David Hewson - The Lizard's Bite

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On an August night on a small island near Venice, a fire explodes in a glassmaking shop. When help arrives, two people are dead, a rich Englishman is implicated, and investigators from Rome are assigned a case no one wants them to solve....In this spellbinding new novel featuring Detective Nic Costa, author David Hewson weaves together the rich fabric of Europe’s most beguiling city with a riveting tale of passion, corruption, and the poisonous bite of betrayal. On their private island, the Arcangelo family defy the world: living in a decaying palazzo, making glass in a terrifying, archaic furnace, watching their absurd exhibition hall sink into disrepair. But now the world is coming to their dying outpost in a crumbling corner of a Venice that tourists never see. Police boats and vaporetti bring investigators, curiosity seekers, and one man who plans to own the property himself. With two family members consumed by the foundry fire, both mystery and opportunity have been bared to the bone. On special assignment from Rome, Detective Nic Costa, along with his partner, his boss, and a dogged pathologist named Teresa Lupo, is getting in the way of progress, Venetian-style. They know that Uriel Arcangelo and his wife were murdered. They know that a predatory Englishman must be a suspect, as is the family of the murdered woman. And while everyone wants the Roman cops to give up and go home, they can’t–because a matter of desire, death, and lies has just turned murderously on one of them.... A tale as bewitching as its lush backdrop, 
 is an astounding alchemy of superb writing, vibrant atmosphere, and sheer, gripping suspense.

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Instead he was on the Isola degli Arcangeli, watching a couple of hundred members of the city’s finest prepare to stuff their faces from table after table of rich delicacies supplied, doubtless at great expense, by the Cipriani, and all to mark . . . what? Tosi was unsure of the answer. To honour their own splendour in all probability. This was, he had soon come to judge, an unpleasantly narcissistic gathering.

Anna, to his disappointment, was part of the show. She was now dressed in a rather short skirt and shiny red silk blouse, the skimpiest clothing her grandfather had ever seen her wear. The John Lennon spectacles were replaced by contact lenses, which gave her a rather glassy-eyed look, Tosi thought, not that it stopped the men despatching inquisitive, admiring glances in her direction.

Had he cared, Tosi, in his old dark work suit, might have felt himself underdressed. Everyone else seemed to be as fixated with their appearance as Anna was. Dinner jackets and evening dresses flitted around him in a constant swirl. Half the splendid, chattering dining rooms of Venice would be empty this night. Their owners had gathered on the Arcangeli’s sad little island to raise their glasses to its supposed rebirth and, more importantly, Tosi felt, to the Englishman who had breathed new life back into the venture. A man who was about to become a kind of modern Doge, honorary lord of the city, in all but title, a grandee elevated by his peers in a symbiotic process—one in which gratitude was both given and received—Tosi was coming to understand only too well.

He’d watched the way Massiter strutted through his audience. A puffed-up peacock of a man, quite unlike most of the upper-class English Tosi had known over the years. At one point he’d wished for the courage to walk up to this newly crowned faux-aristocrat, to point out that sometimes the Venetians tore down the princes they had so warmly elected only a little while before. A screeching mob had cut the throat of Orso Ipato, the first Doge. Marino Faliero had been summarily beheaded by his fellow nobles, and at the age of seventy. Not that creatures like Massiter knew or cared about history. It was a subject for old men these days, though that was not the reason Tosi failed to make the point to his unwanted host. Respect and fear went hand in hand in circles such as these, a fact the old pathologist never let slip from his sharp and capacious memory.

Sometimes he wondered what Venice would be like fifty years hence. He was grateful he wouldn’t be around to witness the transformation. The streets would echo to the gabbled tones of English and Russian and Chinese, anything but the gritty vowels of the Veneto that Tosi still liked to speak at home on Sant’ Elena. The place would be an international zone entirely, run by foreigners for foreigners, with only dependent locals still around to hunt for crumbs.

Alberto Tosi believed he was a civilised man, one who had long understood that the world always changed. But sometimes, when he read the local newspaper and the latest plans to bring ever more hordes of tourists into an already over-choked city, he was unable to shake off the impression that progress was merely an illusion, a catchword designed to disguise the cruel trick being played upon the many by the few.

There was precious little space for self-respect in this new Venice, a quality Tosi regarded as essential, a badge of pride to be worn by everyone, from the man who made your coffee in the morning, carefully working the valves and pipes of his Gaggia machine, to an ageing city pathologist who was still more than a little disgruntled about being railroaded around by the authorities when it suited them. Without self-respect, one was simply a wage slave for the faceless figures who seemed to own everything, control everything, pulling the city’s strings from inside their banks and accountants’ offices. Tosi had no problems with the idea of a society divided by class, provided each level had its own reason to survive. This new world unjustly divided its occupants into winners and losers, the few and the many, making a pretence of egalitarianism when, in truth, it was more close and tight and viciously elitist than the ancient regime it sought to supplant with its new cabal of rogues.

Massiter, a master rogue, as all knew and none dared say, played this game like a maestro. The Arcangeli had always been discerning about those they allowed beyond the outstretched arm of their iron angel and its torch, which now burned more brightly than ever. The Englishman decreed that the gates to the island be open, for the first time Alberto Tosi could remember. This evening anyone in Venice was welcome to walk through to admire Massiter’s coronation.

Few, beyond Massiter’s large and growing circle of hangers-on and succubi, seemed to have bothered. Tosi knew what the locals on Murano were like. They hated newcomers. They’d loathed the Arcangeli for decades. Nothing, not money, not influence, would make them feel warm towards Hugo Massiter. This was an adventure beyond them, the arrival of the first speck of canker from across the water that would, one day, consume their impoverished little island and spit out in its place the same gaudy, transient hoopla found everywhere else in the city.

Tosi tasted his weak, badly made spritz and scowled. Then he saw a familiar figure approaching, one who generated both admiration and a little worry.

Anna followed the direction of his gaze. Teresa Lupo, the Roman pathologist, was striding towards them with a deliberate, determined gait.

“I’ll see you later,” the girl muttered. He watched her depart in a flash of bright red silk, gone to where the young were gathered, next to the drinks table manned by serious, white-shirted waiters, working beneath the fiery torch of the iron angel. This was only Alberto Tosi’s second time on the Isola degli Arcangeli. The first had been almost fifty years before, at some grand gathering to which his own father had somehow managed to wangle an invitation. Those were different days, with different people, two decades before the accident that closed the palazzo to the public for good. But even by then the island’s fortunes had changed. Angelo Arcangelo was dead, and he took his dream with him to a temporary grave on San Michele across the water.

He was ruminating on this fact when his attention was drawn by Teresa Lupo’s bright, cheery face.

“You’re a little late for the crime scene, Alberto,” she declared with a brisk, sardonic smile.

He laughed and, for a moment, a rebel part of him wondered whether a lively Roman pathologist on the cusp of middle age could possibly be interested in an ancient widower with little to offer but the same shared interests.

“Which one?” he asked. “This place has so many. Those poor people in the furnace. That Bracci character. Your own inspector. How is he, by the way?”

“Much better,” she replied. “But dreaming for now.”

“Dreaming is a talent to cultivate. Particularly tonight.” He finished his glass and took a second off one of the starchy waiters drifting by. Tosi scowled at the crowd. “I wonder how many dreams these little lives encompass. They’re all too busy counting their money or running through their wardrobes.”

“Perhaps they’re here for the thrill,” she said with a cryptic glee. There was a cunning glint in her eye, one he didn’t quite trust. “To be so near the smell of blood.”

“In Rome they may play those childish games, perhaps. This is just Venice, Teresa. A small and simple city, where we lead small and simple lives.”

She scanned the glittering crowd. “I don’t think they’d like that description.”

“I don’t think their opinion counts for much,” he answered, unable to suppress the bitterness in his voice. “There’s scarcely a real Venetian here.”

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