David Hewson - The Lizard's Bite

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The Lizard's Bite: краткое содержание, описание и аннотация

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On an August night on a small island near Venice, a fire explodes in a glassmaking shop. When help arrives, two people are dead, a rich Englishman is implicated, and investigators from Rome are assigned a case no one wants them to solve....In this spellbinding new novel featuring Detective Nic Costa, author David Hewson weaves together the rich fabric of Europe’s most beguiling city with a riveting tale of passion, corruption, and the poisonous bite of betrayal. On their private island, the Arcangelo family defy the world: living in a decaying palazzo, making glass in a terrifying, archaic furnace, watching their absurd exhibition hall sink into disrepair. But now the world is coming to their dying outpost in a crumbling corner of a Venice that tourists never see. Police boats and vaporetti bring investigators, curiosity seekers, and one man who plans to own the property himself. With two family members consumed by the foundry fire, both mystery and opportunity have been bared to the bone. On special assignment from Rome, Detective Nic Costa, along with his partner, his boss, and a dogged pathologist named Teresa Lupo, is getting in the way of progress, Venetian-style. They know that Uriel Arcangelo and his wife were murdered. They know that a predatory Englishman must be a suspect, as is the family of the murdered woman. And while everyone wants the Roman cops to give up and go home, they can’t–because a matter of desire, death, and lies has just turned murderously on one of them.... A tale as bewitching as its lush backdrop, 
 is an astounding alchemy of superb writing, vibrant atmosphere, and sheer, gripping suspense.

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He did some more yelling, then came and sat down opposite, grim-faced, cross with himself.

She patted his big hand. “Gianni. It’s been more than a week. If he survived the water—and that’s a big if—he could have starved to death here. We know the locals haven’t been feeding him . . . .”

They’d talked to plenty. Farmer and fisherman alike, none of whom looked as if they’d be much inclined to provide for anything that wasn’t part of their own household. Nobody had even seen a small black spaniel, thin and hungry-looking, lost, puzzled why the little shack where it lived was deserted, day after day. Nobody, if she was honest with herself, much cared. Except for Gianni Peroni, who hoped to care enough to make up for everyone else.

“He’s here,” Peroni insisted. “I just know it.”

“Here we go. Instinct again. Be realistic, will you? The poor thing probably drowned.”

“No! You don’t know dogs. Spaniels love the water. He could swim to the city and back if he wanted.”

“Now that I find hard to believe.”

“Believe it,” he said, then turned to the reedy little rio nearby and starting shouting again, bellowing the dog’s name over and over.

She waited for him to pause for breath, then held his hand more tightly. “Has it never occurred to you, dog person that you are, that the blasted things sometimes only come when called by someone they know?”

“That’s not true! We had a dog when I was a kid. He came for anyone who knew his name.”

She thought about this. “What was he called?”

“Guido!”

“Fine. Listen to a little animal psychology. Dogs rely on syllables. Clearly differentiated chunks of language. Guido— Gwee-doh —is an excellent name because it has two very identifiable syllables, the ideal number for something with a brain the size of a modest potato. Furthermore, these syllables are separated—and this is important—by a hard consonant, one pronounced when you move the middle of your tongue downwards, away from the roof of your mouth.”

He glared at her. “I don’t think dogs understand hard consonants.”

“You’re wrong. Don’t ask how I know this—it was a very long time ago—but they do. A dog with a good name like Guido knows when it’s being called, even by a complete stranger. Whether the thing obeys is another matter, of course.”

“This is going somewhere?” he demanded.

“Straight to the point. Guido is good. Xerxes —think about it when you say it, Zer-ke-sees —is terrible. No hard consonant. Three messy syllables. The dog will have heard it over and over again from Piero and understood what it meant from the repetition and the intonation of his master’s voice. From anyone else it just sounds like mush. Do I make myself clear?”

“Yes! So what do I do?”

“You come home with me. Then tomorrow we go back to Rome and attempt to resume lives which are as close to normality as our dysfunctional personalities will allow.”

“And the dog?”

She let go of his hand and wagged a finger in his face instead. “You can’t save everything, Gianni. It’s just not possible. At some stage you— and Nic, and Falcone—have to accept that there are casualties in this world. Besides, even if by some miracle you do find it, what the hell do you do next ?”

She saw the guilty, furtive expression in his face and suddenly wished she’d never asked that question. A man who habitually rescued things always knew a place to put them afterwards.

“No. Don’t tell me. It’s the cousin in Tuscany again, isn’t it?”

“Not quite,” he answered, and pulled some crumpled papers out of his jacket, placed them on the table and smoothed them out. One was a faxed memo from the Questura in Rome. The second was a couple of sheets containing bad colour photos of a little farmhouse, not much bigger than Piero Scacchi’s shack, the kind of papers you got from a property agency.

“I was meaning to bring this up. They’ve offered us a career break. Me, Nic, Falcone. Career breaks are very much the in thing in Rome just now. Refreshes the mind. Or something like that.”

She’d heard they’d been going the rounds, usually in the direction of people the boss class didn’t know what to do with. The very idea filled her with suspicion.

“This would be the we-don’t-get-to-pay-you-any-money-but-you-piss-off-and-stay-out-of-our-hair kind of career break?”

“The job’s still there if you want it,” he said. “You just disappear. Six months. A year. More if you like.” He paused, licking his lips. “Maybe forever. My cousin Mauro’s got this spare farm of his. Pigs. He can’t sell it. I could get it for free for a while. See if I can make a go of things.”

She took a deep breath. “You’re leaving me? For pigs?”

“No!” he objected, shocked by the accusation. “I’d only go if you could get a career break too. Wouldn’t be hard. I know a few people . . .”

“Read my lips. I am not raising pigs.”

“They need doctors everywhere,” he said, shrugging. “You could get a job at the surgery in town. They’re nice people.”

“You checked this?”

“Kind of. But not in a committed sort of way. Not . . .”

He sighed and squeezed her fingers. Fat fingers. They were both very alike in some ways, he and she.

“I thought perhaps it was time to try something different. Leo’s going to be out of it for a few months. Nic’s got ideas too.”

No bodies. No morgue. No budgets. She could rent out the apartment. She could go back to dealing with living people for a while. There were attractions. The trouble was it would take a kind of courage she was unsure she possessed.

“It was just a thought . . . . I should have discussed it with you before I asked for these papers,” he admitted. “I’m sorry. It was stupid.”

“If it worked, Gianni, you know what it would mean? We might never go back. No more Rome. No more Questura. No corpses. No fun.”

“This has been fun?”

“Sometimes. We got one another out of it, didn’t we?”

“Well, yes, but . . .”

“But what? We’re good at this. All of us. It’s just that you three don’t know when to stop. You just walk straight in and take it all head-on. This habit must cease.”

“Maybe we don’t know any other way.”

“Then perhaps it’s time to learn!”

He didn’t object. Peroni was always willing to consider alternatives. It was another of the unpredictable qualities that got to her.

“And if I do that we can both go on a career break?”

She looked into his battered face. “Is that what you really want?”

“I don’t know,” he answered honestly. “What do you think?”

“I think we should find the dog.”

“You said he was dead!”

“He probably is. But try this thinking-round-problems idea. You haven’t asked the right question. Even though you know and, more to the point, I know it, since you’ve told me every last thing about the animal already.”

He sat there, mute, puzzled.

“Oh for God’s sake,” she sighed. “Isn’t it obvious?”

Teresa Lupo got up and set off for the little shack. She doubted it would be locked. She doubted Piero Scacchi was a man who failed to keep a backup for anything that was important to him.

Gianni Peroni waited obediently at the table, watching her return, enlightenment dawning in his eyes.

When she came back, she placed the old, grubby shotgun in front of him, and kept the box of cartridges she’d found on her side of the table.

“Don’t kill anything on my account,” she said.

THERE WAS A SUBSTANCE ON THE APRON FALCONE explained An industrial solvent - фото 65

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