he will not dare to say that I was no virgin when I came to him, that I was Arthur’s wife and Arthur’s lover before I was ever his. His vanity will not allow him to say that I loved Arthur with a true passion and he loved me. That in truth, I will live and die as Arthur’s wife and Arthur’s lover, and thus Henry’s marriage to me can be rightfully dissolved.

I don’t think he has the courage that I have. I think if I stand straight and tell the great lie again, that he will not dare to stand straight and tell the truth.

“Katherine of Aragon, Queen of England, come into court,” the usher repeats stupidly, as the echo of the doors banging behind me reverberates in the shocked courtroom, and everyone can see that I am already in court, standing like a stocky fighter before the throne.

It is me they call for, by this title. It was my dying husband’s hope, my mother’s wish and God’s will that I should be Queen of England; and for them and for the country, I will be Queen of England until I die.

“Katherine of Aragon, Queen of England, come into court!”

This is me. This is my moment. This is my battle cry.

I step forward.

Author’s Note

THIS HAS BEEN one of the most fascinating and most moving novels to write, from the discovery of the life of the young Katherine to the great question of the lie that she told and maintained all her life.

That it was a lie is, I think, the most likely explanation. I believe that her marriage to Arthur was consummated; certainly, everyone thought so at the time It was only Doña Elvira’s insistence after Katherine had been widowed, and Katherine’s own insistence at the time of her separation from Henry, that put the consummation into doubt. Later historians, admiring Katherine and accepting her word against Henry’s, put the lie into the historical record where it stays today.

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