Jack Whyte - The Singing Sword

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The Singing Sword: краткое содержание, описание и аннотация

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From Publishers Weekly
A sequel to The Skystone, this rousing tale continues Whyte's nuts-and-bolts, nitty gritty, dirt-beneath-the-nails version of the rise of Arthurian "Camulod" and the beginning of Britain as a distinct entity. In this second installment of the Camulod Chronicles, Whyte focuses even more strongly on a sense of place, carefully setting his characters into their historical landscape, making this series more realistic and believable than nearly any other Arthurian epic. As the novel progresses, and the Roman Empire continues to decay, the colony of Camulod flourishes. But the lives of the colony's main characters, Gaius Publius Varrus?ironsmith, innovator and soldier?and his brother-in-law, former Roman Senator Caius Britannicus, are not trouble-free, especially when their most bitter enemy, Claudius Seneca, reappears. Through these men's journals, the novel focuses on Camulod's pains and joys, including the moral and ethical dilemmas the community faces, the joining together of the Celtic and Briton bloodlines and the births of Uther Pendragon and Caius Merlyn Britannicus. Whyte provides rich detail about the forging of superior weaponry, the breeding of horses, the training of cavalrymen, the growth of a lawmaking body within the community and the origins of the Round Table. It all adds up to a top-notch Arthurian tale forged to a sharp edge in the fires of historical realism.

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We had a bargain.

Some time later, walking back to the villa with Veronica, I asked her about her new name. It shamed me slightly that I had not been aware until now that she possessed one. I had been thinking of her all these years as my daughter, too blinded by my fatherly love to see that she was also a wholly formed little person with her own identity.

"So, young lady," I asked her, "how long have you been Magpie?"

"Oh, forever, Daddy. It used to be The Magpie, but it was shortened to simply Magpie a long time ago."

"And why The Magpie?"

"Because I'm all black and white and I like to wear green and my eyes are green and shiny, of course! And I was a terrible thief when I was little."

"A thief? What did you steal?"

"Oh, everything... at least, everything that was bright, or shiny and pretty, just like a real magpie. But I always gave the things back... most of the time because I had to."

"I see. I had no idea we had a thief in the family."

She smiled up at me and my heart swelled. "Well, not a real thief. I mean, not a robber or a brigand. I wouldn't steal money, and the things I stole were only mostly borrowed. You see, everybody knew when something pretty went missing just where it had gone. I could never really get away with anything."

"Did you try?"

"Try what? To get away with anything?" She paused, her brows wrinkled. "You mean did I ever really, really try to steal something?" She shook her head, dismissing the thought. "I don't think so, not really. I might have, when I was really tiny, I can't remember. But one day Mama came and took away one of my very favourite treasures — my most beautiful comb, with coloured glass in the handle. She just took it. She said she wanted it and she was keeping it. I was very angry, and later I was very sad. I really missed it..." Her voice died away, and she took my hand and pulled me to a stop, then made me squat down so that she could talk directly into my face. "And then, the next day, Mama gave me back my comb and told me that whenever I took something that belonged to someone else, I made them feel just as hurt and just as sad as she had made me." Her expression was very solemn and serious. "I never stole anything again, after that, and for the longest time I wouldn't even borrow anything from any of my friends, even with their permission."

She tugged my hand then, indicating that we should continue walking, and as we went she concluded, "They stopped calling me The Magpie, after that. But Magpie never went away, and I'm glad, because I like it. Of course, only my special friends call me that. Other people still call me Veronica."

I felt almost jealous — excluded. "I've never heard it before today," I said. "I suppose that means I'm not really a special friend..."

"Oh, Daddy!" She stopped again and looked at me with what I defined instantly as loving exasperation. "You're my father, for goodness' sake! You're my specialest friend, more than even Victorex. You can call me Magpie any time you like."

"Thank you, Magpie," I answered. "I will." I felt absolutely euphoric.

By the time Victorex had spent two years in his new position, he was heading up a self-sufficient operation with the sole purpose of breeding horses. He had five very happy stallions and upwards of seventy mares in various stages of pregnancy, plus a fair number of foals. He had already started weeding out his future breeding stock. Only two of the foals from that first crop, one of each sex, were judged by him to be worth keeping. The others were all marked as workhorses as soon as they were able to walk. Victorex estimated that by the end of ten years he would be starting to produce big, strong horses. In twenty years, he would be producing large numbers of them.

He knew what he was doing. We did not, so we left him to do it.

In the meantime, with those animals Victorex would allow me to use, I began working on new techniques of training and deploying mounted men. It sounded easy when we were talking about it, but making it work was another matter altogether.

I already had a central body of men trained to operate on horseback, the nucleus of my new force. Every trainee was an expert at vaulting onto a horse's back, fully equipped. This should have been an advantage, and it was, but only to a clearly delineated degree. Now all I had to do was to untrain these men, completely and absolutely. I had to make them forget everything they had been taught, except how to stay on a horse once they were mounted — and even that, I found, was easier to think about than to achieve.

The men I had to start retraining were bowmen, archers, light skirmishing troops. J was trying to change them into heavy cavalry. That meant that the light, leather armour they wore was no longer strong enough to do the job they would have to do. So, remove the light, leather armour and replace it with regulation iron or bronze helmet, breastplate and a heavy kilt of iron-studded leather. They were going to be in close combat with an enemy on foot; their most vulnerable parts, therefore, were their legs. So, replace bare legs and light sandals with metal greaves and armoured boots strong enough to withstand a sword thrust or the swing of an axe. I had now increased the weight of each man by about thirty pounds, overall.

In addition to all that extra weight, I also had to consider that the shields all horsemen then carried were small, flimsy affairs of toughened leather, suitable for deflecting a spent arrow or a thrown stone but of no value in stopping a heartily swung axe or a close-hurled arrow or spear. So, change the light shield for a heavy-duty, utilitarian shield suited specifically to a mounted man rather than a standing legionary.

Added to all of this, I had also to bear in mind the fact that we were breeding bigger horses. Not simply taller horses, but bigger horses.

In its simplest terms, the problem I was faced with came to this: I had to take ordinary men, used to performing the ordinary task of mounting a horse in a vaulting spring, load them down with an additional forty to fifty pounds of dead weight and ask them to hoist that up on to horses that were bigger, and wider, than any they had ever ridden before.

And that was just the start of it. I was also asking them to forget about all the advantages they had learned were associated with being mounted on a fast, high-strung animal who could respond to the sway of a body or the pressure of a knee and swing its rider out of danger immediately. Instead, I was asking each of them to make himself consciously, individually, an immobile brick, an unmanoeuvrable unit in a solid wall of living horseflesh. I was asking each of them to advance, revolve, change direction and generally perform as one inanimate part of a single, solid mechanism. A living unit. Not men, but a wall of horsemen. That meant that, in the last analysis, if Caius Britannicus or Publius Varrus were killed by a well-aimed or lucky arrow, he would be dead and gone, but his horse would continue to function as part of the striking force, held in position by its neighbours on both sides. Many of my men found that a chilling and unnatural thought. All of a sudden, in their eyes, riders had become expendable. The horse had become all-important.

That, of course, was nonsense. But in the beginning, at least, that is how they saw it, and that is the perception I found myself having to contend with.

I persevered with it, however, and soon found that there were some of my men who began to show clear leadership capabilities in the new techniques early in the process. Whenever I found one of these, I promoted him on the spot, thereby instituting, although I did not realize it at first, a whole new hierarchy of leaders — cavalry officers.

Nothing that changes the order of things as radically as we did happens overnight. The process I am describing here in a few words took years to achieve. Life in our little Colony meandered very quietly during those years, for the most part, with only an occasional reminder of the strife in the outside world penetrating to shadow our peace, in the form of reports by Alaric or one of his visiting priests on what was happening abroad. In this way we learned of the death of Valentinian, and of the rebellion of Eugenius, another would-be emperor thrown up from the ranks of the armies to challenge Theodosius. Theodosius, however, had Stilicho — ably assisted by our own Picus Britannicus — to take his part, and Eugenius was crushed by a mighty army assembled in the west.

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